Marc S

[quote name='Wonky2' timestamp='1449528259' post='2924463'] Good feedback guys, thanks.... My aim is to get to a single unit solution.... Ext cabs route is great but I would probably only use it once in a blue moon so not sure I can justify the spend on the 121p combo AND the 121ny cab (circa £900 together) ........ Ahhh ... I used to be indecisive but now I just can't tell ! [/quote] I know what you're saying, but I think a 2 cab scenario is more flexible With manufacturers like Markbass and Phil Jones, the design is brilliant, and adaptable I've used my CMD 102 for a lot of smaller - medium gigs and it's been great However, playing with different bands, and in very different venues, the ability to use an additional cab has been vital As others have said, additional speakers, moving more air is sometimes necessary But also I found the ability to have a cab each side of the stage can help balance the sound more it has even helped other band members to hear me more clearly I'd be wary now of buying a combo that didn't give me this option Remember, it might suit your current band, but you may be in a different band this time next year - you never know Of course, it's your choice - but I'm just underlining the positive benefits of 2 cabs Though this might also be expensive - you can spread the cost / outlay You can get the combo now, and maybe pick up the ext cab at a later date - keeping your eye on the 2nd hand market Cheers again Marc

I'm another CMD 102 P user here, and I have to agree with the comments about the Markbass 10" speakers being so good. I used to use my 102 combo in conjunction with a Markbass 15" cab, for larger gigs It sounded great, but I found sometimes the bottom end seemed a little bit less defined I now use the 102 on its' own, or with a Phil Jones 4x5 pirhana cab as extension Those tiny Phil Jones 5" speakers seem to give me a more defined, deeper low end than the 15" ever did. Also heard some cracking double bass a few months ago, from a PJ Suitcase, or briefcase (forget which it was) and they are 8" speakers. Maybe take a look at the PJ range of cabs too. Not heard the Alain Caron 121, I'd be interested to hear one of these. Personally, I like the tones I can get from my 102, and I sometimes wish that Markbass did a 1x10 combo as well as the 121 Good luck in your search

I can only echo the thoughts and comments of others Stunning refin!

Thanks for the heads up. There may be a few bargains, in the lower or middle range stuff But I've a feeling anything vintage, or rare would end up going to one of those dealers with deep pockets Don't think I'll make the journey over from Cardiff - cos I may not have enough dosh left for the Bridge! But if I were a musician in the Bristol / Bath area, I think I'd be tempted PS. I too have deep pockets...... sadly though, they're quite empty

Thanks for that idea Kert Cheers mate

Any keys players out there? We have gigs in the new year waiting.....

The through neck on my Shaftesbury is rock solid, as stable as heck, and IMO, rather beautiful with it's dark stripe No problem with any neck joints, as it's through construction. Originally, the Shaftesbury basses had some rather dodgy square-ish tuners. My recent acquisition has had these changed for a more authentic appearance, and I have to say, these are nice & solid and seem to hold tune well. I've not thought about fitting a D-tunner, though if you get the correct one, I can't see why it wouldn't work. My bass has a true vintage Rick tone, it's lovely. I keep saying this, but I'd put my Shaftesbury alongside a "real" Rick any day I had a 4003, and it was nowhere near as comfortbale to play as the Shaftesbury. Sadly, when I picked it up, the original truss rod cover was gone, and replaced with a Rick one - how I wish I had the original The replacement tuners though, are a good upgrade. If you get that Shaftesbury, I'd change those straight away Other than that, they're superb quality. I've played several Rockinbetters, and these are OK, but not as good IMO I only ever played one Greco Rick, and that was also very nice. Though the one I tried was rather beaten up It had had some minor woodworking / surgery, and although cosmetic, I didn't like the look of it too much, so didn't buy it Cheers

A bass will always be better protected in a hard case. However, when I had one for my first DB, the case was so huge and cumbersome. When I transported it in my last car, which was large-ish, I had no room for any other passengers! Whereas in the padded gigbag, I could safely transport the bass, along with amp, and 2 passengers. I'd say unless you have a large car or van, get the best quality padded gigbag you can. I heard that Hindersine were good for the money Though I couldn't get hold of one at the time. Everyone seemed to be out of stock. I got a slightly cheaper, less well padded gigbag and it seemed to do the job, although I read that the padding was thicker on the Hindersine Let us know what you opt for

Not seen that website before I'm amazed that they're selling MM copies with the actual EB logo on them The quality of these guitars looks good. But of course, the reality may differ I'd also be interested to hear what buyers say about these basses

Glad the bass was recovered

Keys player needed, to complete lineup of covers band. We are currently 3 piece; - Drums, Bass, and singer / rhythm guitar We need someone with a good level of commitment. Covers from all genres, Ska, Reggae, Punk, Rock etc etc We are trying to do covers that few other people in the area are doing.... We've got quite a number of gigs lined up for the new year. And our singer guitarist has some good contacts for further gigs Own transport preferred, and ability to do a little backing vocals would be nice, but not essential Anyone interested, please PM me Cheers Marc

[quote name='LewisK1975' timestamp='1448277698' post='2914042'] It's a GenzBenz Streamliner - 900 watt version I think.. [/quote] Thanks for that Lewis

I've just ordered a One10 cab this very morning! I too need a lightweight solution, for certain town centre gigs, where I'm unable to park anywhere near the venue... I was looking for a lightweight solution, so it's bass on my back, cab in one hand, carrycase with amphead & leads in the other hand Nice to hear of your thoughts, and experiences with the cab. I'm intending also using the cab as an extension to my Markbass 102, for larger venues. I'm hoping I can dial in a bit more top end when using the Markbass. Can't quite see from those pics, but it looks like a GK amp head? Just wondered which model that is? Cheers, and thanks again for sharing your thoughts

Aha, I saw your other thread, and wondered when you'd take the leap But my word, that was quick! Enjoy your new toy - don't try to play it the same as a BG Change those strings, and just play it

It may be that the EUB you first played wasn't particularly well set up. Or it was set to its' owners preferences.... The type of string you use will also have a bearing on the set-up, feel, sound and playability of an EUB And string types are a whole subject in their own right I started in the upright world, with a Stagg EUB. Now I know they aren't the best. But IMO, they're a great starting point I think I got back exactly what I'd paid for it when I upgraded. But the strings it came with were awful They were very hard to play, with a lot of "drag" on the left hand - possibly because they weren't well polished / finished The Stagg has an adjustable bridge, so you could change the strings, and adjust the action yourself Of course, if you buy 2nd hand, it could be that the previous owner already changed the strings. As has already been said, you need to treat it like a different instrument really. But I really enjoy playing DB and EUB It's an exciting venture, and I honestly haven't looked back. I'm just glad I started with my Stagg Though it has long gone, it taught me a lot about DB's, playing and sound, action, strings etc etc Good luck with your search. Is there a DB player / EUB player near you who would help, or let you have a go on their EUB or DB? Worth asking...... EDIT: Thinking about it - every EUB I have seen has had an adjustable bridge I've seen a Stagg, Aria, and now own an Eminence - all these had adjustable bridge - can't recall if the NS does or the Harley Benton......

[size=4]Maruszcyk basses look absolutely lovely! Though I've never played one myself, there's a lot of love for them on here and it seems you get a lot of bass for your money, given that you are specifying exactly what you want, and they're high quality parts. However, that can still be a lot of money for a student (or anyone else with not too much cash tbh) I have a US P, and it's a lovely bass, so I know what you mean. But I also have a Squier Classic Vibe 60's bass, and that is lovely too Now I know some will baulk at my comments here, but I honestly can't see, feel, or hear much difference between the US P and the Squier CV !!! if anything, the US is very slightly lighter in weight, with very very slightly more well defined tones, esp at the lower end - but there really isn't much in it In fact, I had a Squier CV 60's P bass, and sold it to make way for my US P - instant regret! So, after a few months of pining for it I bought another - and you know what? I'm glad I did So, my advice if you aint got loads of dosh, is to seek out a CV 60's P second-hand (the newer CV 70's P is also absolutely stunning BTW) and maybe upgrade the pickups - Entwistle PBXN's are great, and cheap! Or you could get someone to rout out the body, and put an additional pickup in, eg. P/J or MM stlye, again, using Entwistle pickups [/size] [size=4]You'd have an awesome bass, for not too much outlay, and not have to feel so precious about gigging a grands worth of instrument. Good luck, and let us know what you decide. You could, of course order that Maruszcyk, and be poor - but make me jealous lol EDIT: I know - I ignored the "slabbed body" comment really [/size]

How very generous of you biro Though we have never met - that's such a kind gesture, I'm sure you are a truly good person Wish there had been someone as kind as yourself when I was first looking for a bass I started with a real piece of cr@p - that bass you are kindly offering looks half tidy