Bigwan

With volume on max is it making ANY sound at all (hiss, hum, etc)?

Looks great!

I'd agree that the control layout looks odd and I don't recall stacked knobs or switches on Statii preamps of that era, but I'm not much of an expert. I'd get pics in the control cavity if possible. Edit: if the price was right I wouldn't be put off by a change of preramp. Great basses these.

Sounds like a job for the Orange Terror Bass...

Do you well these? If you don't you really REALLY should!

On the reshelling front I've discovered a local (to me) chap building custom IEMs who advertises a reshell service. He's on Facebook as "LUGS - Play it by ear". No affiliation with the guy but interested in having my UE900S done and he's confirmed he can do them.

Lush!

Good man!

The P-retro was in the plans for that bass originally. If you ever get tired of it just drop me a line. Awesome bass...

Following this as I'm interested in getting these for my UE900s...

Click your profile name in top right corner, select profile from drop down menu. Type your update in the wee box labelled "write a public message on your own feed...", Simples! At least that's how I do it...

Yes. I'd also consider looking for an Orange Terror Bass 500 if I were you (£300 - £350 used). Along with Ashdown ABMs these are the best amps I've owned. Have a nice grind in the preamp. EQ isn't especially powerful, and some would say they are a one trick pony, but it's a really, REALLY good trick! And they're RIDICULOUSLY loud...

Add the Ashdown ABM 400 in the classifieds at the minute (bit over budget but that's what we're here for!) and that'd be a stonking rig! Lightweight gear is all the rage at the minute (and has been for a few years) so you'll find that heavier gear is pretty cheap...

That sounds bitchin'! And another really pro build. Do you know roughly what hfe your CV7003 was? Would you share your circuit values? I'd like to build one of these for myself!

Why not repaint it? It'll look like new and be a WHOLE lot easier than tolexing (which I will never do again as long as my ar$e points south!)

They're not what you'd call the perfect modding platform with their proprietary pickups and bridge so I'd go with chris_b and get another bass. The pickups and electronics are what make it a G&L so if you change those you'd killing your resale value. If it's just a noise issue have it looked at by a tech. It'll be something simple. Beyond strings and tuners (which I'd only change if they didn't hold tune or were too heavy) I'd leave it well alone.

Beautiful work! Always in awe of people whose work comes out so neatly!

Sire V7? It's 18mm spacing.

The effect itself isn't digital (it's a tricked out muff circuit), but it doesn't use the "standard" 3pdt footswitch. Has some sort of digital bypass control circuitry from looking at pedal gut pics - all SMD devices. Difficult to modify, even if you did know what the circuit was doing. I'd live with switching the pedal on if I were you! Or get yourself a clone made from the pedalparts.co.uk engorged gherkin kit if it bothers you greatly: https://shop.pedalparts.co.uk/Engorged_Gherkin_Fuzz/p847124_14535415.aspx

Yes I arrived home the other day to find a courier bag on my front doorstep containing exactly the same box they were sent in... unopened ... and a t-shirt. Ironically I'm considering moving the associated cab along through lack of use...

Altogether very meh...

I think Tom made a second for his demo board...

Which is why I had Tom at COG make me a custom Mastotron/T65 combination in the one box to run in the loop of my 3Leaf GR2. An AWESOME setup for all sorts of synthy goodness. All gone now alas, and I was sorely tempted to buy back the COG when it was on ebay recently, but the guy wouldn't budge much on his price, and knowing what it sold for a few times after I sold it it was just too much money considering you could do something similar WAY cheaper. The COG had a series/parallel switch and I found I always preferred the octave in series with the fuzz to take advantage of the gating. The effects loop of the GR2 is good too as all the dynamics are taken from the pre-effected input, rather than from the post octave+fuzz signal. Much more expressive!

I use a Mastotron clone I built and it sounds SICK! Gated fuzz is the best if you can get it, but to get you started any fuzz (or even a heavy distortion a la Scott Devine's favourite pedal) will do.

Depends what you mean by synth. If we're talking moog type sounds then I'd go with a combination of individual pedals. A cheap OC2 clone (or EHX octave multiplexer. I had a chord OC-50 which has a drive/distortion option which ALMOST negates the need for a fuzz), a cheap gated fuzz (an ebay woolly mammoth clone, or cheap muff clone, but the gated fuzz really helps) and an EHX micro or mini qtron (in that order) will be much better for these sort of sounds than any synth pedal I've found, and you'll get a good variety of sounds for little outlay, with the bonus you can use them individually. For more spacey stuff the boss, behringer or digitech pedals would be better. Or you could try the synths on one of the zoom pedals, B3, MS60B or B1on. They're ok...