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Carwyn joined the community
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ghostwheel started following Ampeg RB 210 vs Fender Rumble 500
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You might also like B-15NC if you came across one (well, it'd be rather B-15 Heritage, but still). With a 60'ish P-bass it sounds delicious. P.S.: sorry for off-topic. My vote would obviously be for the Ampeg. I only tried an RB-110, so no experience with a way more powerful RB-210, but it sounded amazing. That thump as if there was a compressor for the low frequencies.
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It was brilliant. Played the Swan in Stourport on severn. A local gig with the best energy and crowd.
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Down The Dustpipe - Quo
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Richard R started following Hohner "The Jack" Restoration
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Anyone have a mid-to-late 1980s Hohner B2A or "The Jack"? I'm trying to figure out what type of output jack they used.
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Big Low End started following White Bass Porn Thread.
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Lakland and Fender
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PhilAllGaps1 started following Aguilar Octamizer octave pedal
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Persona;lly I would go for the Ampeg. Ampeg and bass go together naturally. Fender do not. My Ampeg B15NF is a delight to play through and always makes me smile no matter my mood. I have never got on with Fender bass amps.
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Tech 21 Sansamp Bass Driver DI pedal. V1 - *SOLD*
warwickhunt replied to warwickhunt's topic in Effects For Sale
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Southbound Again - Dire Straits
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Go West - Pet Shop Boys
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You certainly get some great gigs, Michael and that J sounds great in the mix to me. If it ain’t broke, don’t shoehorn a P in to fix it. P tones are where I’m at right now and have been for a fair old while. Having dabbled with a Mustang and a P, I’m back using my old custom Maruszczyk Elwood L, favouring the neck up. Feels like playing a comfy, old pair of slippers, whilst giving me the tone I want in spades (the pickups are split coils in J sized enclosures) and the potential for variation if required.
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Well then they really shouldn't be offended by my sailor mouth!
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For sale only is my Sire M7. In as new condition, ash body so no lightweight at 5.1 kg or 11.2 lbs. Specs below, collection from Paisley or don`t mind travelling a bit for a meet. Apologies for the dust on the pick guard. Neck Material: Roasted Maple Neck Shape: C-Shape Scale Length: 34” Fingerboard Material: Roasted Maple Edgeless™ (Rolled Fretboard Edges) Fingerboard Radius: 12” Number of Frets Total: 22 (2.7mm Medium Jumbo Stainless) String Nut: Bone, 42mm width Inlay: Black Dot (Maple FB) or White Dot (Rosewood FB) Neck Joint: Five Bolt Steel Plate Pickups: Sire Premium J+MM Pickup Set Preamp: Marcus Miller Heritage-3 with Middle Frequency Control Controls: Volume/Tone, Blender, Treble, Middle/Freq, Bass Knobs: Aluminium Knob Set
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Hohner "The Jack" Restoration
Mediocre Polymath replied to Mediocre Polymath's topic in Build Diaries
Thanks. In other news, I'm currently trying to order some of the electric gubbins I'll need to finish this job, and generally raging at the electronics gods. Why is it that if you need, say, a 500k blend pot and two 500k audio taper pots, every shop will only have one or the other in stock, or they'll have both in stock but with different bushing lengths, or shaft types, or bushing diameters! Then when you finally find a shop that has an acceptably close-enough set of components, they don't have any barrel jacks, or knobs! Every time I place an order for guitar parts I end up having to buy like six small and inexpensive items from three or four different shops, paying as much for shipping as I do for parts. This is despite each shop, in theory, selling everything I need. As it is, I think I'm going to have to get the knobs, strap buttons and one of the two types of pot from Northwest, the output jack, other kind of pot and pickup rings from Armstrong and the fretwire from Tonetech. -
East of Eden - Big Country
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South of heaven - Slayer
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I just edited my post. I just didn't realise as a matter of fact... thnx anyway.
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They sound like a right bunch of pirates.
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