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  2. I recently realised I can use the boss Katana:Go connected via USB to my iphone to record my bass directly in the camera app. It wouldn't record the AUX in though so you'd still need to sync up to the backing track audio. It'd probably be less faffy than syncing video to audio though.
  3. Year started playing: 2002 Number of basses: 5 Music theory: 6 Technique: 6 Groove: 7
  4. How is that going to fit onto a card?
  5. Polyphonic pitch detection is very difficult, requiring lots more resources than monophonic tracking. That’s not to say it couldn’t perhaps be done as one of the two currently-unused apps in the pedal. Polyphony/paraphony has already been under discussion (for MIDI-triggered uses). I’d like to push the idea of on-pedal patch management as that will benefit all users.
  6. Turn It Down - Sweet
  7. EMG GZR pickups and solderless controls for sale. I'm after a change in sound with my Precision, so I'm moving this set along. I've had them fitted for over two years now, and they work 100%. Price includes postage to anywhere within UK mainland. Cheers
  8. Had a few tracks pretty much done, thought I'd try and fix them up good enough (by my standards anyway) to put them up on bandcamp. everything you hear is me. Drums were live recorded. Bass used was a 6 string squier affinity jazz (amazing value!). Guitar was a thomann DIY prs style. All effects/processing done using guitar rig. Used reaper for daw. Rough around the edges but deliberately left so 😅 would be appreciated if you'd like to listen! https://sixtofour.bandcamp.com/album/artifice
  9. I`ve read that in a few places, and agree that whilst it might not seem particularly taxing playing straight 8s (or 16s) through a whole track spot on is much harder than many would think. Probably many wouldn`t even realise how off they were until seeing the notes on the display in the studio - myself def included in this. It`s quite eye-opening to see just how much you`ve wavered when you thought you`d nailed it. Not all skills involve every fret and every string in a verse.
  10. Year started "playing": 10 (yup! 1980 was that good; the playing not so, though) Number of basses: 2 (down from 16, but up from 0) Music theory: 10 (but some of my teachers have 100) Technique: 0 Groove: 0
  11. +1 - had some work done on a few basses now, been happy with the result every time. Also sold me a wonderful Sandberg. Good egg!
  12. I've regularly gigged Harley benton, squier, fenders, vintage.... anything. If it sounds good, then it's good enough. However... I do have to say for auditions for bands and jobs, I've always found turning up with that Fender logo really does help (although it shouldn't). To other people it's much more than just a logo. It boosts your chances before you've even played a note. Again, unfortunate, but just what I've found.
  13. Yeah I think it has, I just linked to the wrong one, the X is the current one.
  14. I have heard this very amp and chocolate does indeed come to mind. Gorgeous, authoritative, punchy sounding thing. As Jack says, as long as you can deal with it not being a lightweight flibbertygib of an amp, it will make someone very happy
  15. Get your stock one cloned. Either Brian Pillans (earlpilanz on eBay - https://www.ebay.co.uk/str/earlpilanz) or TinyTone - https://tinytone.co.uk/ will do this for you - you remove the pickguard from the bass, send the pickguard to them, they copy it in whatever material you want then send both of them back to you.
  16. The dreaded Lead Singer Disease in full flight
  17. PRICE NOW DROPPED TO £300. Easily the best speaker cabinet I have ever used: am downsizing to lighter Genz Benz cabs as I rarely play live now. The Eden D210XST Cab is loud enough to be heard and yet still small enough to be used at home or in a small studio. For those players who need a portable, high-performance rig with even more low end than the XLT, Eden has designed a 2 x 10" cabinet for their XST woofers. Punchy and clean, the D210XST produces a full and clear tone through its two 10" speakers. It's excellent for delivering articulate bass lines with volume. This 2 x 10" cabinet handles more power than many 4 x 10" cabs on the market. The D210XST offers huge bottom end with its cleverly-designed tuned and ported cabinet construction and speaker selection: the low end is full but tight, the mids are open and well-defined and the highs are clear and crisp. Durable build quality makes this ideal for touring and live performances. All Eden enclosures are constructed with 5/8" thick void free plywood with full dado and rabbet jointing. Massive internal bracing prevents vibration and keeps the sound deep, tight and clear. Exclusive Eden Cast Frame loudspeakers and Eden Cast Bell low distortion tweeter horns are designed, hand-built and tested in their own factory in the USA. Very Good condition. Comes with an official Eden cover. Power Handling: 500 Watts Impedance: 8 Ohms Speakers: 2x10" Eden-spec Eminence EC1060XS speakers Tweeter: Eden Cast Bell low distortion Crossover: 3.5KHz @ 18dB Frequency Response: 30Hz - 14KHz Sensitivity: 103dB SPL Connections: Parallel 1/4 Inch and Speakon Dimensions: 23" w x 18" h x 18.5" d Weight: 59lbs / 26.8kg NOW ONLY £300. Collection from East London preferred, although happy for buyer to arrange a courier.
  18. Hi. Here you go (from the Gator site)... Length 12.50" Width 19.00" Height 9.00" Cheers!
  19. Hi Terry. I have had some interest – maybe things are just slow these days. I'm surprised it's still here, to be honest!
  20. True, however, it turned out to be a career changing moment for them and considered one of the best performances at Live Aid. After the Live Aid show, all of U2's albums re-entered the charts and broke them into America. So it turned out to be a good thing for them.
  21. Oooosh I was just thinking recently if you still had this.
  22. I've recently purchased a 2nd hand Spector Euro LX4 which I love a lot both in terms of playability and sound BUT I have a problem, I guess, with the Tone Pump preamp. Instead of trying to describe it in my non native language I attached an audio file of the noise I get from the preamp for you to listen. At the beginning of the audio file bass and treble knobs are fully counterclockwise and you could hear the very annoying noise: then I go to full on the treble knob and you can of course hear the noise increase. Before giving your valued advice please note that: 1) The noise is always there: it gets worse if I stay closer to the amp and face it but, tough less evident, it’s still there even if I stand 6 meters away and turn my back to the amp. 2) It’s not the battery (tried couple of fresh duracell 9v); 3) It’s not the cable (tried many); 4) It's not the amp (other basses don't do it) and It’s not the preamp section of the amp (-14db is engaged on the preamp, if it’s disengaged things get worse; also if bass is plugged in the effect send/return of the amp noise it’s still there). 5) It’s not a matter of adjusting the trimpot on the TonePump (noise it’s still there even with the trimpot almost to zero); Thank you for any idea, tought, advice you want to share.. Preamp noise.m4a
  23. Maybe a complete non-starter, but was thinking that given that synth pedals have to track pitch, would pitch shifting, which a lot of pedals struggle to do well (even dedicated pitch shift pedals!) be something they could be set up to do? Basic pitch shift would be excellent in itself, but there's then maybe the possibility of chords too?
  24. £70 includes U.K. postage. MXR analogue chorus, all working, mains and battery. I prefer my digital MXR one.
  25. You can't really go wrong with the Grey Stache, or pretty much any fuzz from Fuzzrocious to be fair. I miss my kid-paint stache with the gate. It was a bit of a monster!
  26. Unfortunately that's far too much latency for me, and even more so when combined with my wireless bass system, Line6 Helix and whatever digital mixer I would need in order to make IEMs feasible.
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