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  2. Hi guys are you still using the OBC112 cabs ? Vibration still an issue ? I’ve had many cabs and even found my LFYS Monaco vibrate at high volume. My MarkBass MB58R 122 cab has zero vibration My test is leave a pick on the cab corner and if it vibrates off then I know the cab is vibrating too much Ivwas tempted to get a pair of OBC112 cabs but not sure now
  3. Goodness Gracious Me — Peter Sellers
  4. Thank you, I couldn't have said it better myself.
  5. JPJ

    End of an era

    So pleased to hear that you are happy with her. She is all the things you describe and so much more too. I am still sad that she left me but I am very happy that she’s gone to a good home, and one who knows how to get the best out of her. Thanks again for the sale, 😎
  6. Smelt funny that one. Unless it came with rock solid provenance I’d walk away. This was an interesting one: https://auctions.gardinerhoulgate.co.uk/catalogue/lot/1ca91b4dbe70d6ccba6859c87575452d/63b778f7668dabe928d3800924a99077/the-guitar-auction-four-day-sale-lot-375/ All just bits of old wood, but this had something.
  7. Ah – entirely fair. You are, of course, correct. A picture is worth a thousand words. And words, however dutiful, can only gesture toward polymer and plush. So here they are in their natural habitat: mid-migration, flanked by their more extroverted cousins, maintaining their usual rectangular composure while the rest of life rearranges itself around them. Observe the setting: cardboard parapets, straps in mild disarray, the faint atmosphere of transition. And there they stand. Unperturbed. Rectangular. Matte. Emotionally stable. They are not staged beneath flattering studio lights. No velvet backdrops. No strategic houseplants. No attempts at seduction through lens flare. Documentary realism, bass-case vérité. You will notice something immediately: they do not compete for attention. They are above leaning theatrically, or mimic rock-and-roll excess. They simply exist with a certain utilitarian dignity. Their surfaces are clean. Their edges remain honest. The latches, though unphotographed in close-up here, retain the satisfying, almost municipal authority of well-made hardware. And yes, they are pictured among other cases. They have lived in the company of instruments. They have known wood and wire, and they discriminate against neither fellow ABS items nor wood and tweed. The attached images, however, should be understood as archival material. They date from their most recent documented journey (a house move of moderate logistical complexity) and captures them in situ, among fellow cases, cables, and cardboard ephemera. The reason they are archival is simple and humbling: they currently reside at the top of a closet, elevated beyond casual reach, in that high domestic stratum reserved for objects that are both useful and not immediately required. Retrieving them would involve a ladder, minor planning, and a level of initiative which, this morning, has not prevailed. But I hasten to add that bring their current altitude to your attention, as it means that they have are not strewn across floor or languishing in a damp basement. This reminds me that, many years ago, I purchased a bass that arrived encased not merely in plywood and plush, but in what can only be described as a self-governing biome. At first glance, the case appeared ordinary: tidy exterior, reasonably well-kept corners, the satisfaction of a bargain. Upon opening it – gently, with anticipation – there emerged not just the scent of nitro, but a humid declaration of sovereignty. The interior lining had developed a clear topography. There were pale constellations along the seams. A soft, speculative fuzz tracing the contours of the padding. In one corner, an ambitious colony had established what I can only assume was a capital city. The plush had taken on a faintly maritime fragrance – not, mind you, the romantic salt-spray of coastal air, but the resigned dampness of a forgotten cellar in late November. There was, unmistakably, life. Microscopic, industrious, collaborative life. I closed it. I reopened it, hoping the ecosystem might have reconsidered its tenancy. It had not. What followed was a period of quarantine, ventilation, and existential reflection. The bass survived. The case did not. Ever since, I have been vigilant. These two Thomann cases have known no such colonisation. Their interiors remain plush rather than tundra. No spores. No mycelial diplomacy. No soft, creeping frontier along the hinge line. If a prospective buyer requires contemporary verification, I can, with sufficient notice and encouragment, attempt to summit the wardrobe. I will then gather fresh close-ups of latches and plush. Until then, please accept this archival evidence, if not as a faithful representation of their condition, at least as a character reference.
  8. I’m very much in the same boat. Ok so after a weigh in on the bathroom scales, it’s showing as 4.8kg. Hope that helps.
  9. How was your gig tonight? Old fart like me with an achy back? Look no further at your remedy above. Get in quick as I'm seriously considering withdrawing and selling something else.
  10. I've done it myself a few times but recently I've done it 3 times through https://www.bassjapandirect.com/index.html Danny Stewart is the chap. He charges a small fee for his export services however this is the only route I'll use these days. He has a Bass Finder service but if you know what you want and where it is he reduces that to just his admin fee.
  11. Luck of the draw. I bought two of these Sonics with the intention of sending back the heavier one, and they both came in a 8lb 11oz (3.94kg) 🤷‍♂️
  12. I've bought 6 instruments from Japan, and sold one of them back to someone living there when I no longer needed it, but all these transactions were prior to international shipping getting a lot more complicated. I did 4 shop sales, all buying second hand from Ishibashi. All went smoothly and I even got a discount on one bass which had sticker residue on the body that hadn't been noticeable in the original sale photos but was picked up by Ishibashi when they did their quality check before shipping. Shipping costs were very good, I wasn't able to match the price when shipping in the opposite direction as a private seller, and VAT and Import Duties were close to my guesstimates so no nasty surprises there. I also brought back a new guitar on each of the two occasions that I visited Japan. The instruments I bought were all ones that were almost impossible to find for sale outside of Japan - Atlansia Solitaire Bass, Fernades Pie-zo Bass Gothic Hello Kitty Edition, Tokai Talbo Bass, Tokai Talbo Jr Guitar, Yamaha BJ-5B (a limited edition of 50 models) and a Yamaha EZ-EG. I certainly wouldn't use it just to try and save a few pounds on something that could be imported for you by a UK distributor. Some Japanese shops are simply not set up to deal with foreign sales and even now in the 21st Century you'll get no reply when they realise that you are not in Japan. However if it's an eBay sale that is visible to potential buyers outside of Japan, then the seller should be set up to deal with enquiries in other languages - in this respect we have a massive advantage being English speakers - and international shipping. As has been said there's a whole extra level of protection if you buy through eBay, so check the seller feedback and bid away. Edit to say Japan is VERY service focused, and if anything does go wrong you can guarantee that it happen here in the UK where it is completely out of the control of the Japanese seller.
  13. Thanks Geoff, We should probably continue this conversation via PM. I'll message you.
  14. Today
  15. I've done it several times, from Japan, From the USA. I've never has a problem. My wife's Fender PB70s came from Japan. £300 + duty and vat (which I can't remember exactly now) I went to Parcel Force to collect and pay the o/s amount you have some protection with ebay as they wont release the money till the goods have been delivered etc check the seller feedback etc
  16. Hello Bassassin. I did see that. Also seen your group recommended in other forums whilst researching. Sounds a cool group. But i dont have Fb or any other socialstuff like that.
  17. Not in my experience. Trying to repair an Ashdown amp and they don’t have the schematics or can help in any way, they don’t seem interested at all.
  18. Anyone ??
  19. Hi members Has anyone ventured down this route before ? Frustrated by not being able to find the bass I'm after, I frequently come across them for sale in Japan on evilbay, quite often with a modest delivery charge for shipment to UK or even included in the price. I understand about the import duty situation, etc however I guess my primary concern is more about taking the plunge and ordering if anything goes wrong regarding communication, language, damage or loss in transit, etc. Has anyone actually given this a go. If so, what were your experiences. Did it go well, or were there mega problems, or did it all go smoothly and you counted yourself lucky, and wouldn't hesitate to do it all again. And did you end up being stuffed for any unexpected costs? Many thanks in anticipation.
  20. Trying to find some time to play with a HX Stomp XL, recently purchased from this very emporium.
  21. Brilliant pedal. Glwts
  22. Ten Little Indians - The Yardbirds
  23. Mammas Don’t Let Your Babies Grow Up To Be Cowboys - Waylon Jennings/Willie Nelson
  24. Reverb pricing seems to be “a race to the top” generally. How do folks realistically expect to sell, unless to investors?
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