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Shaggy

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Everything posted by Shaggy

  1. Jack Bruce was playing one on the Cream recent reunion gig, sounded very fat and bluesy especially in contrast to the Warwick he swapped to. Have to say though if I wanted to play something that looked like a bass fiddle I'd go for the real thing!
  2. [quote name='BottomEndian' post='433556' date='Mar 13 2009, 12:59 PM']Interesting! Do you use the bridge pup on its own?[/quote] Personally, very rarely on [b]any[/b] dual p/u bass - I find combined setting is generally where the tone is at, or neck p/u only for a darker tone (eg; for R&B / blues). The bridge p/u on my Eagle certainly gives a fatter sound than on my P/J precision, but I guess the big advantage of P/P is that the output of the p/u's is better matched than with P/J. A lot of it is aesthetic too - a J / P would just somehow look "wrong"!
  3. [quote name='The Funk' post='433534' date='Mar 13 2009, 12:46 PM']Warwick do the Buzzard which I think has two Ps - and the one at the bridge might be in reverse. Would be interesting to hear a J-P![/quote] Just beat me to it!
  4. [quote name='BottomEndian' post='433484' date='Mar 13 2009, 12:16 PM']I'd be really interested to hear the extra "bite" from a P at the bridge. My guess is that you'd have to swap the P's coil positions (E-A unit closer to the bridge than D-G unit) to avoid the D and G strings being too twangy.[/quote] I've seen "mirrored" dual P p/u's like that (Warwick Stryker?), but BC Rich - who have been using mainly dual P DiMarzios on their basses for 30+ years, leave them in standard configuration and get a lovely punchy sound.
  5. Used a Tele bass in the early days I'm fairly sure
  6. Another satisfied customer here; bought a 2x10 of him this week, fast easy deal, he knocked a tenner off the price without my asking for a cash deal, even threw in a free speaker lead (as I didn't have the right sort), fast despatch, sorted. Great guy to do business with
  7. Slick deal with Eteinne, bought an amp stand off him this week - despatched the stand to me immediately. Top guy to communicate and deal with - would do so again anytime Living proof that not all scousers would nick the wheels off their Gran's wheelchair.........
  8. This post cannot be displayed because it is in a forum which requires at least 1 post to view.
  9. [quote name='benwhiteuk' post='430400' date='Mar 10 2009, 12:52 PM']It looks like a bad throw-back to the dark period of 80s guitar design...[/quote] [size=4]Hey - you talkin' 'bout the golden age of bass, fool! [/size]
  10. +1 "Don't come close" and "Sheena...." my faves. I had tickets to see them (Liverpool Uni) and they cancelled last minute to play "Baby I love you" on TOTP. Gutted
  11. uh-oh - watch out for the impending lawsuit!..........
  12. Fan on my QSC RMX-850 decidedly noisy, noticable at home (but not to the pooint of being a distraction) but inaudible at even very quiet gigging levels.
  13. [quote name='skankdelvar' post='426839' date='Mar 6 2009, 01:05 AM']PM'd[/quote] replied
  14. A couple of trade offers but nothing definite - so still available folks!
  15. Everyone knows these - not boutique - but tough, dependable, great power-to-weight ratio, punchy clear sound, and very cool looking with the aluminium cones (never fails to wow guitarists for some reason!) 8 ohm, 300W, ported, [b]very[/b] light and compact. Had this from new nearly a couple of years and only used it for rehearsals, as a monitor cab when DI-ing, and a couple of small pub gigs so never thrashed; still virtually as new. Too much gear so just looking to shift it quickly for £70, otherwise I'll keep it as back-up. Not worth shipping at that price so collected from South Wales (Swansea or Bridgend) or as mentioned in my Gibson RD Artist sale I'll be driving over to Cambridge next month if that goes close to anyone interested.
  16. Would consider swap for Mesa Diesel 2x 15 EV, 800 watts, 4 ohm (also stereo option 2 x 8 ohm) road-ready (flightcase) version Well gigged, but absolutely no issues and sounds wonderful. Love it, but I have a 1516BE to use as a "big" cab, and yours would make a great "small" one. Ampeg heads with Mesa cabs are the pefect combination IMO! PM if interested.
  17. Thanks guys! Forgot to mention- - Unlike Thunderbirds these [b]don't [/b]suffer from neck dive; nicely balanced. - construction and xtra long scale makes them ideal for drop-tuning malarky such as BEAD
  18. This is Woolleydick’s old RD Artist, which has been my main stage weapon for the last year or so. With a change in band material I’m playing my Gordon Smith and fretless rather more, plus I’ve recently acquired another RD Artist in the sunburst finish that I’m a sucker for. This is an ’81 model, in clear nitro finish natural maple which has aged to a nice pale honey tone all over. The woodwork, finish, Gibson-branded Schaller tuners, and 3-point bridge are original. As you can probably see the pick-ups are not; the original black series V humbuckers were replaced 2 owners ago with chrome EB-3 type units (Japanese made, Allparts supplied), and the original Moog preamp replaced by what I was informed is a Bartolini 2-band EQ one. The brass nut and generic Gibson truss-rod cover are also not original, and rear battery cover is missing (NOS ones available on t’bay). RD Artists have the classiest headstock on any bass ever I reckon, the Gibson logo and “flying note” inlay are real mother-of-pearl. The controls are; vol / vol / treble boost-cut / bass boost-cut, p/u select (neck/both/bridge), with micro-switches for active/passive (wish every active bass had one!), and phase invert. Quite simply there is nothing that looks like these basses, or sounds like this one. They are heavy – a big solid chunk of maple, but really ergonomic – if you play fingerstyle (as I mostly do) you can rest your palm on the upper body cut-out whilst doodling away on the strings; so comfortable. Set neck, body-through stringing, extra-long scale (34.5”), and dense maple body means it sustains for ever. Versatile: you can get the muscular EB-3 sound (think Jack Bruce, Jim Lea, Andy Fraser….) but with more punch and top end available, rather more Fender P. The preamp is very effective and hum free but I almost invariably use it passive – just such a rich, growly, ringing tone. I reckon the chrome p/ups look so much more right on an old Gibson too. However, the mods have obviously devalued it as a collector’s bass, so I’d only be after what I paid for this; a firm £550 collected, shipping on top. I’m based in South Wales, fairly near Swansea, but drive over to Cambridge now and again to see family – next time Easter, if that’s near to anyone interested.
  19. [quote name='mrcrow' post='422381' date='Mar 1 2009, 02:21 PM']so do rickenbacker...[/quote] separate [b]amps[/b] per pick-up in stereo mode.... (Ovation Magnum 1 & 3 too) Brilliant if you can be arsed to lug 2 rigs around!
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  21. [quote name='dangerboy' post='420103' date='Feb 26 2009, 02:38 PM']I'd get a new scratchplate made with 4 holes for knobs and one for a 3-way switch, then de-solder the existing electronics from the pickups, and remove the whole control assembly in one go, including scratchplate. Then wire up the new scratchplate with new pots. That way returning the bass to stock would be easy.[/quote] This is what you'd want: [url="http://cgi.ebay.co.uk/OVATION-MAGNUM-BASS-PICKGUARD_W0QQitemZ310124484030QQcmdZViewItemQQptZGuitar_Accessories?hash=item310124484030"]http://cgi.ebay.co.uk/OVATION-MAGNUM-BASS-...tem310124484030[/url] Seems a bit on the pricey side; I'd be happy to make a template of mine if it helps! Awesome basses.
  22. Shame, that just near my parents' place where I grew up ! (Cherry Hinton) My son's a lefty - if I take him, can I go? ( he plays guit*r mind! )
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