Musicman20

Yep, got it this afternoon, great App!

Yep its great!

Linus, I was cheeky for you and asked on the pricing of that Olympic White P, and he said the price is pretty much firm due to the charges he has to pay. I doubt you would be able to talk him down much. The thing is, people who do not know the market would probably pay that, but we know otherwise. If he said £500 all in itd be good, but £600 is too much.

Ive had a look at the specs and the CMD121H is a little too large unfortunately. Back to the drawing board!

[quote name='Linus27' post='855043' date='Jun 2 2010, 04:17 PM']Yeah the price is putting me to be honest. If it was £500 then I would go for it but £575 is quite steep considering they go for around £400 - £450 on here. Then like you say £650 for an MIA one. I think patience is needed.[/quote] I think £600 is WAY off the price it should be. You can find them for much better prices than that. You should be able to get a good MIA 08-10 in White for £650; perhaps a tiny bit more for a total minter if its barely been used. Depends on how much they want to sell it. Probably around £25 more for a sunburst.

Nice! I dont need anymore dirt pedals but thats one nice distortion! Aguilar do seem to get it right every time

www.interparcel.com

[quote name='wateroftyne' post='854542' date='Jun 2 2010, 10:16 AM']Despite being a proud Walkabout Scout owner, I'm actually wondering a similar thing, too. The RH450 and a single Berg HS210 sounds so lovely, it's actually pretty much displaced my Scout as my preferred 'rehearsal / small gig' setup. So.. I'm thinking of letting the Scout go, and getting something more of a one-hand carry for acoustic rehearsals and open mics. Thinking out loud... If TC did a 1x10 combo based on the RH450, I'd be all over it like a rash. I've thought about the Phil Jones stuff, but I've read VERY mixed reviews about the smaller boxes. The Super Flightcase looks interesting, though. The Markbass CMD 112P seems ideal - I can plug another cab into it if I need to, too - but it's ugly (in my opinion) and furry. It's still the current favourite, though. The Ibanez Promentheans have got me interested (especially the removable head, just in case something happens to the TC), but I'd like to try one first. The Genz Shuttles just don't do it for me. But, as I mentioned in another thread, trying these after the Scout is probably going to feel like having an ear cut off. ha ha.[/quote] Im with you on this WoT. There is little point in a TC combo for me as its basically what Ive already got with a space in the cab for the amp. I did look into the Walkabout for a long time, but I could never get t test one out. Needless to say, now I think one would be unnecessary for me as I get enough warmth/tube warmth from my Orange and RH450, (yes, a digital amp thats very very warm!). It would also not be a small light option. It would almost be the same as taking the LM3 and an RS210. What im looking for is a super awesome small-ish and light combo, the emphasis on the light for once with me. I too look into Phil Jones, but I dont think its exactly what Im looking for. I can see why they are popular, but Id rather the combo be a 1x12. The Markbass combos are the only ones that seem to tick all the boxes. The CMD121P seems very popular, but not so much love for the CMD121H...which is odd as the 121H isnt the piezo which no one seems to like. Maybe the 121H is too large? I cant tell from the pictures. I know Markbass isnt tubey, but its warm and clear compared to most amps in that range so Id be interested in trying them. The Shuttle Combos seems like a good idea, but I doubt id ever get on with the Genz tone. I also think the pricing is quite high for a combo. [quote name='Clarky' post='854547' date='Jun 2 2010, 10:20 AM']I used to have Markbass Jeff Berlin combo. Apart from the fact I had an unaccountable urge to pull the waistband of my jeans up to my chest and wear hi-tops, it was too clean sounding for me. There is no warmth in these amps IMHO, even if you play with the filters. If you love valvey-ness then these will not do it for you unless you have a pre-amp running into it (which increases complexity and cost)[/quote] I must admit, the JB combo was definitely on my list of combos to try out. I had a look in Soundslive, and the only problem I can see is the size.

Not 100% sold on it....never played a Jag in my life so I cannot comment. If there is a Newcastle basschatter buying one of these feel free to pop round

What is everyones ideal features for a combo amp? When I was younger, I was quite happy to sell my Trace combo for a Trace Amp Head/Cab setup. Great, it meant I could just take my amp to certain gig! Im still liking the idea of separates. Im happy with my amp/cabs, and I have no need for a combo, but I always end up looking at them. It would HAVE to be: Small Light Great clear tone (as it wont be used to for loud rock bands, Id like it to be very clear and crisp) iPod input Ability to play small gigs (against a quiet drummer) Good value Now, there is no need to vote for the Mesa Walkabout. We all know they are fantastic. Clarky did have a topic up a while back which was similar, but I thought I start something a little different. I think the GK MB combos look great. I wasnt exactly stunned by the Genz Shuttle 9.0, but I can see the advantages of the Shuttle 6 Combo. Then, there is obviously Markbass. Any other ideas? What works for you for small gigs and home practice?

I can guarantee that if you get a good 08-10 Precision, you will be very happy. I was so happy with mine I went and got another.

I've searched and found nothing...but I don't doubt for one second that this is real

Nice picture! Very nice collection.

[quote name='LawrenceH' post='853684' date='Jun 1 2010, 03:40 PM']That does sound interesting...do you have an option to effectively take the pre-amp out of the equation and see how the power amp sounds completely 'neutral' - it'd be good to know the difference between that and the stock voicing which to my ears doesn't sound flat at all.[/quote] Ohh, never though of that! Hmm, ill check it out.

A much more interesting update today! Uffe from TC has just emailed me a new update to the program. This is the part I was most interested in! Now, I can actually changed the 'baked in' tone of the amp, just like TC did with the Staccato 51. This then means you have full control of the EQ as normal once its saved onto the amp, but at completely different frequencies compared to the normal RH450 settings. Im assuming this means the world is your oyster with regards to tonal goals. You want a more clean Markbass tone with more sheen on the high end, youve got it! Then back to the normal RH450 settings once you plug back into the PC and restore the settings. I will let you all know once Ive had a play around.

[quote name='JMT3781' post='853554' date='Jun 1 2010, 01:44 PM']+1 on trying a 1515 I'm a little bit disappointed with my 1212L, i think i expected it to defy the laws of physics. I am still trying to find a 2x12 with as much grunt as the genz benz neox 212 which was just a complete stunner[/quote] I spent ages looking for the right 2x12. Its a difficult one, as the market has lots of options. So far, I havent found anything better than the Aguilar DB 12s. Ive tried Berg, and they still werent quite up there with the DB. Its not light, its pretty large, but its a seriously good one cab solution. The advantages are the casters that are removable, and the fact they look amazing and sound massive Im stilll looking for a lightweight 2x12 that ticks all the boxes, 4 ohms, nice horn, etc. BUT, I havent found it yet.

Sounds good! I still need to test a Schroeder.

Yep it seems they have gone up again. I agree, there should be no actual damage especially to the neck!

Hmm, not 100% sure. I'd check the Orange forums they will definitely know

Great

I wonder what Nashs are on order?!

Congrats on joining the club. I agree, the 115 is an ok lift, but the 4x10 is sooo heavy. I've got my amp in a flight case and it's defintely a two man lift. Worth it 100%.

[quote name='Clarky' post='853082' date='May 31 2010, 10:45 PM']My bass Sid is a 70RI CIJ P bass. These are seriously good basses with easy, slick playing necks (mid profile, not big and chunky, leastways mine's not). Nevertheless, if it weren't for sentiment value and the fact Sid serves a purpose (for use in skankier venues where I don't worry so much about a cheaper bass being damaged/nicked) I would choose an MIA Precision over Sid no question. The quality of the new 2009/10 MIA Precisions is noticeably higher (heavy duty bridge, lighter tuners, more stable neck due to graphite rods) plus they come with a hard case. Really depends on your budget. If you want to spend £400-450, go used 70RI; if you want £650+ go used MIA would be my advice.[/quote] +1...makes perfect sense. I'd still like one for a bass I don't have to 'worry' about as much. They are very good for the money and look the part.

There is a reason other than gear that makes me want to be able to get to this! (Bassida).

Having owned a 62 RI MIJ P Bass, which was great, I can honestly say the new American Standards are worth the extra. I do like the MIJ/CIJ basses a lot, but I still think they lack a little something. The case is worth at least £100. My old drummer came up the other day and looked at my music room, and was really impressed with the new Fender cases. Other than that, the pickups seem to be beefier, punchier, etc. You now get a quality bridge, rolled fingerboards, lighter tuners, great colours and great tort plates. You can pickup a new American Standard in Oly white for around £829 is you look around. Just make sure you give it the once over if you do go down this route.