I enjoy the vocals of Mark E Smith and Bob Dylan - the imperfections are part of the charm.
I do like the singing of Aretha Franklin say, but she doesn’t need correction.
So for my ears it doesn’t have any application.
But if it can help someone with good ideas and character to iron out a few glitches then I’m happy too.
I would take the middle ground here.... choose an amp and speakers that had the same power rating.
Not out of compromise, I just don't know any better!
I agree that the drummer in a chicken suit is a good way to signal that you are not taking it too seriously. I think in another TOTP appearance the drummer played at the front , topless - using fish as drumsticks.
I go to the occasional Bluegrass gig and I’ve only ever seen a double bass or maybe no bass.
However seeing as it’s a jam and there’s already a tele in the mix hardly worth the layout😉 ( of cash and learning)
But a uke bass would be cheapish and not too hard to adapt to and would fit sound wise.
I've seen a few Basschatters praising the basswork on a the early Quo albums, so that validates the OP's point.......... to a degree.
Not, however, to the degree of universal worship amongst the entire bass-playing population !
Lol, enjoyed that description (but I do like JAMC)…….
….. are you thinking of bring this descriptive service to the monthly Basschat Composition challenge?
Oh, go on one more then........
The Telescopes "Taste" album is a great example of wall-of-sound multitracked goodness...
(Singer Stephen Lawrie: "I asked the guitarists to lay down 8 tracks of guitar.........each")
Example - Violence
I'll go for aone of each... goodie and baddie.
I think the band Placebo are OK.... but I love Brian Molko's guitar sound..... powerful and overdriven yet percussive:
Might be sacrilege to say it but I always thought the Clash had a bit of a lame guitar sound in their punk days compared say to the Pistols: