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I'd be tempted to offer it for sale and give a good chunk of the proceeds to charity. Those are amazing cabs and someone may be after one. Leave it up for a given period and reconfigure if there are no takers.

Yeah - that Lasse Vuorsola did a great job with his first video, which was all the confirmation I needed given that from my OC5 and SY 200 experience I knew that Boss seemed to have nailed tracking algorithms better than most. Loved the fact he then asked for and dealt with specific queries with a second video. Hero.

Nah, get your own! You didn't wait for me to move my recently purchased cheap-as-chips Ali XP floor floor light on, before getting one, did you? And what about those excellent KZ-ZARs eh, which you jumped on post Krow purchase and recommendation? You're definitely at risk of becoming a West Country Krow gear groupie... But where were you when I eventually upgraded my Boss SY-1 for a Boss SY-200? Boss SY-1 - Effects - Basschat

Pardon if this is not quite the right place. After installing an old RCA 12ax7 in the new ABM 300 (which was great), I ran across a 1959 Mullard 12ax7A at a really good price. Couldn't pass on one of the gold standards from the Blackburn factory so I bought it. After some playing at home and one live use I can say the Mullard is very warm. Warmest valve I ever encountered. Very sweet sounding tube, shy on the highs compared to most. I love how it sounds in the ABM with one exception--I can't get it to breakup. Input and tube settings maxed. I don't like distortion, but do love breakup and some overdrive at times and I can't get it with the Mullard. It tested almost like NOS so I don't think it's a problem with the valve. One thing I liked about the JJ and the RCA was they both provided some "valve-mids" that kind of filled in. The JJ maybe a tad too harsh and the RCA better for my tastes. The JJ was much brighter of the three and it's not supposed to be a bright valve. I'll have to leave the Mullard in to see how I get on with it with other basses. Maybe I'll get over having some breakup. Certainly warmed up the ABM even more. Much closer to my older 500 III. Anyway, maybe that will be of interest to someone--or no one!

I am weakening towards the XS-1. After finally hearing some bass usage, I think it does a better job of tone preservation than my Brainwaves.

ABC - Jackson 5

Yeah I think it's the same side by side spec for the XS-1 and XS-100; I think the key difference being the presets (very useful) and the built in expression pedal on the XS-100

Excellent - can I have first dibs when you move it on?

Very few session players at our level are being hired for their sound. We are being hired because they like how we play. A studio will have more EQ and "features" than the rest of us put together, so you start with a Precision bass and let the studio sort the rest out. In interviews I've read, A List session guys usually turn up with 5 or 6 basses, Precisions, with flats and with rounds, a Jazz, a Hofner style semi acoustic and maybe a couple of modern basses. The general feed back is, 99% of the time they are asked to play the Precision with flats. Your own band recordings are different. You get to use everything you bought, but sessions want meat and potatoes players, like Sean Hurley, Nathan East and Lee Sklar etc.

That's not my experience with DR strings but YMMV of course. Pure Blues aren't meant to be overly bright so may not be easiest comparison. DR dragon skin plus are coated DR strings so they could be up your street if you like the feel of the brand but are focused on longevity.

Agree Steve, if pushed to take a bass to a session where I either wasn’t familiar with the material, or it was a try out sounds to see what works best I’d take a Jazz.

I gigged a Super P for about 5 yrs and loved it. Just a wonderfully made and exquisite bass to play.

My daughter is doing a lot of session playing at the moment and gets by with just a Mexican Fender Jazz. It gets close enough to a precision tone when needed and does a jazz tone so covers most things with one bass.

Thanks - doesn't seem to be any info online? But, if that's the case, that could make it a serious contender with 2 speakers each delivering 600W RMS. Scrap that, apparently the power module delivers 600W RMS so that will be split between the two speakers, and its claim of 2,400W peak is pretty far-fetched.

After a music shop chat to a guy, looking to start bass to play sessions, I mentioned the tale of a new player who used a modern bass with lots of features, but found his track had been recreated by another, using a P-bass or Jazz bass. He then got those basses too, just in case. Probably still a good idea, but which to get first and should it be those 3 or just 2?

Pretty sure that's 21Kg.

@Silvia Bluejay won't be at the next Load Of Hay gig but she will be at the one I mentioned and she will be recording it, so that should be very doable.

Last time posted I was looking to build two Basschat 110 cabinets using the speakers from an Ashdown 2x10. Both cabinets are now useable and sound great and I thought that was it for a while, then......... I've been given an old Mesa Boogie 1516 cabinet, that holds 1x15 + 1x10 + 2x6 and a high frequency driver. It's the model with the 3 way switch on the back and a single jack socket. Now there's no way I'm ever going to use this cabinet as is so my thoughts have turned to doing the following, which I'd like to know your thoughts on. The cabinet is actually two distinct enclosures, so I was thinking to remove the smaller drivers and cut the cabinet down to a 1x15 (which I probably still wouldn't have a use for). Build a small enclosure for the 2x6" drivers, along the size of the 110 so I could combine them if needed, and then put the remaining components to one side. I don't want to sell the cabinet as it stands, I was given it for free and feel that it wouldn't be right and anyway once again the tolex is torn and damaged a little. What are your thoughts?

Two of my big valve amps are in The Amp Hospital at the moment so I've to take then off the list. 1. Rich - Trace Elliot TE-1200 amp, Barefaced Super 12T cab, earplugs , Shuker custom 5, Tanglewood TRB-CE acoustic bass gtr. 2. Woody - Rickenbacker 4004-L5, maybe Sei Flamboyant, Same old basschat 12" with some amp, other stuff TBC 3. Pinball (tbc) - some interesting basses 4. Stubsy - Joyo BadASS, GRBASS AT212 slim - only 50W but that should give 120dB at one metre 😇. (or I bring my TE 1110 combo). Some fun pedals. Perhaps the AVII 1960 precision, the Sire P10 and maybe the Fender Performer and something unexpected... 5. Sean - Laney Nexus Tube 400 [oh jeez], GK MBF500, GK Fusion 550, 2 x LFSys Monaco, 2 x Japanese Market Spector Euros with LHZ-03 preamps, Valenti #005 Super P with Hotrod Nightrain PJ pickups that are coming out immediately after the bash and will be for sale, Yamaha BB1300 (rarity with pickups rewound by Toltec), my small but well-appointed pedal-board (Origin Cali 76, Origin DCX, Aguilar Chorusaurus, etc). Plus whatever I might be selling at the time. 6. Rosie - likely I'll bring my upright, set up for bluegrass/folk/jazz if anyone's not played upright before and fancies a go 7. Phil - BassChat cabs, maybe some sort of shootout? 8. MikeD - Laney Digbeth, Zilla 212, Dingwall Combusion, Revelation PJ, pedals, try to finish home made bass🤞🤞🤞🤞 9. neepheid - G&L CLF L-1000, Yamaha BB1200, Sire D5, Sire Z7, Greco LGB-700, Reverend Triad, Epiphone Les Paul (not so) Standard, Epiphone Thunderbird '64, Squier Jaguar H (with Ibanez CAP double humbucker from ATK200/800 etc), Gear4Music rat bass (with Lace Aluma-P), £150 giggable bass challenge, 1 or 2 amps depending upon space... 10. Jabba_the_gut - Note sure what stuff yet........10. Jabba_the_gut - Status 3000, Status 4000, Stingray 4, USA Sub 5, Markbass Tube, some pedally bits inc Valeton GP5 cheaply thing 11. Wolverinebass - Grainger Hades, HX Stomp, GK Fusion 1200s. 12. Japanaxe - Precision(s) & Dingwall(s), DIY 100W Bassman head if finished by then(!) as people seemed to like my B15 clone, At least 1 other amp (see sig) 13. JohnDaBass - Fender Imp combo, Fender Mike Kerr Jaguar, Fender Stu Hamm Urge 1, HB ThunderStang, Squier Paranormal Rascal, Mark Bass Bronco ( very yellow), Ashdown Capri ( very Pink) 14. Geek99 (tentative) - sire v7 5 string (rapidly becoming my favourite bass ever), vintage est96a (punches above its weight as judged by basschat midlands massive and Stub Mandrel), Tc electronic bh250 and A cab that was dragged out of the sea (Possibly) but only cost £10 15. chienmortbb - Fender Aerodyne AJB65, G4M pretend aerodyne, Sire Narcus M2 (possibly for sale. Ashdown Restoglide 800 and Bugera Veyron 1001M, LFSys Monza cab. Possibley a number of accessories for sale. I might have to rrim the list as I am due an op shortly and am not allowed to lift anything for 6 weeks. You will notice me as the bloke with no trousers. 16. Richard R. - Brawley 4 and 5 string basses, Ashdown ABM C300-100+15"extension, Roland V-Bass COSM system pedalboard plus HB Musicman fitted with hex pickup, headphone amp, raffle prizes. Hopefully my son and his Ibanez. Definitely trousers. V-bass system and bass possibly for sale. 17. Scrumpymike - Gillett Contour ST; Harley Benton MV-4MSB Gotoh BM; Rascal Mervyn-Lyte (Fender Rascal re-bodied a-la P Lyte by Andy Jr); Sandberg California ll SL TM 4 SHORT with recent Aguilar upgrade; Vox Starstream A2S; Ampeg SVT-7 PRO; Fender Rumble 100 combo; BF Super Compact Gen 3; LFSys Monaco. 18. rwillett - Depending on what space @neepheid leaves me in the car, Fender Jazz, 3d printed headless, 3d printed jazz & 3d printed six string (if I finish them both), Jazz Bitsa, Matching Westone 1A Guitar and Bass, Mustang Bass, Gnome Pro V2, some sort of large speaker that was donated. Possibly a Strat and.or Tele to provoke sharp intake of breath, Tonex and Mod Dwarf. If he brings too much, either he's sitting on the roof bars or I am 19. Mottlefeeder - Yamaha RBX765: 5-string '80s solid body. Ibanez EW205: 5-string ABG. Ibanez EHB1265MS: 5-string fanned fret, headless. Hohner B2AV: 5-string active cricket bat. Home-brewed briefcase - battery/mains 175 Watts through twin 5 inch speakers. Eminence Basslite 10 in home-brewed cab *2. Ashdown Mybass Mk I (500w). Warwick Gnome. Vong HPF/LPF pedal. 20. CHYC - BC112mk3, BC110T, GSS 06b400mkd, Ashbory, Warwick fretless, double bass.

They'd be combined into one mono signal for my amp and FOH, though likely not for the IEMs. If it's not clear the idea is to experiment with a single bass to sound like two basses, where each bass gets a different sound from effects etc.

Love mine. Slotted straight into some 80s synthy goodness. Cuts through the mix. Still love the C4, straight out the box though this is a cracker. IMO.