kevin_lindsay

Okay, so the pink wonder has been taken out for a test drive at a rehearsal - it sounds REALLY good!!!!! The Tone is just as a P-Bass should be with deep lows and a lovely top end "zing". Dead spots? Only the one at the Eb on the G string (8th fret position). The neck is chunky at my own request - I wanted to emulate the early P-Bass style necks. The feel is big but is in no way clubby or clumsy - it feels really comfortable in the left hand and the notes have a fantastically woody tone - just what I was looking for. In a band setting the bass sounds incredible - the natural sound just sits in it's own pocket on the mix and rumbles along. Everyone commented on how clear and solid it sounded. The colour is exactly what I wanted, so I'm extremely happy. delivery was quick also. Left Carey's workshop mid afternoon on Tuesday (around midnight Tuesday night my time), and was delivered to me here in Scotland on Friday lunchtime). I'll try and get some sound clips posted. Here's some initial pics (including some with chrome covers placed on the body to see how they would look)

Okay, the bass is being picked up today by DHL and will make it's way across the USA and Atlantic to me - should be here by the end of the week - depending upon how quick Customs are at clearing it this end. As for the comment about the Shell Pink Nordy VJ5 - yeah, that was mine. I was actually looking for the shade of pink we've got on this new P-Bass, but due to my providing incorrect details, it ended up with the Shell Pink look. That bass played and sounded AMAZING, but the colour wasn't what I was after so it was sold - it's now in Austria. As for my new pink bass - it's a traditional passive Vol, Tone layout. Swamp Ash body with 1 piece maple neck (fingerboard radius 9"-14"). The neck is CHUNKY - 0.875" at the first fret, and 1.0" at the 12th". I did this to replicate the hefty necks on the early P-Basses. They are incredibly comfortable and sound super solid and woody due to the baseball bat neck. I'll keep everyone up to date with how it actually plays and sounds when it arrives in a few days time. Carey says that it sounds great, so I'm looking forward to receiving it. As for the colour of the paint - I'm not sure. What I did was buy an A4 sheet of coloured paper at an art supplies store in Glasgow to show Carey what shade of pink I was after. That meant the sprayer could match the colour up rather than having to rely on my own description and judging it against something on a computer monitor.

Well, well, well............ look what finally arrived into the bass world? I love it!!!!!!!!!!!

Hi Wes, it was great talking to you yesterday. I've been mulling the options over and I think I know what I'm going to go for colour wise - just need to get the OK from my other half. Will be in touch soon Kev

I have the bass playing pretty great now, and the sound is great - really retro - BIG, ROUND, and WOODY. Sounds just like a classic P-Bass should!

The swirly figuring of the original tortoiseshell plates just looked SOOOO good!!!

And so to my early 60's style P-Bass. I managed to get an original 1962/3 nitrocellulose tortoiseshell scratchplate from the States via Ebay for a crazy price. It looks great, but had a major problem in that it had been off the original bass for over 30 years just lying in a drawer. Usually, these plates shrink over time, but the main shape is retained due to the instrument's scratchplate mounting screws and pickup routing. On mine, the plate had shrunk without restrictions. The upshot being that when John received the plate, it was a NIGHTMARE for him to get it sorted for fitting. the pickup routing hole had shrunk, so that had to be widened, and the plate had buckled and shrunk causing screw mounting alignment problems also. These issues were solved after a lot of sweat, swearing and shouting from John. Originally, the bass had the covers and finger rest in place. I have since removed these for a more comfortable playing setup

Okay, here's some pics of my Bravewood basses. First up - my beloved '56 style. This bass is rock solid, and sounds wonderful. Very woody and full. The neck is chunky and straight as a die. It's a real "plug in and play" instrument, with a fundamental tone that sits really well in a band mix. The pickup features the extra earth wire just like the very early P-Basses. This wire connected to the pickup cover between the body and the cover.

So, the end result is now this (as I said, I still have the bridge and nut to replace, and get an appropriate case as well). I am extremely humbled and appreciative of having the opportunity to play this bass once again. Every time I play it, it will be a reminder of a true friend.

Okay, so that's the date verified, what about the condition of the bass - a few immediate areas for attention were: 1 - Condition of the frets. Up at the "dusty end" of the fingerboard, they were tarnished with a green hue, so that needed cleaning. Also, the fingerboard needed de-gunked and cleaned up at the same time as the frets. The body and hardware needed cleaning: The bridge would need adjusting to get the bass re-intonated for standard EADG tuning rather than the BEAD tuning which was in place. Also, the saddle height screws were proud of the surface - these would need ground down to a setting which would allow the player to dampen the strings at the bridge without tearing up the flesh of your palm/ I will be replacing the brass bridge with a period correct unit, but getting the bass back to a comfortably playable setting was my initial priority. I cleaned the body - just a light polish. The same was also done to the pickguard, and also the control bell plate. When I was cleaning the chrome bell plate, I noticed the output jack securing nut was a little bit loose, so this was tightened. When the neck was reattached to the body, I removed the shim which was in the neck pocket - this allowed for a better neck to body fit, and has given the bass a wonderfully solid and woody tone.

Okay, so the first thing for me was to verify the age of the bass. The key reference points are - first of all, the serial number on the neck plate This number could mean the bass was anything from 1973 through to 1975. However, the black pickguard and the finger rest being on the bass side of the strings would indicate a 1974 instrument. so, let's take the neck off and have a look at the date stamp on the neck heel and the also look at the neck pocket on the body for clues. Oops! No date stamp on either! Okay, so where else can I look for verification? The control potentiometers! Lets have a look there: The 137-7343 indicate that the pots were manufactured in the 43rd week of 1973 (the number ref breaks down like this - first 3 numbers (137) indicate CTS, the first 2 digits of the 4 digit part are the year of manufacture ('73) and the last 2 show the week of the year they were made (made in the 43rd week of the year). Okay, so the pots are from 1973, what about the pickups? Lets have a look at the underside of them to see if there's any date stamp in place: Let's look under the neck position pickup. That's no use - just a blurred smear. So let's look under the bridge position pickup. The date stamp here shows they were made in 1974, so it looks like the bass Jimmy bought used was only a few months old at that time!:

Well, here's the story - the first bass I ever played was a friend's Fender Jazz Bass. This would have been around 1978/9 or so. The bass was one my friend bought in 1974 from a local store after someone had traded it in. So, that bass has always been a huge reference point for me. In January this year, my friend was feeling a bit under the weather, so he went to see the doc. He was sent for tests and was then informed that he had cancer - and only had a few weeks to live. Needless to say, his wife and daughters were distraught. Unfortunately, he passed away on 26th February this year. A couple of weeks ago, my brother received an e-mail from the family saying that Jimmy (my friend) had said he didn't want it lying around the house and he wanted it to be used, and the family were asking if he know the best avenue for selling the bass? I was contacted, whereupon I called The Bass Gallery in Camden, London to explain the situation and get the anticipated sale price. I then called Jimmy's family to advise them of the info I had been given. 5 mins later I received a callback. Carol told me that Jimmy stated that if I had shown any interest in the bass, then he wanted me to have it. So, they then insisted that I have the bass with no charge. I have made a contribution to the hospice which cared for Jimmy in his last few weeks as a token gesture - I felt that in the circumstances it was the correct thing to do. So - I had the bass delivered to me on Friday. Jimmy liked the low B sound, but couldn't get on with 5 string basses, so he had his bass set up for BEAD tuning. It was battle scarred from decades of playing, and was pretty grubby. Here's a pic When the bass was setup for BEAD tuning, whoever did the work changed the bridge for a brass one (which isn't quite the correct spacing for the pickup polepieces), and also changed the original nut for a brass one