Linus27

Thank you very much for the replies. I really like the look of the Zoom MS60B and it looks like just another pedal so will pit onto my existing board Certainly worth a punt.

I'm pretty new to using pedals and have created a nice little pedal board containing my TC Electronics tuner, a Boss OC-5 Octave pedal (my main pedal), an Electro Harmonix Chorus, a Mooer Ambient pedal and soon to be added an EBS Triple Filter pedal. This is all used for my fretless basses to great effect. I'm wondering if something like a Line 6 Helix HX Stomp or TC Electronic Plethora multi-effects unit would serve me better. Is it better to have individual pedals and the quality and output is better with single pedals or are multi-effect pedal boards just as good and effective?

This is mine also along with many Rage Against The Machine tracks. I adore this band and the energy they create.

All suggestions above are great but as a simple exercise, just simply place your first finger on the G (3rd fret) on the E string, second finger on the G# (4th Fret), third finger on the A (5th fret) and the fourth finger on the A# (6th fret) and simply play then in sequence going up and down. Make sure you keep your hand flat across the face of the fretboard and the thumb in the center of the back of the neck. Practice this every day and move up and down the strings and if confident/comfortable then move up the fretboard. The more you practice this and get used to it, the more muscle memory you will have and the easier it will get.

My rig of choice, playing last night at the Wesival Festival held at the West End Centre in Aldershot. Barefaced Two10 and MarkBass Little Mark IV. Sounded great although I wished I'd used my Warwick Gnome head instead.

I also read that he loved playing bass and owned those basses in those pictures. This is him playing Bill Black's 51 Precision.

Thank you, that's awesome.

Do you know which Ebay sellers you used?

I had a 1977 Fender Precision and a 1973 Telecaster Bass. The 1977 Precision was a thing of beauty, it played and sounded phenomenal and I wish i had it now still. The 1973 Telecaster bass sounded huge but was basically a tree trunk slightly shaped into something that looked like a bass and had no ability to be setup or adjusted. It was so heavy and chunky that you needed a rest after playing it for more than 5 minutes. I also have a Japanese 1986 ESP 400 Series Jazz which was made in the same factory as the Japanese Fender's and it is the best bass I have ever played. My other Japanese 80's Fender's are also the best basses I have owned. I would love to own a genuine 70's Fender again just to have in my collection but I won't pay silly money for one.

Brilliant video, both the Jazz and Precision.

I really like the simplistic design of the Gnome and the new 600w version. Its lacking in features compared to other amps but the really competitive price reflects this and I can see manufacturers actually selling this for £299 in time. I've been using my 280w Gnome quite a bit recently and it sounds fab through my Barefaced Two10 but I have just bought a Mark Bass Little Mark IV which is nice but I'm thinking for the price I should of waited and bought the new 600w Gnome. The only thing I'm not so keen on with the new Gnome is the size, it would of been nice if it was a little smaller but hey ho, we can't have it all.

Oooh, thank you, I love my Gnome I Pro 280 so this is super interesting.

Songs I Hate, Red Red Wine Alright Now Anything by Celine Dion

I've not really seen these connections with basses and cars apart from referring to a Fender bass as being like a workhorse or a Ford Mondeo.

Just reading up about a low pass filter as this sounds like it might be an interesting idea.

I've actually played their three times and on all 3 occasions the sound was shocking and on all 3 occasions the headline artist, Paul Weller also had terrible sound.

Great thread. My introduction to Supertramp was back in 1998. I was recording an album in South Wales and we were living at the studio for 3 months in a small cottage. In the cottage along with a pool table were thousands and thousands of CD's and VHS videos. I started to go through the CD's just to pass the time and I discovered the Breakfast in America album and oh my, I was absolutely blown away by it. I simply couldn't stop listening to this incredible masterpiece. The producer we were working with, Mark Wallis of It Bites, Travis, U2 fame suggested I also listen to Crime of the Century and again, I was not disappointed, another masterpiece and I would say that Breakfast in America along with Talk Talk's The Colour of Spring and U2's The Unforgettable Fire are my favorite albums of all time.

Ok cool, will give that a try, thank you.

Ok, thank you. I have an OC-5 but it doesn't have a dry knob. The Sub n Up suggested earlier might do the trick.

So I'm beginning to wonder if maybe I'm not being totally clear in the effect I'm trying to create but you are right in it sounding like a normal low B rather than stubby. It's very hard to describe the type of music we play but we have a singer who plays an acoustic so think of a Damien Rice singer songwriter type set up. Plus he adds vocal layers etc. Our drummer plays a small percussive kit using brushes only and shakers. I play fretless and either fill the bottom end or play a more cello role but my tone is the other end of the guitar if that makes sense. I also use a lot of octave to really fatten the sound but it would be good to try and have an effect that creates the low end but doesn't give the doubling up of notes effect that an octaver produces. In the studio, for certain moments in the track when everything drops out or ends, we boosted the low end on the bass or I played an extra track of just a single low note and then the low frequencies were boosted to have that big bass push So I'm not sure if this will show what I'm after, and this is absolutely nothing like the music we play, but listen to about 2m 55s of this song, the bass is subtle but very low and it's probably done on a keyboard but it's this sort of thing. You might need headphones for some of these examples or I might just need a 5 string bass 😂 From about 1m 14s of this song, very subtle but the second note is super low especially. Again from about 42 seconds in this song,

It that not just an octave pedal that will do the octave note as well or can it do just the low note?

Awesome and thank you. I'm hoping my Barefaced Two10 will be able to cope as I'm not planning on having anything too deep, loud or heavy going but more of a case that if I play a B for example on the A string, it will give me a nice sub B, not too dissimilar to playing the B on a 5 string or the equivalent of an octave down.

Thanks guys, just watched a demo of the DOD Meatbox and it looks like it might just do the trick. Thank you.

Is there a pedal that will allow me to create some low deep sub bass tones? I do have the Boss OC-5 Octave pedal which does thicken the sound nicely but it also gives that typical Pino/Tony Levin octave sound which is not what I am after. I would like to create a smooth low sub bass sound. Is there a pedal that can do that?