
markorbit
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Everything posted by markorbit
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Spot on. I've had two.
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SOLD- Ashdown ABM EVO-IV 410 Cab - £250
markorbit replied to Lozz196's topic in Amps and Cabs For Sale
I had the ABM 600 EVO-IV head. Kinda wish I'd never sold it. I A/B'd it with a UK-made EVO-II combo that I bought at the same time (and still have) and sound-wise they were almost identical. It was also the first time in a while I had owned a non-Class D amp and yes, you guessed it... the 'heft' was apparent. -
Fender USA AVRI '62 Paramore P Bass - Price Drop £1200 - *SOLD*
markorbit replied to tayste_2000's topic in Basses For Sale
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Exactly. I've owned two. I prefer the 62AV.
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Both very distinctive basses. I hope they show up and the thieves dealt with properly. I think this was in Doncaster unless I'm mistaken. (EDIT: Oh, as the title says)
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***SOLD*** Status Stealth headless 5 **Now £1650**!
markorbit replied to Hamster's topic in Basses For Sale
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FS: Last of my bass amps/cabs **ALL SOLD**
markorbit replied to Beedster's topic in Amps and Cabs For Sale
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FS: Last of my bass amps/cabs **ALL SOLD**
markorbit replied to Beedster's topic in Amps and Cabs For Sale
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SOLD: Ashdown C110 ABM EVO 2 combo **£150**
markorbit replied to basskit_case's topic in Amps and Cabs For Sale
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New Mesa Walkabout-style high powered amp WD-800....and new cabs...
markorbit replied to Musicman20's topic in Amps and Cabs
Re: consistant pricing: The dealers need to make money in order to survive. Everything is fine until one of them 'breaks rank' and advertises for a cheaper price and then the others are forced to follow suit. They don't have to speak to each other for this to happen. The margins on equipment is not what it was and bills have to be paid. Factor in returns, warranty repairs, shipping costs etc in addition to existing running costs and that money has to come from somewhere. I know from my own experience that margins can be very poor, especially when someone is determined to be the cheapest on the web. On the other hand there were one or two brands (mentioned in this thread) where margins are very good and deals can be had. -
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In more affluent times I had two Pino's (not at the same time). End of the day it was just a decent P bass. No more, no less. I expected magic tone. One even had a tiny ski-jump at the heel. Worth £4k? Not to me.
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A very professional transaction in ALL respects. Have no worries dealing with Noah.
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Good luck on it's safe return. I have no time for thieves.
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I bought a S/H Wal ProIIE in cherry for £300 from The Bass Centre, Wapping in January 1987. It recorded so well shortly after the producer was trying to buy it off me. Yes, I wish I still had it. I remember The Bass Centre had lots of famous players on signed posters as you went up the stairs. It was indeed the best bass store around in those days. I used to drool over the Status and Steinbergers... the Steinberger was my holy grail.
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There is no standard EQ solution for 'baked-in'. Some amps like GK have an upper mid presence by default and others such as Aguilar have a low mid presence. Some amps are gritty and some are clean. When an amp has a baked-in sound it's usually impossible to 100% dial out... BUT sometimes it's the baked-in sound that you were looking for.
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Hi Rich, you are welcome to come and try my Ashdown ABM with your BB2 if you want. The ABM is what I'd been looking for. I'm now not looking for another amp... and the VU meter gives the right vibe as well 🙂
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Well... my own amp journey has had me moving away from the Class Ds and eventually brought me back to the Ashdown ABM. Real authoritive, warm and punchy tone. First time I've been this happy with an amp for a LONG time. Only thing I would say is disengage the default preshape tone and use the EQ. Yes it's a bit bigger and heavier but it's not a monster. The ONLY disappointing thing is the Compressor which when on is already too much... but I like the Gain to work the meter and the valve.
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Bruce did get a great sound from his Precision. You have to get the action right so when you dig in the frets add to the tone. I think his D string is close to fretting out. A Marshall Super Bass on the edge of breakup helps get that bottley sound too. A well setup Precision bass where the action can go low is a thing to behold for rock.
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Old School sounding amp to replace Walkabout
markorbit replied to joescartwright's topic in Amps and Cabs
On closer inspection it isn't the Terror Bass that is in his live rig but four AD200s. Pics here. https://orangeamps.com/artist/john-mcvie-of-fleetwood-mac-2/ -
Old School sounding amp to replace Walkabout
markorbit replied to joescartwright's topic in Amps and Cabs
I was somewhat surprised to see Fleetwood Mac's John McVie has chosen the new Terror Bass for his recent stage rig. Obviously this guy can play what he wants no matter the cost. Perhaps I should check the new version out. I tried the old one and found it a bit limited tone-wise but maybe the new Clean switch allows more variation. I quite like John McVie's tone usually - just a simple, warm tone that works. -
Guitar amps should have them on by default and undefeatable. GET OUT OF THE BASS RANGE YOU PLANT POT !!! 🙂
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Another plus one for Ashdown customer service. They aren't afraid of a ringing telephone either. I think the ABM is a reasonable substitute for an all-valve amp. Doesn't get you there exactly - but set the valve drive at the sweet spot and go.
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Old School sounding amp to replace Walkabout
markorbit replied to joescartwright's topic in Amps and Cabs
Great video! Thanks for doing that. Really useful 🙂