Lozz196

It’s not you Gareth, I can’t understand how/why anyone employed to do sound focuses on this particular aspect to the point where it’s detrimental to the band playing. I also really can’t understand why the bands themselves put up with it.

Quite right too, Chris

Nice one, I think that will be a good fun gig to have

I’ve used my M80 with both my JMJ and CIJ Mustangs with no problems.

Not new, but a used Mono M80 Guitar Case will just about fit in budget.

For live use I’d lower Presence to about 12 o’clock and up Treble til the desired amount. That Presence control can be very ice-picky, especially with a Jazz type bass which has plenty of highs.

I`d go for a Jazz, battered if possible, will get near pretty much everything he`s done and look in character.

See this is what’s good about Basschat, always someone willing to help out……

I could probably tell my Precisions & Jazzes apart if recorded by me, then played back. Any others I don’t think I’d stand a chance. I found this out when hearing a mate play with the best ever Precision sound, was literally awesome classic punky P-bass at its best, only to find out it was a 70s maple necked Jazz.

Saw this on Coda Musics website, favoured maple neck whereas the majority of Mustang basses are rosewood, and pretty much spot on 7lbs, two major factors for my choices nowadays. Plus I can add some Hipshot Ultralite tuners and shave off a bit more so a 6lb-something bass, result. Out of the box the set up is nice, good even, and though I don’t usually like Fender strings it both plays and sounds good. I’ll have no use for the Jazz pickup on its own but the Precision pickup and both pickups together are difficult to choose between, each being really nice. Just have to make sure my arthritic thumb is ok with the neck, at first try it feels slightly thicker than my Japanese Mustangs so next few days I’ll be putting in the hours to make sure. Am sure I’ll keep it, intention is to swap the pickguard to black, and replace the string tree with a Hipshot triple retainer to encourage a better break angle for the A string. I was thinking about the bridge as well but it’s perfectly solid enough and given that I now play with a much gentler touch I’m not fussed about it not having any guiding grooves so it’s staying.

Good price, may well sort one of these later on

Mono M80 is 6.2lbs (2.8kg) As well as being one of the lightest it’s also quite sleek/trim, whereas some of them are quite bulky.

J takes the vote

I was in a similar position and went 2 x Ashdown ABM PRO NEO 210s from my 35kg Ashdown ABM410 At 13kg each, one in one hand and a bass in the other, then repeat, all gear in venue without having to lift anything particularly heavy. So my thoughts are look at two 210s or 112s, easier on the back and you can potentially use just one for rehearsals & smaller gigs.

My first thoughts were the BT12. Put a pic of the current tuners on here, should be easy for us to advise.

This. I have a set up starting point where I put everything to by measurement. From that point I tweak to playability, all basses (even same brand & model) are different, my starting point is usually fairly near but never spot on.

I’d be happy to use a 5 if I needed it. But given that a, it don’t, and b, I’m developing arthritis in my left thumb which makes wider necks difficult for me it’s unlikely now that I’ll ever go this route.

Well my thoughts are that it sounded great in the mix. It was quite enlightening finding how much bass cabs colour the sound as I had to drop a lot of top end from my regular settings on it, and add in some lows. It was also one of the easiest setting ups, other than plugging into an already there rig that I’ve done. But if the band need bass for their cues then spec out the venue/monitors beforehand, the venue we played had tiny monitors that can’t handle much so bass presence barely there. Not a problem for us playing wise but did make for a rather guitar/treble heavy onstage sound. Moving forwards I’m going to stick to doing it though, in all it was a winner and the sound was just so good in the mix.

The Spacewasters played at The Trinity Bar in Harrow last night. Drummers car broke down yesterday so I drove me, him, and our depping guitarist. Traffics was poor but got there by 6pm so all 4 bands able to soundcheck. Evening was very light on punters, apparently a major psychobilly event was going on nearby so this really had an impact. The 3 other bands played well, then it was our turn. I was using my CIJ Fender Mustang into my Behringer BDI21, no amp just straight to FOH. Worked well but monitors were very small so much in them, made on stage sound very trebly. We played well and audience reaction was great, especially given we had a dep guitarist but due to the size of the stage, the load in/out, the parking, my back hurting, herding drunk bandmates, traffic, rotten weather and traffic overall my enjoyment for the gig was solely the 45mins we played - and I left home at 4pm and got in after 1am, for a gig less than 20 miles away.

For under £50 for a bassist I’d ask what their string preference was, or do they need any new picks/leads/set-up tools etc.

Agree, great venue, played there a few times, always been a great trouble free crowd up for a good evening.

Shielding if not already done, and string retainers for the A string to give a better break angle, other than that I generally leave as standard.

I tried this at rehearsal the other night, just for the connections mainly, and yep, bass into BDI21 input, XLR into the DI socket and all was good in the PA. Looking forward to trying it at the gig on Saturday.

Where’s he playing (he and his band are great live, you’re in for a treat).