Yep, played TE amps 'back in the day' and know the tone, just don't be afraid to roll off the mids and you'll find it. Bass you are playing matters too I think, a Stingray really does the trick, a passive with flatwounds less so.
It is noticeably thinner but still feels substantial - probably not for moshers and metal/crossover types. I play in a prog band and an 80s covers band and it gives me no problems
Doug Wimbish signature, custom order so only one of its kind. I had a DW sig about ten years ago and stupidly traded it in, big regrets... Good to be back in the saddle
Hondo Deluxe Series 830
Aria RSB Deluxe II
Charvel 575 Deluxe
Ibanez SR800 Fretless
Jaydee Mark King
Washburn Status - Still Have
Warwick Corvette Rockbass 5 String
Fender MIM Jazz
Ibanez SR505
Ibanez DWB3 Doug Wimbish Signature
Spector Legend Custom 5 String
Fender US Precision
Musicman Stingray 4H - Still Have
Spector Doug Wimbish Signature
Fender US Jazz Deluxe
Musicman Bongo 4HH - Still Have
Fodera LG
Dingwall ABZ
Dingwall Combustion 5 String
Squier Affinity PJ - Still Have
Ibanez MC924 Musician - Still Have
Aria R80 - Still Have
Warwick Thumb Fretless - Still Have
Mayones Jabba - Still Have
Squier CV 60s Jazz - Still Have
This - A luthier quality bass with astounding tonal range (for a passive) and so so so playable. Mine is the smoothest bass I have ever played. Even if it's £600 sell the wife and make it yours.
Also if you can get anywhere near an Ibanez Musician you will have an alembic quality bass that never ever disappoints