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To be honest, I can't remember... It was 7 years ago, and I've slept since then
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Ampeg Pro Neo bass  speaker cabinet in very good condition as you can see in the pictures this is an 8 ohm cabinet? As you can see on the back? 850 Watt has 4 x10 eminence speakers inside put a high frequency horn unit controlled at the back. This was used with a second identical in the 60s band so bought for Sound tone rather than volume The speaker comes in the flight case purposely made by Ultrasonic. The flight case is on casters and fits perfectly and protect the speaker as you can see  in the picture collection only due to the size of the buyer to make arrangement to be picked up . this is for one cab and need to move this on due to need space £400
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I can't see Gibson getting their panties in a twist about JA playing the T4, I mean, realistically it's just a bass, they might as well come after me as well!
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Trace Elliot - Rescue & Restore (and bargain finds)
SpondonBassed replied to SimonK's topic in Amps and Cabs
Do you come across any 18 inch cabs? I have one that I love, even though I might never get the chance to play with it at significant volume. I have a workshop/practice room at the back of the house with an Ashdown 15" combo (Toneman 300) and the 18 inch TE as an extension. They haven't been used at all since I had to stop practising there. I was supervising a vulnerable adult indoors, full-time, and needed to be ready to drop everything with little or no notice. In the main house, I used a Laney RB3 because less Watts meant that I could turn it up to where the amp was nearer to its most efficient output. I could then continue to practise, whilst being readily available to deliver care as required. The household benefited* from the lower volumes generally. Since I have been on my own in the house, I've been lax about going back out to practise. I'd like to get back to being able to go through a set list in the workshop without undue distraction. 'Nuff waffle, else you'll be wanting maple syrup or summat with it. I wanted to ask you to keep an eye out for me. One of the reflex port liners on my cab is visibly damaged with a piece missing from its flange. I suppose TE could find me a new one. The cost and the newness against a rich patina on the rest of the cab plus the fact that I am a notorious skinflint prevents me. If you are breaking a similar cab for parts, I would be interested in getting hold of a replacement, used, port liner or two for mine. Let's talk should this be on the cards at any point. I am impressed by your "hobby" if I may call it that. I would love to see your collection. *I say benefited but it would be more truthful to say tolerated. -
Thanks mate....and yes, of course Gibson took umbrage 🙄. I wonder if that's why Jeff Ament doesn't play the JAXT live on stage anymore....(Gibson issues)...
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On closer inspection, I had only downloaded audio for sessions 1-11 (always have been better at starting projects than finishing them!) @Rich How did you get yours to upload neatly?
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Hi Rich (and anyone reading this) Looking through the thread here, I didn't spot the mp3s for sessions 1-13, so I've just fired up my old laptop and voila! (I don't have mp3 files for sessions 12 and 13 so I'm wondering if maybe there weren't any originally? I'll check the pdfs to be sure) 1 Relative Minor Triads.mp3 10 Reading in Cut Common.mp3 11 Alternative Fingerings.mp3 1a Major Scale Triads and Their Relative Minor Triads.mp3 2 Major Scale Triads.mp3 2a Major Scale Triads.mp3 3 Flat 5s in Dom7 and m7 Chords.mp3 4 Introduction to Odd-Metre and Multiple Time Sigs.mp3 5 Tritone, Whole-tone Scale and Cycle of 5ths.mp3 6 First Position Sight Reading.mp3 7 First Position Sight Reading Key Sig Changes.mp3 8 The Turnaround.mp3 9 Syncopation.mp3
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Maybe not the most useful comment but i regulaly use the Xvive U4 IEM system and its been flawless. My only negative is that it seems to stay on unless its been switched off. It doesnt go into a sleep mode as far s i can tell. This might be the same. saying that, my cheapo harley benton wifi doesnt either so maybe its standard. Techwise though, i'd be confident in Xvive.
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I did just pop Spencer a quick message about converting and he's come back saying Gibson took umbrage so the bridge manufacturer isn't working with them at the moment. Anyhow, I freaking love the Hamer!
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PRICE IS IN EUROS: €2900 plus shipping. Hello, For sale is my made in Canada Dingwall Super P. Fantastic bass, all setup. Super-P 4-string Alder body Fiesta Red finish Maple neck Pao Ferro fingerboard Completion date of October 29th 2013 I will post a picture with proof of ownership on Sunday, when I get home. Sale only for European Union or Switzerland. Trades only for Fender Custom Shop Precision. Thank you.
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I love it. Ive not had any issues at all. Latency seems below what i can hear. Sound quality is as good as a cable (to my ears), and it's smaller than my other systems. They also seem to be better shielded than the Lekato's I have. No hum etc. Battery life seems really good. After a 4 hour rehearsal I can still get a couple of nights playing at home before charging, and charging is fast enough (no slower than anything else either have.) According to my charger each device charges at 2watts. Im only using them with a passive P bass and a Yamaha BB425. The 425 has quite a song output but it doesn't cause the system any issues. No idea what an active bass would do, but there is a setting for that which I guess reduces the input signal a bit.
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RSbassman started following Greenboy Crazy 88 (by Tricky Audio)
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Aidan63 started following TC Electronic Spectracomp bass compressor
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With original box, sticker and quick start guide Little bit of fluffy velcro on end which is where I used to stick a battery when using it with my battery powered PJB set up It's mini size pedal, super versatile unit, especially if you really understand compression and are prepared to spend time making your own set up(s), Doods review on YT covers it well; software and preloads available from TC website And it is simple to use, just one knob, in conjunction with the phone app playing a tone through the pickup on your instrument to switch between the many 'name' and general preloads, find the one you like and adjust how much, ideal for when the band or the Sound Engineer says have you got compression/you should have compression Price include UK postage with Royal Mail 48 Pics to follow
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As new still sealed in packs, 3 sets available £10.50 per set including postage. I have been trying various brands of strings on a number of basses, whilst these are very nice I'm going to Dunlop's for my fretted Warwick. To my ears the Eden's seem similar to Rotosounds, maybe not quite as 'zingy' initially.
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Now £90.00. Boss RV-6 for sale, this one is mint and in perfect working order, no box, collection welcome or UK insured postage for £8.50 BOSS RV-6 Reverb Effects Pedal Combining high-end sound and wide-ranging versatility, the BOSS RV-6 takes pedal-based reverb to the next level. Reaching beyond the capabilities of previous generations, this powerful stomp employs the latest tech and legendary BOSS know-how to make it easy to get amazing reverb tones instantly. From subtle rooms to modern shimmer effects to long, evocative reverbs, the RV-6 envelops your tone in lush ambient spaces that endlessly inspire. BOSS RV6, Simply Great-Sounding Reverbs Packing the latest BOSS DSP and updated algorithms, the BOSS RV-6 gives you eight highly musical reverb effects in one compact pedal. Add body and depth to your core tone with standards like Room, Hall, and Plate, dial up swirling richness with the Modulate setting, or surf it up with a vintage-style Spring reverb. Dynamic mode automatically adjusts the effect depth to your playing touch, providing deep, immersive reverb that won’t turn your tone to mud. And modern players will love the new Shimmer and Reverb+Delay modes. Dialed-In Reverb Sounds at Your Command The BOSS RV6 makes getting high-quality reverb sounds with your guitar quick and easy—just select a sound mode, tweak the knobs to taste, and play. But while its operation is simple, the RV-6’s sound is rich and sophisticated. Under the hood, each mode includes a huge array of detailed reverb parameters, all perfectly tuned for guitar by the BOSS engineers with direct input from many pro players and sound engineers. Even as you adjust the selected mode with the Time and Tone knobs, many parameters are simultaneously adjusted inside to create the ideal voicing for every setting. Analog Dry Tone and Versatile I/O While the BOSS RV-6’s reverb effects are high-tech digital, you can rest assured that your straight guitar tone always remains pure analog as the effect is blended in. Convenient auto-switching jacks let you integrate with any pedal chain, with support for mono, mono-to-stereo, and stereo-to-stereo operation. And by plugging into the B input only, the BOSS RV6 outputs a 100-percent wet sound, great for working with more complex rigs that employ parallel processing chains and mixers. There’s also a jack for connecting an optional expression pedal, allowing you to control the effect level in real time as you play.