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What are you transcribing at the moment?


Faithless
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You saw the question..

Let it be 6-chorus Coltrane solo on Giant Steps, or just simple accompanying The Police bass-part..

I'm basically interested, in what fellow bassists do transcribe.. So we could share, and maybe catch some suggestions from each other to work on..


I've just started working on Berklee Woodwind Head's, saxophonists, Bill Pierce's solo on a plain 12-bar blues..

Edited by Faithless
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Hey

Today I've been transcribing teh basslines to IT MUST BE LOVE by Madness and MOONDANCE by Van Morrison for some of my beginner students. Tomorrow I'm making a start on Mutiny by Junior Walker - with a Jamerson bass solo. That's gonna be....interesting!http://basschat.co.uk/style_emoticons/default/rolleyes.gif

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When you say transcribing,I'm assuming you mean actually writing down and
not just learning parrot fashion.
In that case I've just transcribed Trey Anastasio's guitar solo from the Phish song
'Stash',and a couple of Janek Gwizdala heads,in lead sheet form.

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MoonDance
Paul you should PM Bilbo, he will have this, it's one of his favorites.

Stevie Wonder - Master Blaster (not very well)
Style Council - Shout to the Top (slightly better)
Journey - Don't Stop Believing ( better again, still not very good)

it's one of the most valuable things you can do, and not surprisingly I find it quite hard work.
I often find I'm quite insecure about the correctness of note choices and generally even worse on making a concert decision on what chord THAT is

but like theory and sight reading a little bit a day adds up.

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These ones (without *)for a side project band,lots of which i've never heard before,or even know who they are by yet.

ALL ALONG THE WATCHTOWER-Am *
ALL RIGHT NOW A *
ALL SUMMER LONG G *
BACK IN USSR A
BAD CASE OF LOVIN YOU E
BAD MOON RISING D *
BAKER ST G
BALLAD OF JOHN & YOKO C
BANG ON THE EAR G
BLACK MAGIC WOMAN Dm *
BLUE SUEDE SHOES E *
BOHEMIAN LIKE YOU B
BOULEVARD OF BROKEN DREAMS Fm
BROWN SUGAR C *
C'EST LA VIE G
CALL ME THE BREEZE A *
CHASIN CARS A
CHELSEA DAGGER G
COCAINE D *
COME UP AND SEE ME C
COMFORTABLY NUMB Bm
COPPERHEAD RD D *
CRAZY LITTLE THING CALLED LOVE D *
DAKOTA C
DANCE THE NIGHT AWAY D
DEVIL'S RIGHT HAND E
DIRTY OLD TOWN G
DOCK OF THE BAY G
DOWN & OUT C
EASY FEELIN(PEACEFUL)E *
FISHERMANS BLUES C
FIVE HUNDRED MILES E *
FOLSOM PRISON BLUES F# *
FREEBIRD G *
GAMBLER G
GIMME 3 STEPS A
A GIRL LIKE YOU Cm
HARD TO HANDLE E
HAVE I TOLD YOU LATELY E
HEY JOE C *
HONKY TONK WOMAN G *
HOOTCHIE COOTCHIE MAN A
HOTEL CALIFORNIA Bm
HOUSE IS ROCKIN B *
HOUSE OF THE RISING SUN Am *
HUMAN Bb
I'M ON MY WAY G#
I AINT EVER SATISFIED G
I CAN SEE CLEARLY NOW A
I LOVE YOU HONEY F
I WALK THE LINE E *
I WONT BACK DOWN G
IN MY PLACE A
JOHNNY B GOODE A *
JOHNNY COME LATELY G
JUMPIN JACK FLASH A
LAYLA(ACOUSTIC)Dm
LETS DANCE A *
LOCH LOMOND (RUNRIG)G
LOLA E
LOSING MY RELIGION Am
LONG TRAIN RUNNIN Em
MAGGIE MAY D *
MONEY FOR NOTHIN Gm
MRS ROBINSON E
MUSTANG SALLY B *
OLD BEFORE I DIE A
OLD TIME ROCK 'N'ROLL F#
ONE Am
THE ONE I LOVE Em
PASSENGER Am
PICK UP THE PIECES Fm
PLAY THAT FUNKY MUSIC(THUNDER)E
PREMONITION A
PROUD MARY A
ROCKIN IN THE FREE WORLD E
ROAD TO HELL Am
ROADHOUSE BLUES E *
ROCKS A
RUN C
RUN TO YOU F# *
RUNNIN DOWN A DREAM E
SAMBA PA TI G
SAVE TONIGHT Am
SEVEN NATION ARMY E
SHARP DRESSED MAN B *
SHE'S ELECTRIC E
SHOULD I STAY D
SMOOTH Am
STAND BY ME(BEN E) C *
STAND BY ME (OASIS) E
STEAMY WINDOWS E
STONED ME G
SUN WONT SHINE A
SUPERSTITION E *
SWEET CAROLINE C
SWEET HOME ALABAMA G *
SWEET HOME CHICAGO D
SYMPATHY FOR THE DEVIL E
TAKE IT EASY G *
TAKE ME OUT E
TAKE YOUR MAMA OUT B
TANEYTOWN Am
USE SOMEBODY C
WHILE MY GUITAR GENTLY WEEPS(JEFF HEALY)A
WHITE WEDDING Bm
WHOLE LOTTA ROSIE A
WHISKY IN THE JAR(LIZZY)G
WISH YOU WERE HERE G
WONDERWALL F#
YOU DO SOMETHING TO ME Em
GALWAY GIRL D
SULTANS OF SWING Dm
STORMY MONDAY G
STUCK IN THE MIDDLE C *
SUMMER OF 69 C *


And these ones for my regular band

what do you think about that -Montgomery gentry
mister midnight -garth brooks
hot mama-trace adkins
then-brad paisley
whiskey lullaby-brad paisley
beer for my horses -toby Keith
whiskey girl-toby Keith
love you-jack IngramThere's a girl in texas- Trace adkins
Young & Dumb - Buddy Whittington..

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Currently working on Liam Frost - Your Hand In Mine (feat. Martha Wainwright) - we're playing a birthday party at the end of February and it's one of the birthday girl's favourite songs of the moment, so it seemed like a nice thing to slip a cover version into the set for the evening.

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Miles Davis' solo on 'Four'

Willie Weeks' part on Donny Hathaway's 'Love, Love, Love'

Me'shell Ndegeocello - Peace Beyond Passion (Trying to do the bulk of the album, currently working on 'Stay')

Laurence Cottle - I'm Further


plus the usual RHCP/Coldplay/Fall Out Boy junk that I use for teaching as the kids are into it.

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[quote name='hillbilly deluxe' post='717530' date='Jan 19 2010, 10:01 AM']It'll be ok,i've got until easter for the top lot. :)[/quote]

Are you actually transcribing all those songs-ie.are you writing them all down,fully
notated-or are you copying and remembering?

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[quote name='Doddy' post='717857' date='Jan 19 2010, 02:08 PM']Are you actually transcribing all those songs-ie.are you writing them all down,fully
notated-or are you copying and remembering?[/quote]
Transcribing.The ones with * are the ones that i have already done.I usually transcribe,which seems to takes ages,by the time i've done that,it's usually learned.BTW,i've been going through this list since October,as well as my regular bands stuff,so im just about fed up with it for the time being. :)

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I've almost finished transcribing a big band arrangement of Rob Thomas & Santana - Smooth

I started easy with the drums & percussion. Then did the bass & piano. After that it was all the brass. Then i moved alot of the organ parts onto sax to fill everything out. Then did vocals last.
The only thing i havn't done is the guitar, not because i can't do it, but because guitar is one the most awful things to try and write in sibelius!

I'm currently finishing of all the articulation and general music markers.

If anyones interested it in, i'll post up the finished file probably next week when i'm all done!

Can't wait to hear it played in Big Band :)

Jake

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[quote name='Faithless' post='724559' date='Jan 25 2010, 09:03 PM']How much practice time do you dedicate to transcription process in your everyday routine?[/quote]


It really depends on what I'm transcribing and what other things need to be practiced. Normally I'd spend about an hour a day on transcription, which works out at about a quarter of my total practice time. At the moment I'm having a bunch of problems with the tendons in my left arm so I can't really do much practice, which means I'm spending more like 2 or 3 hours a day transcribing.


On the original subject of the thread, currently transcribing:

Herbie Hancock - Maiden Voyage (tenor solo done, working on Freddie Hubbard's trumpet solo)

Tool - Various bits and pieces (The Pot, Vicarious, Forty Six & 2)

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[quote name='TKenrick' post='724989' date='Jan 26 2010, 01:57 PM']It really depends on what I'm transcribing and what other things need to be practiced. Normally I'd spend about an hour a day on transcription, which works out at about a quarter of my total practice time. At the moment I'm having a bunch of problems with the tendons in my left arm so I can't really do much practice, which means I'm spending more like 2 or 3 hours a day transcribing.


On the original subject of the thread, currently transcribing:

Herbie Hancock - Maiden Voyage (tenor solo done, working on Freddie Hubbard's trumpet solo)

Tool - Various bits and pieces (The Pot, Vicarious, Forty Six & 2)[/quote]


Hope, you'll sort it..

I'm also spending not more than an hour a day, but, what gets in my way, is finding a proper material to transcribe..

I thought, it'd be best to start at some plain blues solos, but, all that swing movement, it's just pain in the arse at the beginning to write it properly ..

Do you rememember any of your first solos/themes, that you transcribed?

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Faithless - the convention when writing swing solos is to write them as even quavers/8th notes and then indicate 'triplet swing feel' at the start. It means you haven't got to spend so much time writing triplet figures (which are also very hard to read).

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