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  2. Sold Gavin a couple of P scratch plates. Great communication and prompt payment. Recommended.
  3. I sold Mr 2477 a strap and he was a delight to deal with all the way - good comms and instant payment. Top Basschattist 👍
  4. Only saw them once, Deeside Leisure Centre, 1980 - tickets £5
  5. Its definitely an upgrade, but more ergonomic than sonically. Having had a MODX6 since they came out, and then i got a 7+ (more for the extra keys), its only now with the M7 that im really getting to grips with the operating system. Its so much easier to program with the extra knobs and buttons. Im doing things with it that i never did, but could, with the old versions. Having 8 sliders makes a world of difference, especially in DAW mode. I did run out of buttons on the 7+. When using Gig performer. Personally i don’t think the A-NX engine is all that. It sounds a bit thin compared to using samples in the AWM2 engine. Its nice and easy to use though, and has its uses. Saying all that, if i could have purchased ESP as a stand alone i probably would have gone that route for now, but no regrets.
  6. Very cool Ash...GLWTS
  7. I have admired and lusted after these since they came out. I think I went through one in a Jazz club in Manchester back in the early 90s. If I had the space I'd be on this just for the nostalgia but I simply don't have any room at all. GLWTS!
  8. Just trying this for a few days with a further reduction to £330, then off into storage if no interest. Any questions, please just ask. For sale, a TE Elf C110 combo in excellent condition. Reduced to £340. This really is immaculate, as is its cover. All you'd excect from the Elf range and surprisingly powerful and loud (if needed). Functioning perfectly and supplied with original TE documentation. I've ended-up with two (silly stereo experiment) so this - almost unused one - is no longer needed. I don't have the original box but can locate a carton for shipping if any prospective buyer wishes to organise a courier. No trades thanks. Collection would be preferable (just to the East of Manchester), though as above, courier arrangements are possible. Basic specs are: POWER: 130 watts @ 8 ohms, 200 watts @4 ohms (with an additional 8 ohm cabinet) FEATURES: Gain, level indicator, bass (center @ 80Hz), middle (center @ 400Hz), treble (center @ 4.2kHz), power indicator, volume, speaker/headphone selector switch, ground lift switch) SPEAKERS: 1x10” Neo 8-ohm driver DIMENSIONS: 324mm (H) x 305mm (W) x 355mm (D) CONNECTIONS: Input, headphone/line out, speaker output, balanced DI XLR (direct out) WEIGHT: 18.5 lbs
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  9. I try to be as accommodating as possible for collections and meet ups. Makes the world go around!
  10. Starless and Bible Black - King Crimson
  11. I would imagine that it is going to be OK but because you have been running two cabs, you got around a 3 DB boost over a single cab, plus the amp will have been running at 4ohms. You will probably need to have the master a bit further round but I have found the Monzas are very sensitive, so possibly not that much. The compression driver boosts the high mids upwards, something that is missing from the One10s, which have a baked in vintage tone, so you will hear a lot more of what you are playing. Not knowing the Magellan, I can’t say how it will behave and whether the tone/clarity will be adversely affected by opening the tap more. It’s worth a try before shelling out on a new amp.
  12. I had one. It was definitely brown..... and a darker brown at that. I think it was called 'walnut'.
  13. Only recently picked this up, but with the recent addition of a Lusithand F1 I really don’t need both on my board. Fantatstic pedal for EQ shaping and/or drive. Simple to use. Sounds fab. UK made. Mint condition and works perfectly. Price includes postage.
  14. Wasted an hour of work time trying to get tickets. The £77 ones kept disappearing when going to checkout. Not paying £115 plus fees and up.
  15. Hi, I posted this a Helix bassplayer group on FB, but will try here also. I have a couple of questions about the amp and cab modelling. I just want to preface this with mentioning that I’ve hardly played through any of the real versions of these amps neither directly nor miked up so have I no physical reference. Yet I find the behaviour kind of odd. Also, I’ve mostly played through a Fender Mustang bass with kind of low output, I think around -36dB when looking in my DAW with the clean DI signal through USB. Also, it’s so low the LA Studio Comp doesn’t trigger even with the lowest threshold. 1. Should the default values of the amp+cab blocks result in significant gain increase? When using for instance the Woody Blue has a gain increase of around 18dB and the normal SVT of around 10dB iirc. This makes it kind of hard to compare amp sounds and you have to re-gain everything after it when trying out amps. 2. Even with my low output the input level into the SVT Bright block, and to a slightly lesser extent the SVT Normal, makes it distort heavily. Is this the goto sound for this amp? Also many of the other amps sound very distorted until I lower the Input gain. I’ve even tried activating the input pad but they still distort. Is this the intended behaviour? 3. Most of the cab-sims create either a heavily mid-scooped sound or sounds like throwing a heavy blanket over the cab, draining loads of definition. Is this how miked up cabs are supposed to sound? 4. I’ve always tried to gain match my blocks so that there’s not noticeable gain difference when activating them. Is this a good general approach or do I want to boost my signal to a certain level and try to maintain it? Exceptions of course are when you want a switchable gain boost… Thanks in advance and sorry if this has been asked before!
  16. TC Electronic 3rd dimension. It's genuinely the best chorus pedal available.
  17. So, I'm pretty much done. My desired stonerfunk/doomfunk tone achieved. Pedal order as in my signature.
  18. Just got mine yesterday but had a rehearsal last night so I only got a few minutes to play with it, but I like it. Sounds decent with guitar too, as a practice amp at least - I haven't tried any FX/sims though it yet. I purchased this to use at the beach powered by my drill batteries and a cheap USB adapter I have; should have hours of play time.
  19. yeah man i love ronseal it does exactly what it says on the tin fixes everything miracle worker product would recommend to any and all
  20. Today
  21. Does it do exactly what it says on the tin?
  22. from what I know you literally just rotate them individually and it should make the signal stronger/weaker, tends to be really small movement just make it so the elements are aimed at the strings more
  23. Big of a feeler… Got this recently and really want to try the bass eq as well. I have an option to buy all three of the API select series pedals - basically a guitar EQ, bass EQ and this comp. All based on classic API frequencies and featuring their famous op amps and transformers. I can’t keep this and and afford to buy the set and essentially I’d end up with two of the Comps and I’m not a guitarist so a feeler to sell this to fund the trio is afoot! Basically it’s an API 500 series comp in a pedal incorporating their very well regarded transformers! It’s a wonderful compressor! Enough control to tweak but nothing too complicated. Sounds quick and when pushing the output gets that Tx thing happening. The New Old switch is a feed back/feed forward which basically changes where the comp works in the circuit? One sounds newer and the other sounds older! Th tone/quality really is lovely sounding! The review linked says it better than I can! I’ve really been drawn to transformer based things these last few years and this really hit the spot for me. I’m a little bit addicted and the matching EQ would be a match made in heaven! https://www.compressorpedalreviews.com/post/api-tranzformer-cmp-review Price includes U.K. shipping and case candy photos of which will follow.
  24. thank you for the insight and I mean it does sound quite helpful really, I appreciate your thoughts on it I'll have to do some research and think about going up myself
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