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Lozz196

⭐Supporting Member⭐
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Everything posted by Lozz196

  1. Most definitely, stage/rehearsal rooms/recording studio, def my happy places, I consider myself very fortunate to have a hobby/interest that I get so much from.
  2. Would be a 65 Precision in sunburst/tort/rosewood.
  3. Pretty much the same for me.
  4. Started playing at 15, I’d been in “sortof” bands with mates since I was 16 , the type where you say you’re a band but have never actually done anything other than make a racket with no-one playing anything remotely like the others who are also doing the same. At just turned 21 I bought my first decent bass, a Yamaha BB1100s, about a month later joined a proper established originals gigging band. So I suppose I must have known in the back of my mind that I’d outgrown the sortofs and was ready to apply myself better. Within 3 months I was gigging all over the country.
  5. I really like the Ampeg SCR-DI for this. I don`t like it much for full-on gain/drive but for what you`ve specced out @Supernaut it`s a decent option, very good at adding that little bit so as as to make the notes not completely clean. You can either use the full pedal with all of its eq options or just the Scrambler part of it on your current eq. Added bonus of being a Preamp/DI so all of the uses that come with those.
  6. I’d be more than happy seeing a band doing that set list!
  7. For me it’s timing changes, if it’s a straight ahead song at the same pace then that makes it so much easier for me. Wayward Son by Kansas took a while to get to say the least.
  8. We played in Munich with an American band who had a couple of girls (20s maybe 30s) in the band and in the provided food was a cheesecake for each band. One of them (no idea which) wrote in ours “Horny Dad Band”.
  9. Motordad
  10. Check out the Phil X & The Drills version, it’s awesome
  11. The harshness could most likely be the electrical parts, I have similar with my Mustang basses, the Squier having way more top end than the JMJ. A look at the schematics showed 500k pots in the Squier rather than 250s that Fender usually use, so similarly a KiOgon loom with 250s is waiting to be installed.
  12. Yes, I had the CMD121P combo with an NY121 cab, then a Little Mark 3 with two NY121s. At the time I too was rather heavy handed but they didn’t care, handled everything sent their way.
  13. Or maybe go to the bar/for a leak/outside for a smoke
  14. I think the best thing to do is to show the rest of the band your second last paragraph, then take it from there. Is it a song where one of them can drop their own instrument and play bass for example, whilst you go to the bar and get the drinks in, make it part of an act where the band keep the song but you take no part.
  15. Good article, comes across as a very decent & humble bloke
  16. Def look at the brighter versions as mentioned above Rotosound 77, Fender, Dunlop, EB Cobalts, TIs, worth adding in D’Addario Chromes to the list.
  17. Same for me, problem on the electrics, which were fine when I did my pre gig journey check at home. Squier/Vintage/Harley Benton all do perfectly decent basses which can be very affordable used - my old Vintage Tony Butler Precision cost me £120 and it was a great instrument.
  18. It’s def worth it Mark, I’ve only ever needed a backup once, sadly I didn’t have one with me that day but fortunately the bassist in the headline band let me use his.
  19. Great pics @peteb, re these, and maybe a strange enquiry, what are the trainers you`ve got on, have seen a few pics of people with those ones but can never find exacts on Amazon etc.
  20. Def agree if a song isn’t in a key the singer can sing in. Really hate it when a singer vetos a song with the phrase “because I can’t remember the words”. Then learn them asshat.
  21. Hiscox hard case for touring or flying, Mono M80 gigbag for everything else.
  22. The Squier Classic Vibe 60s Mustang is Jazz width, as are the Made/Crafted in Japan ones. I really like the Squier ones, play really nice.
  23. If the width of the Precision neck is the stumbling block then one of the Mustangs with the Jazz width neck would suit well. The JMJ is a Precision width neck but due to shorter scale and lesser string tension I find it much easier to play than my Precisions.
  24. Nice, very 70s
  25. I have a similar experience, also have the VHS of the evening. Sure drinking did make us better, but only in our minds, in everyone else’s ears the truth was heard and it wasn’t pleasant.
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