PaulThePlug

A Little Easter Present... Not a Golden Egg but a Golden Face, replacing the Orange Juice.

Not a fan of the style of bass... but love the sentiment.

See Gerry play with Nine Below Zero... great gig.

...or for that rare request of Mull of Kintyre...

Are you saying Drummers are fat?.. 😉

The Beringer Vintage Phaser is an Old School Bargain Small Stone-alike and the Joyo MXR-alike pedals are great value and great sound... often SH The Single Rate Pot can do nice and slow, but i likes my Phasing a little more subtle than than the demos sound, and have a Joyo Ironman Nebulus Phaser Boss-alike

Rather Nice... https://www.ebay.co.uk/itm/226071149179?mkcid=16&mkevt=1&mkrid=711-127632-2357-0&ssspo=yQLIN0JPSQm&sssrc=4429486&ssuid=daj_hJ6fSo-&var=&widget_ver=artemis&media=COPY

Still need to sort out my Workingman's 12 'Washing Machine'...

Weasels Ripped My Flesh - Frank Zappa

My Joyo British... I also fancy a Joyo Ironman Golden Face to go with the Orange Juice...

I think @TheGreek picked up something similar i spied on the cheap as he was local... might be worth shouting him. Must admit it looks nice...

No Quarter - Led Zep... JPJ eh!

Although Delay hasn't been mentioned... and usually placed at the end - less Amp Sim or depending where DI is taken - from my gtr days of the dim and distant past of the early 80's... I likes my Delay before my Slow and Subtle Phaser... so the repeats get changed, just a little, rather than before, when the repeats are the same! Sounds more Organic to me. Usual would be Tuner/Compressor/Filter&EQ/Drive&Distortion/Modulation aka Phase,Flange&Chorus/Delay&Reverb/Amp 'n Cab Sim/DI... Depending where you want your DI sound taken... maybe also taken earlier in the signal chain for a mixed wet/dry sound. Most important give em a go and see what you hear different and what ya like.

From The Inside - Alice Cooper

Yes Mate... 'Gibson' Set-Neck Esq... usually stop n tail bridge normally have the angled rings of 2 sizes... Small size and edge to neck.. large size and edge to Bridge. As the neck is usually laid back 5 deg-ish... plus the archness of the body So the pickup poles distance from the underside of the string stays the same, even if the strings run further away from the body as the go to the bridge... 'Fender' Bolt-ons necks are usually more parallel-ish to the slabbier body, and less height difference pickup to pickup and string to body, while the pickup pole to string underside stays the same Strange i had angle surrounds on a Epi Bolt on LPish... swapped en for flat. The Yam Set or Thru-neck?

I'd give it a go... Body, possibly swamp ash 😉 is already shedding its skin, and the neck is gonna need a proper sanding to get rid of the mould any howz... Great way to spend the evening sun when it comes, in the garden, cool beer, and some simple sanding and waxing, no faff painting...

Justified and Ancient - (No, NOT Madonna again!) - KLF

Loved the Amdek (Boss) kits that were about in the 80's - Had the Distortion, Chorus and Phaser... unfortunately got stolen 😞

If the straps are long enough... pull them up and get them sewn across at the height that you want, not long enough cut and re-sew, maybe using a bit of webbing going across, inside and out.

All Moving Parts Stand Still - Black Sabbath

Loves the idea of kickbacks... Try a bit of 2"x2" under the front

You need to make a NBD Post with a pic - them are the rules.. Here is my SR300CARM J project

Yep... same processor brains sampling as far as i remember, 100 patches A-J, 0-9, and 'Steerable' with ToneLib but won't work with the Zoom Software... The supposed gains of the Four user interface v's half the patches and elements of use.

Have a look at the B1Xon FX list... Almost all effects have at least one parameter that can be EP assigned.B1on_FX.pdf

^ More a Patch can contain up to 5 Effects, with 1 that can have the Expression Pedal applied to 1 of it's Parameters. I think the B1on has more patches, and more effect's parameters that the EP can be assigned