Dan Dare

That's the problem - it's tricky to narrow things down to a meaningful steer, really. All we can give is our personal preferences. For example, I'm a big fan of Phil Jones speakers - I run 3 of his cabs - but they're not for everyone. They do that vintage P bass sound wonderfully, but you'll probably need more of them than I have in a loud classic rock setting, so I'd hesitate to recommend that option to you. Markbass is a good, solid choice. If you like it, go for it. Re. cabs, 15s are out of fashion these days, but they do that classic rock/old school bass sound very well. The most well rounded bass sounds I've heard seem to come generally from 12s. I'm not that keen on 10s, unless in large numbers, but that's just me. Although it means taking a day out, a visit to somewhere like BD (preferably with no set ideas/shopping list) could save you a lot of time, not to mention money, in the long run.

It's very difficult to describe how something sounds and we all like and look for different things. If you're thinking of spending proper money, you really need to go and audition stuff. Don't take anyone else's word - have a look at all the recent, high quality kit that's for sale. It's all good, but obviously didn't suit people, so they're trying to move it on. A day out at Bass Direct or a similar retailer who has all or most of the decent brands in stock will pay dividends in the long run. I went to BD to audition heads and ended up buying something I had barely considered because I found I preferred it to the ones that were on my short list when I tried it out for real.

Spot on. I bet Nirvana and Plant don't get bored by the royalty cheques that roll in every month...

What's the problem? It's 3, 5 maximum, minutes out of your life and if it makes people happy...

Guitar amps respond well to swapping out the tubes in the input stages for lower gain versions, too. It helps get rid of that on/off switch effect, where it either sounds filthy or clean with nothing in between.

Nothing, not even playing a musical instrument, is the cure for all ills or the one thing that lifts life from the mundane. Any job (including playing a musical instrument) has its repetitive, even dull moments. I agree with those who say the bass (and by extension every other instrument) should serve the song. You gotta take the rough with the smooth. If a roomful of people want to hear Dance the Night Away or Cocaine Superwally, why argue with them? You're more likely to get booked back if you keep people happy.

It's quite difficult to make a '72 Jazz sound awful, too...

Magellan is a nice amp. Try an Aguiilar AG700, too. I bought one after I found I preferred it to the Magellan when I was looking at heads.

Pointless indeed. There's always good stuff (and bad).

There are a variety of similar systems - sub plus small array top box - to the Evox. I'd audition them against some of the alternatives, such as Bose, FBT Vertus, Fohhn (which is what I have), HK Elements, LD Maui, EV and others. In general, they offer a clean, hi-fi type of sound, but, as casapete says, the smaller ones tend to be better for playing recorded material and lack the clout needed for live work at any volume. Best to try before you buy to avoid an expensive mistake. Line array systems aren't cheap.

His other feedback is all for bric-a-brac and antiques. I suspect he hasn't a clue what this is worth (about £3) and is trying his luck. Note he doesn't describe it as a Fender - obviously covering his @rse.

I know someone almost exactly like this. Being an architect, he has plenty of the folding stuff and can afford to buy fine instruments/kit, which he does. He appears to believe that ownership of half a dozen Gibsons and Martins makes him a good player, despite the fact that he cannot carry a tune and has appalling time sense (when he sings, we call him The Banshee - he may not be completely tone deaf, but it's close). He's a decent bloke and doesn't disparage others (unlike your pal), which makes it worse in a way, as you feel guilty for disliking his wailing and ham-fisted strumming and not asking him up on stage when he turns up at gigs. Oh to see ourselves as others see us, as Burns famously put it.

Tuning? I'm a bass player, fer Chrissake

Making a guitar out of pencils?A bit like building a model of St Paul's Cathedral out of used matchsticks. How empty does one's life have to be?

It's t'internet, I'm afraid. People will type things they'd never dare to say face to face. Keyboard warriors and all that.

I seem to remember some wag said at the time that he also felt like blowing himself up when her heard her sing...

Aguilar AG700 and Carvin B1000 When I was looking for a class D head, I compared the AG700 directly with and preferred it to the Glock Steamhammer, Genz Magellan, Mark LM3 and EBS Reidmar. Plenty of power. Simple, usable eq. Has a hint of the Aguilar trademark tone (on the warm side, but not dirty like the TH heads), but does clean, too. Bought the Carvin used as a backup. Does clean a little better than the AG and sounds particularly good with a P bass - compliments it very well. 1000w power rating a little optimistic - I'd say it's on a par with the AG. Phil Jones C4 and 4B Discovered PJB when I was looking for a combo for small jobs (at the time, I was running large old-school cabs with a pre/power). Had pretty well decided to buy a 1x12 Markbass and tried a C4 that the shop had on display on a whim. It was something of a revelation. I preferred it so much to the MB and my old cabs, I bought it and decided to get more, move on my old rig and find a lightweight head. Now run two C4s and a 4B (similar tone, with a bit more bottom end than the C4), so can take as many/few cabs as a job demands - both heads will run into 2.6 ohms. Clean, but not clinical, plenty of weight when I use all three together and also work well at low volumes, which you can't say for all cabs (some seem to need to be pushed before they give of their best). Inefficient, so you need powerful amplification. Heavy for their diminutive size and solidly built. Project very well - will do most 'normal' jobs without PA support and deliver a surprising amount of volume in the room without appearing to be particularly loud on stage. Not heard anything I prefer to date and no plans to change.

Apologies. I thought you were asking about heads. For power amps, I would look at those places that sell PA. For class D, the industry standard makes include Lab Gruppen (they also make for other brands, including Martin Audio and L-Acoustic), Camco, Fohhn, QSC and others. Prices are often quite a lot over your budget, however (hence the suggestion to look at Class D heads and use as a power amp). The suggestion above to use a Quilter Bass Block is a good one (Quilter is the 'Q' in QSC). It's simple (so you won't be spending a lot on a pre-amp that duplicates what you have) and plenty powerful. Be a bit wary of bargain priced Lab Gruppens and others. Because prices of good class D power amps are so high, there are Chinese fakes about, so it can be risky buying from other than an authorised dealer or from eBay. If looking at used, ask to see some kind of documentation - original receipt, etc.

A lot of late 70s Fenders - guitars and basses - seemed to weigh a ton. I think they went through a phase of using heavy ash bodies. A pal has an ash-bodied Strat' from the time that could give you a hernia. My'72 Jazz is like your '76 - light, big sound and generally wunnerful.

I know I'm being predictable, but if you're wanting to look at new bass heads, Bass Direct has pretty wide stock and carries virtually all of the better brands.

The bass...

I'd have only got 5. Never heard of the Breeders. So I'm even more out of touch, thank Gawd.

I agree with PJ Bassist. Seems a 1x12 combo will largely duplicate what you have already. Your head is larger than the amp in most combos, but that's about it. I'd look for a smaller head to use with the existing cab. In addition to the Elf, the baby GK 200 watter is very compact and nice.

I've just dribbled down my shirt. Lovely instrument.

G&L L2000. Fabulous pickups, very versatile, well made. I didn't hate it by any means, but just couldn't get on with the neck (I've spent too long playing J basses). I persevered, but eventually sold it. Was sad to see it go, because it made lovely noises.