Musicman20

[quote name='dave_bass5' post='972516' date='Sep 30 2010, 11:37 AM']Yes but Cheap GAS. Im now cured of my P GAS for at least this weekend. Hopefully im now sorted as far as tone goes and not enough funds to get the P now. And thats a good thing. Shame i got the Sadowsky first as ive been trying to find a use for that and i cant. Its just too subtle.[/quote] TBH, im shocked it hasnt/didnt sell quicker. SOO many people like those pedals, im really shocked.

Wow those guys are hot with new products, im impressed.

Haha, cruel GAS!

I wouldnt worry much about the mid control. Your amp can deal with that if necessary. That Schroe cab throws out the mids anyway so youll be fine. The BDDI is, I do believe, their biggest selling bass product because it not only gets the job done, its small and fairly well priced. If I had the choice between BDDI and Para id go BDDI, because the inherent tone of the BDDI is that quite compressed slight mid suck 'SVT being pushed' tone. Turn the gain up and its very tube like....even just a hair is nice. Ive used mine through countless PAs without a backline because of space when touring and because the less we took, the less problems we would run into.

This is getting to be a hard decision! Part of me wants to dare try the Bongo...and even not go for the Big Al...but the Big Al is so different, and has the passive tone control, active/passive swtich and all that jazz!

[quote name='dood' post='972246' date='Sep 30 2010, 12:00 AM']Exactly! - The LM3 is a different beast to the F1 and F500 - and as Danny says, it's a case of what you are needing or wanting to hear that will help sway the arguement - or indeed (not that there is much between them lol) size and weight! The LM3 is said to be thicker and warmer in tone Vs the F1/500. The F series is brighter with an upper mid accentuation (if thats the right word) and a tightness that makes it sound more 'forward'. The bottom on both is deep and enveloping. The F1 and F500 are not cold or sterile sounding. Nor are they 'digital' lol lol. The LM3 isn't woolly. Ok. Confused? heh![/quote] Perfect description. I tried both, and in the end sent the F500 back as for 'me' the LM3 wins for sheer simplicity and warmth.

I cant read music, mainly because I was too busy studying for A-Levels/Degree at the time, and now my legal career takes up too much time anyway. I think that IS a disadvantage, but NOT very often. Not in the world of rock/pop/punk/metal/some blues/some funk etc. I have actually seen a few non-bassist musicians (one was a fantastic saxophone player) who were part of various jazz outfits, and they didnt know ANY theory. How did they get away with it? Feel and talent....raw talent and the fact they knew what to play, and didnt need to stick to any rules. Mavericks! Id much rather listen and learn rather than read it, but I agree one day I need to learn to read music. It cant be that hard. I somehow managed to get an A in GCSE music by writing a punk song, a ska song, and getting friends to play drums and sing over the top. I dont know how I managed to get through the theory part of the exam.

I want a Bongo 5 HH as well!!!

[quote name='Lozz196' post='971479' date='Sep 29 2010, 10:26 AM']I fell slightly cheated [/quote] I think if they sound great, I wouldnt worry. They are very sneaky on their specs. Big boo to Fender thought.

15s have moved on, without a doubt. Have you seen the Schroeder 15+? That is TINY and apparently, not that ive heard it, sound great for its size/weight.

Classic: Middle Pickup: Vintage Precision Bass® Split Single-Coil Pickup Roadworn: Middle Pickup: Vintage Precision Bass® Split Single-Coil Pickup American Standard: Middle Pickup: American Standard Precision Bass® Alnico V Split Single-Coil Pickup

[quote name='Lozz196' post='971358' date='Sep 29 2010, 07:46 AM']That is a surprise, as on a different thread on here, there was an e-mail from a guy from Fender stating they were the US Pickups.[/quote] Thats what I thought. I showed the guys the thread in the email I sent, and they said there had been a mistake. God knows how they made that mistake, but there we go! I even double checked with the USA Fender rep, and yet again he said 'they are MIM'. Dont let that detract anyone from buying one, because the Classic prices arent bad. However, I would have thought they would have stuck USA pups in the Roadworn.

Didnt even see this thread! Well done chaps, nice work.

What volume do you need? Seriously, it took me a while to dare take the plunge, but once the usual talkbass experts gig their hands on them, and gave very positive reviews, I took the plunge. Lightest ceramic cabinets I've used, punchy, smooth, no ganky fake treble, and good form factor.

That video shows the difference I hear yet again. The BF is my least favourite sound. Not bothered what the weight is. But some will like it and that's totally fine!

Flats on Rays are literally awesome. You still get the Ray sizzle but it is tamed, with more thump! Lovely. Ive been trying the EB Flats (Group 3s) and they are fantastic. I cant believe how cheap they are. Nice medium tension, smooth thumpy sound. I need to bed them in a little still, but loving them!

Oh heck, is Tino about? Seriously I like the roasted maple look, on the Sads and EBMMs. Nice touch

[quote name='Mr. Foxen' post='970845' date='Sep 28 2010, 04:31 PM']You don't believe in using the tone controls on your amp to control your tone?[/quote] They are usually all flat. I might fiddle on the RH450 but thats just because there are so many options to play with

Im not having it sorry! I can be baffled with the specs, but you are NEVER going to have that 4x10 + horn (at least semi decent) punch with a 1x15. Not saying the 1x15/2x15 cant be rock and roll and throw out serious low end and a bit of clarity, it just wont sound the same. Changing amps to suit cabs is something I dont agree on. Maybe the band I was in was too loud...that could be the problem. Expecting a 1x15 to attempt to keep up with two 4x12 guitarists might be a bit much. Ive attempted to use a practice rooms Trace Boxer 65 (1x10?) against a 4x12 and somehow, somehow, you could hear it. Lots of midsssss. No ideal but thats what they had for that room and we were told we didnt need amps.

[quote name='owen' post='970778' date='Sep 28 2010, 03:30 PM']Hands up who would not charge 400% more for their time if they could? End of. And frankly, good luck to them as well.[/quote] Plus one. Have to agree, even though the prices irritate me.

[quote name='gafbass02' post='970730' date='Sep 28 2010, 02:46 PM']aarararararaghghghghg!!!!! Ive got the 9.0 and its great but i cant help thinking id be better off with the F1?? Id like to boost the low mid and cut the top, and the VPF is just so easy, compared to the shuttle. Im not sure the shuttle will be any louder either tbh. stuck now!!, Mark has kindly said he'll exchange but im so not sure and no band rehearsals for a fortnight so im doing all my figuring out off running it backline only at an open mic gig with the midget T (and at home in the half hour before the nipper gets in!) what to do!!!!! Grrrr!!!![/quote] Hmm Ive been in the scenario before, albeit with the LM3 and Shuttle 9.0 Personally, I never tried to Shuttle 9.0 at high volumes, but it never seemed to be that much louder than the LM3. In the end, I kept the LM3 and went with the RH450, which is probably the loudest and most versatile small amp Ive used. I think if you are a die hard Markbass fan, those filters are amazing, and you will always crave the simplicity. Upto you. The F1/500 is super punchy, clean and tight. I like the additional features the 9.0 has, like headphone in etc, but for sheer tone and simplicity, the LM3 won out. Personally, I nearly bought another 9.0, but I realised what Ive got is : A) enough and B ) versatile. Hope this helps.

[quote name='Conan' post='970715' date='Sep 28 2010, 02:32 PM']So sorry, but in MY experience, I just don't get this "fifteens are flappy and slow" stuff.[/quote] I agree, you can get some excellent 1x15 cabs with plenty of presence. I bought the Orange OBC115, not just because I liked it, but because I read the shootout Tom Bowlus did on Talkbass. It has enough clarity and quite a lot of definition for what is essentially a big old 1x15 with a port. But, I wouldnt say it could punch or provide a very aggressive rock sound all by itself. We are talking the kind of tone that cuts through like a knife. Im no Marcus Miller tone fan, but I dont know any 115s that can manage that high end and sheer trebly slap tone. Saying that, personally, I like my Orange, especially with the P bass.

[quote name='Conan' post='970697' date='Sep 28 2010, 02:15 PM']Don't they all! I'd be interested to know what you mean by "fragile" though, in reference to the Compact. You mean build quality or sound? [/quote] The actual covering/corners etc, which I think has been discussed before in the reviews bit. I no doubt imagine he is working on ways around it. My cabs have to be pleasing to my eyes if im spending a fair whack. Im a picky customer though.