chris_b

I wish. Sadly, even before the lockdown, my diary was telling me people don't seem to need a chris b as much as they used to!

Everyone should have a plan B.

There are a lot of assumptions being expressed here, but it says a lot when the majority of posts are focussed on trying to find something negative to say. That's exceptional playing for a kid of his age and physical development.

IMO if I wanted more versatility from a P bass I'd change the pickups. If that didn't work I'd get a good preamp pedal. If that didn't work I'd find a bass that did exactly what I wanted and buy that.

When you choose the right tool for the job you do a better job. Natch.

I would imagine those basses will sound pretty close to each other. Aggression is probably best measured by how the bassist plays.

I hadn't heard that, but I believe Dave Gilmour played bass on some of their records.

DG has moved on. Poor RW seems to be stuck in a time warp of negativity and self pity that he can't get his own way.

A bass is a tool to do a job. The job is to make music. The number of strings is irrelevant. I prefer more choices of notes and playing positions so I play a 5 string bass.

Waters has poisoned the relationship so effectively that if he wants a legacy website he'd better hope someone puts one together after him and DG have both snuffed it. Reading DG's comments you really get the feeling that any future Waters involvement really will be over his dead body. I guess DG owns the PF name and brand so it's reasonable for him to make the rules.

Yet another use for a Precision. These basses are more than a one-trick pony.

Keep a lookout for the 4 string version. What bass is it?

So, if I've read this right, you don't want to play a 5 string bass but you're buying one because you can't get the 4 string version! If you don't mind me saying, planning to only use the top 4 strings on a 5 string bass is a weird idea. If you buy a 5 string bass you should be intending to play all the notes on all strings. You're not buying this bass for the right reason. I predict you'll be selling it inside 6 months.

Yep. That's Vail Johnson in the Video. Keb Mo has about 5 different A list bassists on that album. It's a real master class of playing great lines for the song.

As well as left hand muting, move your thumb to rest on the A string so that you are also touching the E string when you are playing the D and G. Your hands should never be static. Keep them moving to enable you to place your fingers at the right spot for every note.

I get bored of all demo slap. This is Victor Wooten playing "normally" and being excellent in the process. https://www.youtube.com/watch?v=xgu2BG3G3i0

Everyone's posting about hating slap, but all the examples are of "circus" slap bass. The sort of bass playing that is irrelevant to music/songs. Slap in the context of a song, ie Ashes to Ashes and Never Too Much, Thank You etc, can and does work very well.

Excellent album. . . . . . . . and the "follow up" Dukes Of September, featuring the wonderful Freddie Washington.

I'd suggest that while we are in lockdown you stop washing your clothes. No one will notice.

So the design concept for the NXT cabs is to move to warmer more musical sounding drivers. Does it work? What do you think of the NXT212 sound?

If you're keeping the amp then all you need is a cab. Combo's are limiting if you want to upgrade either the amp or cab. If you like the sound so much, replace the STD 102HF cab with another. IMO it sounds better (bigger and fuller range) than the equivalent Traveller cab. I use Barefaced and would recommend them to anyone, but you've got to listen to a few different cabs before you chose.

By doing it a lot. Like anything, the more you do it the more you'll improve. Always start with the original bass line on the record. This isn't about you being original, it's about you understanding the relationship between notes. It's easier to start with an existing bass line that you can replay as many times as you need. Listen carefully. Start with songs you like and know then move on. Notice how the notes follow each other. Notes are either higher, lower or the same as the last note. First you'll start to hear the direction of flow and the patterns(12 bar, pachelbel, 1,2,5 etc), then you'll start to hear the intervals, then you'll anticipate the notes and be playing on the hoof.

That's exactly what I did until heavy cabs wrecked my back. These days I have to buy on weight first then sound. Fortunately I have a lot of choice. If I had to use 90lb cabs, like the ones that caused my problems, then I'd have stopped gigging 15 years ago. The price is what it is, but my light cabs have all been in the top tier for tone.

. . . . . . . !

Relic is just a finish. That's all. Same as sunburst, black or pink sparkle.