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xgsjx started following Hearing aids for musicians?
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I’m desperately in need of new hearing aids & wondered what my fellow deafies use? Also, what’s people’s opinions on hearing aids with AI? My concern is privacy & AI recording my conversations. But it does seem to be a lot of benefit otherwise.
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I played a set with him a bit over 20 years ago, before I really knew who he was or what he did. The band I was playing with opened, some local improv-heavy jazz sorts played with him, and then we combined everyone for a third improvised set. I was not prepared for how funny he could be, I remember absolutely cracking up trying to play.
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It’s okay to respond to an old thread, it’s makes people read the thread and learn something that has been forgotten
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This is a gorgeous Blueburst G&L. What could be nicer than a Fender and a Musicman fused into something better? Active with a maple neck, amazing for slapping and all around a very versatile and beautiful instrument. Made in USA. Comes with an original G&L hardcase. Collection only! No trades unfortunately...
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Geek99 started following Help! 1st time on stage...
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I used to be bothered but I’m better now. Just imagine the audience aren’t there and you’re playing for the people alongside you with instruments
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Not really....it just sounds like I do! 🤣
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2elliot started following EMG J Set Pickups
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So you exclusively playing fretless nowadays, after you erase all your frets?
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So I've come to the conclusion that the Anagram is not for me. It's good, but I'm a little underwhelmed by the range of effects and I foresee issues with its usability in a live situation. Anyone know how to do a factory reset so I can send it back?
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What are your irrational prejudices? I have some bonkers ones...
casapete replied to kwmlondon's topic in General Discussion
Just following on from your dislike of certain instruments onstage, that’s all. -
What are your irrational prejudices? I have some bonkers ones...
casapete replied to kwmlondon's topic in General Discussion
I quite like acoustic guitars mixed with electric ones. Stops that dreaded two electric guitar thing where you get both players playing exactly the same thing for no apparent reason. At least acoustics bring a different texture and percussive feel to things. Here’s another one - guitarists who have all their sounds on a ( usually massive ) pedal board, with everything done by doing a dance on the damned thing every time there’s even a slight change in sounds. Most of the time it’s variations on sounding like a wasp in a jam jar, and makes the choice of instrument almost redundant as anything they used would sound the bleeding same… Volume and tone controls on guitars are there for a reason! -
This is the classic Stingray and it's absolutely gorgeous! Has some marks and bumps but I am almost certain it is a 70s or 80s model. Based on the all original hardware etc. It comes with flats so you can play CHIC straight away or change to rounds for more aggressive styles. This is an amazing vintage instrument that doesn't get enough love and should go to someone else! Collection only! No trades unfortunately...
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danbanbass started following Fender(ish) PJ with Jazz neck for £2k max - what would you go for?
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Wondered for a sec if that was an illness Found some articles on stratitis (one from over the pond) and this seems to be exactly it. Slightly raised the g-string, lowered the pickups and it's almost gone. Will see how this plays before adjusting further. Yes, you're right, this was part of the problem - magnetism! It wasn't that, these are new strings and they'd been fine on standard tuning (or at least, I hadn't noticed) but when lowering all the strings a half step the problem raised its head. A few tweaks were necessary though to get back to consistent sounds. Sorted now, thanks @ghostwheel, @Elfrasho and @jonno1981 for the tips. Learnt a new bass word too!
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Soul, neo soul, Northern Soul, Funk are my vibes. I tuned in to the programme intrigued to find out whether soul would work with a full concert orchestra. Very mixed results, in my opinion. My feelings: - Beverley Knight was by far the best singer. What a voice. - Bass was pretty high in the mix, which I hadn't expected. I quite thought it would be drowned out by a full orchestra. - Full orchestra treatment worked tolerably well with the more gospel, upbeat songs, but less so with the slower numbers. - Given that the programme was described as a "celebration of soul music", I was surprised by the dominance of the black/freedom/respect orientation. I absolutely realise the black african roots of soul music, but I was left slightly wondering what happened to white soul music. I suppose decisions had to be made about what to include and what to leave out in a 90-minute programme. - Trevor Nelson looked pretty uncomfortable as programme host. Stilted note-reading. - Overall; didn't quite do it for me.
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Quatschmacher started following LIMELIGHT 200th Special Edition Swamp Ash Precision Bass
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LIMELIGHT 200th Special Edition Swamp Ash Precision Bass
Quatschmacher replied to paddybass's topic in Basses For Sale
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I seem to have collected far more of these than I actually use, so here is a nice selection of vintage Boss pedals for your perusal. All of them are in used working order. All have the labels an no Velcro, unless otherwise stated. Some have the original boxes - basically see the descriptions of each. Top row L-R OD-20 - July 02 - Missing insert for box - £80 FZ-2 Oct 95 - Silver label, boxed, no manual - £200 BF-2B June 91 - Green label, boxed no manual - £100 PS-3 Nov 95 - Pink label, box, non original manual - £135 Middle row L-R DM-3 84-86 - No label, velcro on bottom, rubber foot intact - £110 CS-2 Jul 82 - Black label - £100 NF-1 80’s - Black label, No serial - £65 PH-1r Sep 83 - Black label - £115 TW-1 Mar 84 -Black label - £115 DSD-3 May 88 - Dark blue label - £100 RV-2 Apr 88- Grey label - £100 Bottom row L-R DS-1 4A - No Label/serial - £55 KM-04 - June 82 - Very tatty box, no manual - £65 CS-3 - Black label MIT, no serial, Boxed with manual - £80 The mixer I used to re-combine split/parallel signal paths. Feel free to PM for more pictures or questions. Happy for collection/demo here in London or add £5 for UK postage.
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What are your irrational prejudices? I have some bonkers ones...
casapete replied to kwmlondon's topic in General Discussion
Me too. I’ve realised over the years that I’m a ‘live’ musician, not a ‘studio’ one. I seem to lack the concentration needed to function well in studios, and hate the hanging around and tech involved as well as being inside in such a sterile environment for hours on end. Much rather a boozer with an enthusiastic audience anyday. -
I'm easy with what ever guitar or bass bands might want to play with the exception of: If I see an acoustic guitar (or worse, two) I'm not hanging around to see the band. Unless it's someone like Antonio Niebla, in which case I can be pretty sure it won't be the dreaded "singer/songwriter or (eeek!!!) folk...
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jonno1981 started following Oddly resonant G-string
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I’d slacken it right down and reseat it at the nut and bridge. It might be sitting awkward or twisted. If that doesn’t fix it and you can’t live with it then you might have a string that needs replacing.
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A rare premium Ibanez sound gear 6 string bass guitar. Made in Indonesia. If you are looking at this, you know how good they are! this one comes with the original hardcase, a strap and the manual. I tried to take enough photos to show some bumps but the neck is perfect and playability is superb. Strung with flatwounds so no need to ever change them! Reason for selling is only because 4 strings is more than enough for me and I am doing a clear out! Collection only! No trades unfortunately...
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I was so nervous I didn't eat for 2 days before my first gig. Anyway, have a great time.
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Roland Bolt 60 1980 model £80
Shaggy replied to basslondon's topic in Accessories & Other Musically Related Items For Sale
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I’d love to know how to stop nerves! I think it’s healthy and shows that the gig means something to you, if you didn’t care it would show in your attitude and playing. It’s a bit like going into an exam, you don’t know exactly how it’s going to go, but you can control how you prep for it. In this case, learn the songs, rehearse and when it comes to playing the gig try to look up and enjoy yourself!!!! The crowd will pick up if the band are having fun (it’s infectious), literally no one will notice or care if you make an occasional fluffed note.