Doctor J

Bassdrobe, the [i]real[/i] one Keeps them out of harm's way while being easily accessible too. Lots of basses in a small space means I don't hear about it from the missus too.

If you're running the input gain low so the signal is as hot as the amp can take then it'll be no different than if you run a low powered bass and boost the input gain. The pre-amp is still sending the same level to the power amp.

Wild & Peaceful by Kool And The Gang, the album. Everything you need is contained within.

These are worth reading [url="http://www.fralinpickups.com/choose.asp"]http://www.fralinpickups.com/choose.asp[/url] [url="http://www.fralinpickups.com/Guitars_Pickups.asp"]http://www.fralinpickups.com/Guitars_Pickups.asp[/url] Bear in mind that super high output is a fairly recent trend, the "vintage" tone that people spend absurd amounts of money on is primarily based around quite low output pickups.

They're also entirely sympathetic to the accompanying vocals and instrumentation.

All of those basslines leave room and, in truth, are fairly repetative. What pretty much everyone has said is play for the song. This doesn't mean play root 1/4 notes every time, it means play a bassline which fits in [i]musically[/i] with what the other musicians are doing. [quote]IMO Basslines are as important (possibly more so today in the era of D& as the chord progressions - so shouldn't just be treated as part of the backing track for guitarists..[/quote] No one will disagree with you. This still doesn't mean every song requires an example of all of your chops. The right bassline in the right context.

It's not about keeping it simple or trying to be clever, it's about the right bassline at the right time. As mentioned, some low end pyrotechnics will destroy the likes of an AC/DC number (I've seen it done) and my mind is forever scarred by a Stingray player I saw a long time ago who thought his popping and slapping through even the most tender of ballads was acceptable. Depending on your drummer and how your guitarist plays there can be a need for the bass to be a bit more expansive, but it has to fit in with how your band mates play. I, for one, feel physically ill every time I'm exposed to the combination of 'mediocre drummer-flashy bass player' - don't these people listen to their band mates? There is, perhaps, a self-imposed pressure to leave the punters under no doubt that one is capable of more than just some decent basslines, that a bassist can do widdly widdly and tapping too but remember this, Adam Clayton is richer and has [i]pl[/i]ucked more beautiful women than all of us put together so who, I ask, can really say what is right or wrong?

30 years have passed, therefore they are good. You'll find early 80's Fender basses are also good now. Mid 80's, not yet.

I find it hard to spend time on TB without wanting to put my fist through my monitor these days and threads like that are one of the reasons why.

Going on the sounds you like I'd say try a Warwick Corvette $$ (Double-Buck). I don't think you'll be disappointed.

The seem to have overlooked the humble blend pot, which might also offer a gajillion other tonal change possibilities.

Probably this Ibby SR - Paduak sandwiching a mahogany core, with a 5 piece wenge and bubinga neck As for something beyond my means, got to be the good folks at STR in Japan

I don't know why but I like the look of that new Ibby.

[quote]"it'll really change the sound, much more than the pickups do or the electronics"[/quote] So how come an ash bodied, maple fretboarded Stingray doesn't sound like an ash bodied, maple fretboarded P which doesn't sound like an ash bodied, maple fretboarded J? Is the bad man lying?

The P sound comes from the P pickup. Anything I've ever played with a P pickup in the P position, regardless of neck size, body material or size, has sounded like a P.

If you're surrounded by dudes talking about your technique after a gig rather than the ladies, you're doing something very, very wrong.

He bought this from you in the UK and now all this crops up now he's back in Argentina? Tell him to sod off. If he had any issues he should have notified you before he exported it. Caveat Emptor. Edit -> Just looking at the pics, it certainly doesn't bear any of the usual signs of forgery that appear on a lot of the Chinese fakes doing the rounds at the moment, for example correct 2 screw truss cover, frets which are finished within the binding, usually the fakes have frets which go over the binding. If it is a fake, it would appear to be a very good one. If this guy has issues they're his problem, I reckon. I call a scammer.

[quote name='Fat Rich' post='1089437' date='Jan 14 2011, 03:21 PM']Much thicker and slightly stiffer neck on the P bass probably makes most of the sound difference since the theory with graphite necks is that they make the biggest variable in the guitars tone consistent.[/quote] So the P pickup on this yoke will sound like a J, given there's a J neck on it?

Have you got pictures of the guitar in question, plus can you provide what he suggests what makes it a fake? Even fakes usually have serial numbers, so it's no evidence one way or the other.

I shall show them disregard for their disrespect of laws of physics by boycotting their instruments!

[quote name='chris_b' post='1088952' date='Jan 14 2011, 09:20 AM']Yes! Check out 3:00. Fender thinks that the wood makes more of a difference to the tone than the pickups!!!![/quote] How come P basses and J basses made from the same wood sound different then?

Cool video, very different roles for each gender. [quote name='daz' post='1087811' date='Jan 13 2011, 12:09 PM']lots of things done by eye in those days[/quote] Lots of things done by eye these days too

[quote]Features include an alder body, lightly tinted quartersawn maple neck with a 1960s Jazz Bass® U shape, rosewood fingerboard with 10” radius and 20 medium jumbo frets, [b]Jazz Bass pickup in the 1970s Precision Bass position[/b], three-ply tortoiseshell pickguard, Badass™ bridge, vintage-style paddle tuners, black hard-shell case and certificate of authenticity.[/quote] Help me out here... is this just Fender's attention to detail again or have I slept through an entire model line?

Why are people scared to phone people anymore? Call the guy, ask what the sitation is, problem solved in minutes.

No corpse is safe with Dean around. The amount of junk Darrell Abbot has somehow released through Dean from beyond the grave is a farce.