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Mojo!
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ash started following Sandberg Electra VS4
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Sandberg Electra VS4 Bass I bought this a week ago as back up for my Sandberg California VS4. It’s a superb bass - high quality, great sound and bullet proof construction. It plays as good as my German made Sandberg. It’s near new condition and set up with Rotosound roundwounds. So why am I selling so quickly? I should have done more research. This is an active bass and unlike my California VS or the more recent Electra versions it doesn’t have the push/pull on/off active circuit thing. It is a very versatile bass but not for me as I use my California as a passive bass only. So I’m hoping to move it on and buy another German VS4 or a new version Electra. It hands down beats any other basses I’ve played in this price range for quality. It weighs 3.7kgs so easy in the shoulder. I can post in the UK at buyer’s cost if you can’t pick it up in person. No trades. Selling for what I paid and this is half the price of a new one. Specifications NECK:6 bolted / canadian hardrock maple FRETBOARD:22 frets, rosewood fingerboard SCALE:34” BODY:basswood FINISH:black highgloss HARDWARE:chrome hardware/ sandberg bridge PICKUP:1 sandberg designed splitcoil PREAMP:sandberg designed 2-band, active FINGERBOARD RADIUS:14 inch WIDTH ZERO FRET:37 mm THICKNESS 1ST FRET:20 mm WIDTH 22TH FRET:63 mm BRIDGE STRING SPACING:18.5 to 20 mm SIZE FRETS:2.5 mm NECK PROFILE:c-shape
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Oh well, no chance of me getting in there then 😂 I'd be more comfortable at HD Museum venue. Dave
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I would be tempted by one of these except I prefer having a hybrid amp.
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Wow, that's great! I watched the video and he and his band have nailed it, music and costumes are perfect, I'd love to play in a band like that. I hadn't heard of the band but I can see why they would appeal to a certain crowd. Same instrumentation as our band but their arrangements are much more period correct than ours, great stuff and fun to play. Thanks for the link, I will pass that on to the band members. Our gig was a lot of fun last Saturday but this week I am going in a very different musical direction as I get ready to head out of town and play with my bluegrass band at a two day festival on Friday and Saturday and a concert on Sunday... variety is the spice of life as they say.😊
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Try https://guitarkitfabric.co.uk/ instead, it'll work.
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The post I replied to isn't.
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Compact budget PA set-up to put bass through (without back-line).
Al Krow replied to Al Krow's topic in PA set up and use
Managed to source a second very good condition used RCF 932A to add the B-stock one I bought a little while back. Looking forward to hearing the improvement in vox and guitar sound from the 3" voice coil / larger 1.4" compression driver on the 932A vs the 1.75" voice coil / 1" compression driver of the 912A at our forthcoming gigs. I'll probably hold onto my existing 912As for a while, to provide a back-up PA and also enable us to be at two places at once, which does occasionally happen! -
Nice outdoor acoustic session. Unfortunately, the high heat caused the finish on the bass to crack. Doesn’t really bother me but probably impacts sale value!
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PRICE NOW DROPPED TO £300. Easily the best speaker cabinet I have ever used: am downsizing to lighter Genz Benz cabs as I rarely play live now. The Eden D210XST Cab is loud enough to be heard and yet still small enough to be used at home or in a small studio. For those players who need a portable, high-performance rig with even more low end than the XLT, Eden has designed a 2 x 10" cabinet for their XST woofers. Punchy and clean, the D210XST produces a full and clear tone through its two 10" speakers. It's excellent for delivering articulate bass lines with volume. This 2 x 10" cabinet handles more power than many 4 x 10" cabs on the market. The D210XST offers huge bottom end with its cleverly-designed tuned and ported cabinet construction and speaker selection: the low end is full but tight, the mids are open and well-defined and the highs are clear and crisp. Durable build quality makes this ideal for touring and live performances. All Eden enclosures are constructed with 5/8" thick void free plywood with full dado and rabbet jointing. Massive internal bracing prevents vibration and keeps the sound deep, tight and clear. Exclusive Eden Cast Frame loudspeakers and Eden Cast Bell low distortion tweeter horns are designed, hand-built and tested in their own factory in the USA. Very Good condition. Comes with an official Eden cover. Power Handling: 500 Watts Impedance: 8 Ohms Speakers: 2x10" Eden-spec Eminence EC1060XS speakers Tweeter: Eden Cast Bell low distortion Crossover: 3.5KHz @ 18dB Frequency Response: 30Hz - 14KHz Sensitivity: 103dB SPL Connections: Parallel 1/4 Inch and Speakon Dimensions: 23" w x 18" h x 18.5" d Weight: 59lbs / 26.8kg NOW ONLY £300. Collection from East London preferred, although happy for buyer to arrange a courier.
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TimR started following Behringer XR18
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This thread is 8 years old...
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ardi100 started following Pedalboard vs multi
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Hi everyone, It seems my Boss Gt1B has died (I haven't ruled out it being fixed, it could be simple, but - GAS . . .) and I'm considering what to replace it with. When I was in a Madonna cover band I needed lots of synth-type sounds that I could (almost) replicate on the Boss multi, but it did have limitations of effects blocks. I'm now playing in a rock-ish band that doesn't need much more than a bit of valve-like grit. I would like (but don't really need right now, but who knows into the future) octave, filter, some modulation, fuzz, and delays/reverbs - basically all multi effects' lists. I feel like I could get away right now with a valve pre/DI that wouldn't have to be actually valve based. Oh, and my budget is tiny to not really existent! My one big question is how do people manage single pedals when you need different sounds out of the pedal within or between songs? I built patches for each song on the Boss and then just flicked through them at will. How do players manage a complicated pedalboard with multiple sound changes live?
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Thanks man, appreciated. I think between us we’ve created a balance given your (really pro sounding) track represents probe anxiety 😊
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ash started following Markbass CMD 112 P Mini Combo LMII Preamp
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Markbass Mini CMD 121P It’s an Italian made one and had been used for gigs and rehearsals regularly. A bit OTT for a practice amp as it’s really loud for its size but that’s what I’ve been using it for recently. It has the older - and in my view more practical - LMII preamp. Very good condition, some signs of use and slight bobbling to the carpet covering. It has been gigged with PA support and has not been pushed hard by me in rehearsals. Pickup preferred but I’ll post at buyer’s cost in the UK only. No trades. From Markbass - Our flagship combo has changed the bass amp market forever. Never have bassists been able to get such great tone and volume from such a light and portable amp. Easily upgrades to a 500W rig with the addition of a New York 121 cabinet. SPEAKER 1×12″ TWEETER piezo BASS REFLEX rear IMPEDANCE 8 ohms SPEAKER POWER HANDLING 400W RMS (AES Standard) AMP OUTPUT POWER 500W RMS @ 4 ohms / 300W RMS @ 8 ohms PREAMP solid state WEIGHT 14.4kgs WIDTH 14.96 in. / 38 cm HEIGHT 16.73 in. / 42.5 cm DEPTH 14.17 in. / 36 cm
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Bassassin started following Antoria Twin Caster Hollow Body Bass, need some advice
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Antoria Twin Caster Hollow Body Bass, need some advice
Bassassin replied to Catpain Scarlet's topic in Bass Guitars
J'arrive! Bit late to be much help (that bridge will work fine!) but do post more & detailed pics. Not familiar with this design of Twincaster & it's got some details (pickups, for a start) I wouldn't expect to see on an Antoria. -
jay bass started following ZOOM MULTISTOMP MS-60B BASS **£75**
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ZOOM MULTISTOMP MS-60B ITEM IS AS NEW NEVER BEEN GIGGED . Powered by 2 x AA batteries (included) or 9v DC power supply (not included) I don’t have the original box or manual but will be securely packaged for shipping The manual is available to download online. RRP is now £129 grab a bargain £75 inc postage to uk mainland The MS-60B's intuitive design allows easy navigation in both live and studio settings and makes creating, saving, and rearranging effects a breeze. Its input jack accepts signal from both passive and active guitars, and dual line-level output jacks enable you to record the MS-60B's many sounds in stereo. You can use up to 4 effects simultaneously and arrange them in any order you like—even bring individual effects in and out of the chain as desired. There are 50 patch memories where you can store your custom edited and chained multi-effects, with the first 30 pre-loaded with useful factory settings. An Auto Save function ensures that whatever edits you make will automatically be saved, and you can create a list of up to 26 patches to cycle through as you step on the MS-60B footswitch—handy for live gigs or whenever you want your effects in a certain order. The onboard chromatic tuner supports both standard and drop bass tunings, and you can opt to either bypass all effects during tuning or to mute the outputs so that you can tune in silence. Last but not least, the MS-60B's Tap Tempo feature allows you to to set delay times and modulation effect frequencies in real time to the rhythm of the song you're playing. 1 Pedal, 58 Great Bass Effects Cut down the size of your pedalboard by adding an MS-60B. It offers 58 great-sounding ways to craft the perfect bass tone. For ease of use, these are organized into the following categories: Dynamics / Filter Shape and control your low end with these 19 different compressors, limiters, equalizers, filters, exciters, and frequency splitters, plus Zoom's Noise Reduction (ZNR) algorithm, designed to remove noise during pauses while still maintaining your instrument's natural tone. Other options here include a bass frequency-specific AutoWah and "talking" modulator, as well as emulations of the MXR DynaComp, Aphex Punch Factory, dbx 160A, BBE Sonic Maximizer, Q-Tron Envelope Filter, Moog MF-101, and Z. Vex Seek-Wah. Overdrive / Distortion The MS-60B's 11 boosters, overdrives, and direct inject / preamp models include simulations of the BOSS ODB-3, DS-1, and Metal Zone, as well as the Electro-Harmonix Bass Big Muff, SansAmp Bass Driver DI, MXR Bass D.I.+, Xotic Bass BB Preamp, and Avalon Design U5. Amp The 6 amp models provided here include emulations of classic tube amplifiers like the Ampeg SVT and Fender Bassman, as well as the contemporary sounds of the Hartke HA3500, acoustic 360, Aguilar DB750, and Italian Markbass Little Mark III, each with its own distinct cabinet modeling that can be used to further alter the tonal quality. What's more, you can pair any amp model to any cabinet model for unusual, and often striking effects. Modulation / Special effects You'll find 14 different modulation and special effects here, all specially crafted for bass. These include phasing, flanging, chorusing, tremolo, detuning, and pitch shifting, as well as a sub-octave generator and an intelligent bass synthesizer that plays along in key—even a DeFret effect that changes the tone of a fretted bass into that of a fretless. Delay / Reverb The MS-60B's cutting-edge DSP microchip performs 32-bit floating-point calculations, giving it the ability to create sophisticated studio-quality effects such as the 8 rich, dense reverbs, and realistic spatial simulations found here. These allow you to place your bass in natural-sounding spaces such as rooms and halls or to add delays of up to 4 seconds. Also included is slap-back echo and a reverb plate emulation, as well as reverse, modulated, and self-oscillating delays.
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Oh yes, morally wrong on every level.
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What Behringer haters? The X-Air series are much loved on BC.
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Ha, missed that, a common theme in this thread it appears