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  1. Today
  2. Hi, I found my way over here when I was looking for an alternative to Talkbass. I am a professional player who has recovered from neurological problems and am getting ready to go back to playing out full time. I love classic rock but I also like R&B and disco on the side. My one and only love is my red and white Jazz with flat strings and foam. Never was a hoarder or much of a gearhead. I don't sing or double at all, I am strictly a gold star bass player. I can't wait to get back out there.
  3. The drummer concurs.
  4. Thank you - I can't find a Bossa bass anywhere in the UK. I have another Bossa guitar that was Brian Monroney's (Tom Jones etc) and it's my #1 💛
  5. I had a Flamed Sycamore custom lined fretless 4 string back in early 80's but moved it on. Wish i had kept it. Cost me £740 new. Happy days. 😂 They do make some wonderful looking and sounding basses. Don't get much better than WAL. Dave
  6. Yesterday
  7. For sale absolutely mint condition MARUSZCZYK ELWOOD ABSOLUTION 6a-24 FRETLESS, never left the house. For sale for £1800 / 2100€ Specs: - Model: Elwood Absolution 6a-24 fretless, Right handed, 34” long scale - 6 strings flatwound - Body wood: Alder with birds eye maple - Neck wood: Hard rock maple, graphite rods - Fingerboard wood: Ebony, 24 frets, 54mm black nut, 18” radius - Markers: Small dots on 3,5,7,9 etc fingerboard side - Binding: Black on body and headstock - Hardware colour: black - Machines, bridge: Hipshot ultralite, standard 16mm spacing, ETS knobs - Headstock: 4+2, matching headstock, black logo - Pickup: Aguilar AG DCB-D4 bridge position - Electronics: Aguilar OBP 3 (4 pots without mounting plate, mid freq switch) - Colour: natural - Finish: Matte all - Straplocks: Dunlop flush month - MARUSZCZYK bag
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  8. A lot of effort (and some expense) goes into making an efficient and quiet cooling system. Cooling is a system, not just a bunch of parts thrown at the problem.
  9. @casapete beat me to it - Fujigen (the factory which made it) 2407, branded Antoria for UK distributor J.T. Coppock & Sons. We had one turn up a couple of years back & I contributed what little I knew back then. There's a serial number on the bass neckplate - can't quite see it but the second 2 digits are the year, likely '76 or later.
  10. I wouldn't take it to just any amp tech. You want a proper enthusiast.
  11. Not a bad night. Worked through arrangements for two new numbers, one new, the other just as a change of style. The new one took a while but it was all good stuff to sort the ending and work through arrangement of links between verse, chorus, etc.. Then we were looking for a different way of finishing the set for the next gig - landlord (who plays) has the occasional sideways comment of 'always the same songs'. There are certain standards, but we do change the set around and regularly add in new stuff, added to which the guitarist writes the sets and keeps track of what we play and where so things change around. We have, however, been running through variations of: Don't Stop Believing, Don't Stop Me Now, Final Countdown, Living on a Prayer for a while now. Works well, and all bangers for a crowd up for a dance and a sing but it's good to mix it up sometimes. Difficulty is shifting stuff around the set like that in 1) finding equivalents to replace them with, 2) adding some intros; and 3) if they are being moved back in the set not peaking too soon...sticking them into encore options seems a waste. So decisions, decisions that ended up with a suggestion of finishing with the newest song we'd been working on near the end of the evening and quickly sorting tweaks for intros. Runs the risk of falling apart putting it there as its first outing or just being met with blank looks and a killed evening, so fingers crossed!! Good news was that the Tokai Hardpuncher that I acquired recently was bang on it. Sounded great through the studio's Ashdown head / Eden cab combo. Great solid fundamental tone with lovely zing and bite on top of that. It's slightly strange that after years of active 5's I have come back to loving my first J (albeit a FrankenJ with an active pre) and now a P copy with noiseless EMG's. Hipshot d-Tuner/Extender now added to both as I love those.
  12. I think the pricing is at an odd point. Not enough to be premium, but too high to be budget. Just kinda sitting in no man's land.
  13. So I’ve had half an hour playing with mine essentially as a stomp-box. I’ll have a better look tomorrow. One thing - my phone Bluetooth won’t find the anagram on the Darkglass suite (iOS). Bluetooth is ‘on’ in the Anagram, but it just won’t find it. Going to wire into the laptop tomorrow and update it
  14. Link removed. Most genuine news stories don't need to break up 'full story' or 'watch video' unless they are trying to evade spam detections. and the only places I can see on the net with that story point back to that same place, often with AI images and no details.
  15. My thoughts exactly. It's so obviously made-up tripe (the post. I wasn't silly enough to click the link). Has someone hacked Greek's account? He usually posts pretty sensible stuff.
  16. I'm A Man - Spencer Davis Group
  17. Pleasure. I like the look of that Yamaha. Their PA stuff is excellent these days. They bought out Nexo, a high-end PA brand, a few years back and they've obviously incorporated the tech' into their own stuff.
  18. Next ... the Bunsen Honeydew bass. With 'meep' onnthe headstock...
  19. Exactly what the f*** was it posted for?
  20. A bit of wet sanding then 6 more layers of lacquer. Getting flatter, but I was a bit cautious with the sanding. More tomorrow.
  21. Welcome to an island of sanity in a crazy world!
  22. I found the body and neck of a Symphonic bass in a skip many years ago. Gave it to a repairer pal who fixed it up and sold it. I wonder if I should have kept it. Probably collectable by now. Love the photo - the good old days of miming to the record. No attempt to make it look live. No cables to the instruments and not a mic' in sight.
  23. That's the dodgiest jack-shït web page I've ever seen. More red flags than the battleship potemkin. Lots of characters from non-latin fonts to greak search engines. Don't go there and if you do, don't click anything. It's a honeypot targeting the gullible. Mods... please remove the link.
  24. All it took was a change of preamp... Sterling Sub5 with Retrovibe Stinger
  25. My lights have lasted for ages. However I've just had to order the third pair of stands for them! Hopefully the Gravity stands will last a bit longer. I was hoping to get some lightweight aluminium stands but they won't extend high enough for lights, so I had to have taller steel ones - should be more stable anyway. I'll let you know how they go. Anyone got any opinions on Gravity stands? My guitarist bought a mic stand recently and that seems quite good quality. I'll stick with my K&M though - it's standing up well (geddit?! 😁) to regular gigging.
  26. I remember buying my Flea Jazz. I was tryinh it out along with some modern jazz basses. I couldn't get a tone I liked, the guy at the shop said you prefer a more traditional sound? He plugged me into a rumble 100 and lo! There was the sound I wanted.
  27. I just heard back from a bass player friend who has a PhD is electronic engineering, also happens to know Mark Gooday a little. He said to return it. Should not be that way and could be simple or expensive to fix. I emailed the big online seller and they said they would send a free return label. So my great deal kind of went out the window. Bummed about that. Might ask if they have a tech in the area as I would really like to keep it. Such is life. I appreciate all the help and advice. If something changes, I'll update.
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