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I am emotionally attached to a bass that's taking up space and I don't want any more


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Posted
1 hour ago, HeadlessBassist said:

 

I find the same with my '95 ash Stingray with Aguilar pickups/preamp. For a simple 9v bass it sounds huge with sustain for days. It actually leaves my 2023 18v Stingray Special 5 in the dust tone-wise. I think I used to be an 'eq-hooligan' once upon a time as well. Now with the Rays I tend to boost the treble and bass about 30-40%. That gives me all the shove and sparkle I need. The other little known thing about the Stingray preamps is that when you back off the treble a little from your 'sizzle point', the sound thickens considerably. Yes, the Jazz is a more polite and even-tempered beast, but the Stingray's chewy thickness and sparkle is hard to beat with anything this side of a Status.

Interesting. I have always maintained that the 2EQ 9v circuit is magical. It's not like any other preamp... 

Posted
7 minutes ago, kwmlondon said:

Interesting. I have always maintained that the 2EQ 9v circuit is magical. It's not like any other preamp... 

 

Agreed. I don't know how much of it is the 30+ year old ash/maple, or how different the OBP-2 and Aguilar pickup is (I know they modeled it tonally on a late 70's model), but my 2eq 9v is probably the best Stingray I've ever heard.

Posted
1 hour ago, HeadlessBassist said:

 

Agreed. I don't know how much of it is the 30+ year old ash/maple, or how different the OBP-2 and Aguilar pickup is (I know they modeled it tonally on a late 70's model), but my 2eq 9v is probably the best Stingray I've ever heard.

I know that 'Rays are really hard to get to sit in a mix - tough live, even harder in the studio - but I've used mine in loads of recordings and it's been a joy. I've often just plugged straight into a desk and the results have been fantastic, but I know a lot of people who get eye-rolling from the sound person when rocking up with a 3EQ Musicman. I never got that with mine and I don't think it's down to the wood so much as the electrics. That's just opinion. I've no evidence!

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Posted
20 minutes ago, kwmlondon said:

I know that 'Rays are really hard to get to sit in a mix - tough live, even harder in the studio - but I've used mine in loads of recordings and it's been a joy. I've often just plugged straight into a desk and the results have been fantastic, but I know a lot of people who get eye-rolling from the sound person when rocking up with a 3EQ Musicman. I never got that with mine and I don't think it's down to the wood so much as the electrics. That's just opinion. I've no evidence!

I think it depends how much you want to sit 'in' the mix vs being distinct. IME the pre-special Stingrays have a definite lack of subtlety, especially in what I hear as a very artificial top end. When people say "the active bass sound" I think of Rays whereas something like a Sadowsky sounds like a passive bass with more eq control.

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