leschirons

Always owned a jazz of some description. Great neck, great pickup spacing, can do anything on it, great look, good balance. The perfect "if I only had one bass" bass. Reason not very many Precisions are up for sale is that the warmer weather is bringing us nearer to summer and outdoor persuits and apparently they make a great canoe paddles.

[quote name='YouMa' post='457893' date='Apr 8 2009, 09:22 PM']Is anybody on here into the stuff Scott Walker from the Walker brothers did,i really like the production.Anybody with me on this or am i still the fairly young man into old mans music?[/quote] No mate, you're not on your own. Outstanding singer. Probably the best thing around at the time and not many since can match that voice. He went a bit weird in later years going all experimental with blokes banging watering cans and waste bins in the studio but the voice was still there. Most will call it old hat but when you hear Sun ain't gonna shine anymore, it can still get the old neck hairs rising. It was right up there with PJ Proby's Maria. And as you say, the productions were great, and BIG.

Joe Bonamassa and Government Mule ("The deepest Cut" album has about 20 guest bassplayers on it)

Welcome to the forum. If you like a laugh, just title your next post "Jazz is sh*t" and sit back and see what happens.

Got offered a blues gig for a week in Poland two years ago with a French band. Was right up for it until they told me that we'd all be in the same hotel room every night. (7 piece band?) So, yes, providing I was happy with the band and the arrangements for the tour.

[quote name='spinynorman' post='456420' date='Apr 7 2009, 02:10 PM']Talking of drummers, Jon Hiseman with Colloseum in 1970, hard to believe there was only one drummer playing. I'm sure he had a couple of dwarves hidden behind the kit to help out. I saw the first outing of Derek & the Dominoes at The Lyceum in June 1970, I think the only gig Dave Mason played with them. Oh, and Ginger Baker's Airforce with Phil Seaman and Graham Bond, around the same time.[/quote] Colloseum were great. I'd forgotten about them. they were always on at the Marquee. Think the bass player was called Dave Ambrose and used a huge semi acoustic bass from memory, maybe a Guild or something like that. Loved Dick Heckstall Smith as well. Think he possibly passed away in the not too distant past. Wrong about Dave Ambrose, he was with Brian Auger. It was Mark Clarke.

If they have exposed pole peices, you will see 4 on the 4 string pickups and five on the 5 string pickups. Don't these need to be in line with the strings? (directly under each string) This has always been an issue with guitars when I've had pickups changed in the past. The 5 string pickups may also be longer and you wouldn't want to have to rout out the body. I would look in the marketplace section for some good secondhand 4 stringers.

[quote name='Hutton' post='456104' date='Apr 7 2009, 07:51 AM']Jams are a great way for musicians to enjoy themselves in a social and informal setting. Therefore, it doesn't matter if you are Coltrane or just a beginner. It is also an excellent opportunity for more experienced musicians to share their ideas with beginners, unless of course they are elitist and only want to play with "proficient" musicians. I wouldn't say songs like Watermelon Man and Cantaloupe Island are not credible jazz no matter who is playing them. Herbie Hancock's reputation speaks for itself, whether you like it or not is subjective.[/quote] Spot on.

[url="http://www.youtube.com/watch?v=iCtGV3yCcXE"]http://www.youtube.com/watch?v=iCtGV3yCcXE[/url] I know this is not what some would call jazz, it's old and there's some big hair about and maybe a bit twee in places but there you go. I love it. It's got a real feel good factor about this sort of music and would kill to play in an outfit like this.

[quote name='warwickhunt' post='456063' date='Apr 7 2009, 07:58 AM']Try and source an electric bass that has piezos in the bridge. You can then mix and match and get a very useable acoustic bass tone but you'd have none of the problems associated with an acoustic bass and all of the benefits of an electric.[/quote] That's a good idea.

Dive straight in to the 5. No point in going with a four if you think you're likely to use the B. Check out the Hohner 5 string basses. Good build quality, great price and some of the lightest basses I've ever picked up. Having said that, the greater the neck mass, the better the sound.

On my mic stand, taped on with a little strip of gaffa tape. Only use it for one song (Down to the doctors, Dr Feelgood) It's always in view for when you need it and easy to rip off the tape.

Great player, great interview Thanks. Career wise, his own worst enemy. Maybe that's what makes some great people great, but usually self destructive.

[quote name='YouMa' post='454551' date='Apr 5 2009, 11:03 AM']I had the same problem with my streamer,im going to fit a preamp to my new fender jazz but i am going to try and get something as uncomplicated as possible that just makes the bass more powerful.[/quote] That'll probably be a J retro East will it? No routing needed so you can stick the old control plate back if you ever sell it on and it's back to original.

Tried one the 6 stringers owned by a mate. Not the greatest finish and a bit low on output but certainly well playable and for the money, you can't complain.

I would imagine that you already have a style of bass in mind ie, a super jazz , really modern pointy thing, headless etc. Maybe you should first look at the luthiers who have in their range, the general type of bass that you're after as the possibility exists that they may do a bass you love the look of generally but would fancy a different top / electrics / fingerboard radius etc. This may give you you're perfect bass and keep the cost down a bit.

Maybe a semi acoustic electric bass would be good compromise so you can go full on electric afterwards if you want without having to change your instrument.

[quote name='chris_b' post='455076' date='Apr 5 2009, 11:56 PM']Did you ever see Ten Years After on Sunday evenings? They had a weekly residency in about 1967. A few years later, about 1972 or 1973, the Average White Band did the Sunday spot with Robbie Macintyre. He was one of the best drummers I've ever seen.[/quote] Fraid not. Only saw Ten years after once, but not at the Marquee. Messy, but seriously exciting.

Interesting stuff all this. Makes you wonder if Miles Davis wrote a tune in 4/4 time going from A to D to A to E to D to A, would people call it great jazz or just another 12 bar in A. I don't think I need to understand what people were trying to achieve when composing or playing. If it sounds good to me, then I like it, and therefore, is percieved good music to me. I went to see Andy Summers' trio at Pizza Express about 10 years ago. He played a number, talked about it's composition for 15 minutes, answered questions from a couple of guys in the audience about why he'd chosen to put an Ebm6+13b5+9E=Mc2 in at that point and spoke about how he'd got into Thelonius Monk at the age of 4 months. Some people really enjoyed it, great, but great, is in the eye of the beholder (or ear in this case) I can highly reccommend the four cheeses special. And, I like David Sanborn. Marcus Miller seemed to as well. Or maybe some think he was just paying the mortgage when working with him as it wasn't proper jazz

Ah the jazz argument. There are always going to be people who tell you "if you don't like THAT, your mad, listen to this , it's great, you like THAT? it's sh*te. Well at the end of the day it's all only music whether it's got 2 chords or 167 chords and 15 key changes. If you like something, it's good for you, if you don't, then it's not. Some think that jazz is some kind of deep philosophy. It's just music, some you can tap your foot to and some you can't like anything else. I love loads of jazz that others would call crap but who cares. Get some songs you like and try and learn them. Must be the place to start I would imagine. I don't think "Jazz" needs analyzing. Just my opinion. I'll now wait for the floodgates to open.

[quote name='thepurpleblob' post='454946' date='Apr 5 2009, 09:51 PM']Is that like A#...... only jazzier??[/quote] [size=6]Aha, so you do know about jazz already.[/size]

[quote name='thepurpleblob' post='454771' date='Apr 5 2009, 03:47 PM']For you jazzers out there I guess. I have read a number of discussions on here about Jazz concepts that, while often over my head, I find really interesting. I also keep reading variations on "learn some jazz concepts and it'll really set you up as a player". So, is the latter true and if so where do I start? I have no clue about Jazz music - never listed to any which is probably a bad start. Any recommendations?[/quote] [size=6]Bb[/size]

3 hours? I reckon you got the gig. Well, I hope so anyway, especially if you nailed the ones you didn't know you had to play. Nice one.

[quote name='Oscar South' post='454767' date='Apr 5 2009, 03:43 PM']You should put 'The Seeker' on there, good song.[/quote] Funnily enough, I did fancy a Who number and would like to get Won't get fooled again in the set.

[quote name='geoffbyrne' post='454516' date='Apr 5 2009, 08:45 AM']Yup, I'm 62 and off for an audition for a rock band today, although my other band is middle-of-the-road G.[/quote] Good luck, hope you get it.