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markorbit

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Everything posted by markorbit

  1. I always thought Ashdown use the BLACK ones these days and it is the white ones that are hard to come by. Are the Ashdown ones not the same? I'm looking for a single white one... I think my missing one must have gone up the vacuum cleaner. I've looked high and low...lol
  2. I recorded some bass today into Logic using the DI on my LMIII from 2013 (one of the last Italian ones but not Class A/B). I played a Precision and was amazed at the great sound from the DI and I even set it pre-EQ. It's not as wide sounding as my Noble or Neve but it sounded great in a different way, just like a Fender should. It doesn't really sound as good as that through the power amp and speakers but it demonstrates how nice sounding the preamp is.
  3. On the plus side you'll probably only do that once. Yes, the Noble hangs onto some power for a bit just like the amps Grandma used to make. I always unplug at the Noble end first as I pack the cable separately anyway.
  4. Yeah, that's the 121P with the nicer handle. Anyway I think I've decided on a 102P (which has the recessed handles). I suspect the 121H might sound nicer but the tiltback 102P ticks a box.
  5. I'm considering a Markbass combo. I notice that the newer CMD121P combos have a lovely top loaded leather handle with yellow stitching and MB logo rather than the older uglier and prone to breakage plastic one. However I have never seen a pic of the CMD121H with the newer handle. It would seem a natural improvement to that combo too. Has anyone come across a CMD121H with the newer leather handle? Is it a thing?
  6. Just pedantically saying that there is no Markbass CMD112P. Perhaps you mean the CMD121P - the small 1x12 combo 🙂
  7. Spot on. I've had two.
  8. I had the ABM 600 EVO-IV head. Kinda wish I'd never sold it. I A/B'd it with a UK-made EVO-II combo that I bought at the same time (and still have) and sound-wise they were almost identical. It was also the first time in a while I had owned a non-Class D amp and yes, you guessed it... the 'heft' was apparent.
  9. Yeah it must be a AV62 not AV63 as they weren't making the AV63 in 2008 and it doesn't have the clay coloured dots either.
  10. Exactly. I've owned two. I prefer the 62AV.
  11. Both very distinctive basses. I hope they show up and the thieves dealt with properly. I think this was in Doncaster unless I'm mistaken. (EDIT: Oh, as the title says)
  12. Yes, the Stealths are all graphite... neck and body.
  13. Whoever bought the Walkabout got a great amp. I just got mine, one of the last brand new ones and I believe it's one of the best hybrid amps ever made. I'd choose it over many of the current offerings, of which I've owned a few!
  14. Just ordered a blackface Walkabout or else I'd have been on it.
  15. I have one of these. (On closer inspection mine is the earlier EVO model and this is the EVO II is it not.) Wonderful UK-made combo at a great price. GLWTS.
  16. Re: consistant pricing: The dealers need to make money in order to survive. Everything is fine until one of them 'breaks rank' and advertises for a cheaper price and then the others are forced to follow suit. They don't have to speak to each other for this to happen. The margins on equipment is not what it was and bills have to be paid. Factor in returns, warranty repairs, shipping costs etc in addition to existing running costs and that money has to come from somewhere. I know from my own experience that margins can be very poor, especially when someone is determined to be the cheapest on the web. On the other hand there were one or two brands (mentioned in this thread) where margins are very good and deals can be had.
  17. Nearly... but I have never really gelled with a Jazz bass that I have owned. Lovely bass, I'm surprised it hasn't gone. GLWTS.
  18. In more affluent times I had two Pino's (not at the same time). End of the day it was just a decent P bass. No more, no less. I expected magic tone. One even had a tiny ski-jump at the heel. Worth £4k? Not to me.
  19. A very professional transaction in ALL respects. Have no worries dealing with Noah.
  20. Good luck on it's safe return. I have no time for thieves.
  21. I bought a S/H Wal ProIIE in cherry for £300 from The Bass Centre, Wapping in January 1987. It recorded so well shortly after the producer was trying to buy it off me. Yes, I wish I still had it. I remember The Bass Centre had lots of famous players on signed posters as you went up the stairs. It was indeed the best bass store around in those days. I used to drool over the Status and Steinbergers... the Steinberger was my holy grail.
  22. There is no standard EQ solution for 'baked-in'. Some amps like GK have an upper mid presence by default and others such as Aguilar have a low mid presence. Some amps are gritty and some are clean. When an amp has a baked-in sound it's usually impossible to 100% dial out... BUT sometimes it's the baked-in sound that you were looking for.
  23. Hi Rich, you are welcome to come and try my Ashdown ABM with your BB2 if you want. The ABM is what I'd been looking for. I'm now not looking for another amp... and the VU meter gives the right vibe as well 🙂
  24. Well... my own amp journey has had me moving away from the Class Ds and eventually brought me back to the Ashdown ABM. Real authoritive, warm and punchy tone. First time I've been this happy with an amp for a LONG time. Only thing I would say is disengage the default preshape tone and use the EQ. Yes it's a bit bigger and heavier but it's not a monster. The ONLY disappointing thing is the Compressor which when on is already too much... but I like the Gain to work the meter and the valve.
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