Dr M Posted July 22, 2013 Share Posted July 22, 2013 There seem to be more Class D micro heads available every week! The number under £300 seems to be shooting up as well - I wonder if the popularity of the GK MB200 has had something to do with that? Fender Rumble 150 GK MB200 MarkBass Little Mark 250 Blackline TC Electronic BH250 Ampeg PF-350 And probably the Ashdown PiBass when it's released. So what are people's thoughts on these heads? Are they decent light-weight budget heads, or do the lack of features hold them back? Quote Link to comment Share on other sites More sharing options...
discreet Posted July 22, 2013 Share Posted July 22, 2013 I had a Little Mark 250 for a while and it sounded fantastic. Build quality and components second to none, too. The only reason I moved it on is because it was simply not powerful enough to cope with a lunatic rock drummer and guitarist who insisted on playing WAY too loud. But that was with a single 8 ohm cab, so I was probably only seeing 150W or so max. With a second cab I'm sure it would be powerful enough for 99% of applications (depending on genre and lunatics). It was absolutely fine in a nine-piece soul/stax band with three singers, guitar, drums and three-piece brass section... master at around 10 o'clock. Quote Link to comment Share on other sites More sharing options...
Lozz196 Posted July 22, 2013 Share Posted July 22, 2013 I`ve had many of them in my search for the tone I wanted, and sortof have one now - the Markbass LM2 in a 112 combo. At 500 watts at 4ohms, and about 350 at 8ohms, it`s plenty powerful enough for my needs. None of them will sound like a big valve amp, but then, they aren`t big valve amps, and to be honest, very few people would be able to tell the difference anyway - aside from us here on Basschat. Plus, the ease of use and portability of these Class D amps is amazing. Even if I were able to carry the big old amps, I wouldn`t use them now. Quote Link to comment Share on other sites More sharing options...
paulconnolly Posted July 27, 2013 Share Posted July 27, 2013 I bought a BH250 yesterday. Not used it in anger yet but it seems ideal for me and that Toneprint facility is just so tricksy Quote Link to comment Share on other sites More sharing options...
flyfisher Posted July 27, 2013 Share Posted July 27, 2013 I like my BH250. I gigged it outdoors at a small wedding last week with just a single 210 and a vocal-only PA and it was fine. Amp was on about 75% volume and my active j was on about 75% as well. If I'd added my 212 I would have had to turn down. Not too fussed about the toneprint thing though. It's fun to play with but I wouldn't miss it. Seems to me the heavyweight stuff is for bands with roadies. For £235 brand new it seems like a bargain to me. Quote Link to comment Share on other sites More sharing options...
sk8 Posted August 12, 2013 Share Posted August 12, 2013 [quote name='Lozz196' timestamp='1374510338' post='2149540'] I`ve had many of them in my search for the tone I wanted, and sortof have one now - the Markbass LM2 in a 112 combo. At 500 watts at 4ohms, and about 350 at 8ohms, it`s plenty powerful enough for my needs. None of them will sound like a big valve amp, but then, they aren`t big valve amps, and to be honest, very few people would be able to tell the difference anyway - aside from us here on Basschat. Plus, the ease of use and portability of these Class D amps is amazing. Even if I were able to carry the big old amps, I wouldn`t use them now. [/quote] LM2/3 is Class A/B not D. Still light though and my favourite sounding micro head Quote Link to comment Share on other sites More sharing options...
andydye Posted August 12, 2013 Share Posted August 12, 2013 [quote name='sk8' timestamp='1376316921' post='2172012'] LM2/3 is Class A/B not D. Still light though and my favourite sounding micro head [/quote] They sound amazing and are mega loud for their size/price! Can be had very cheaply s/h to say they're £680 new too! Quote Link to comment Share on other sites More sharing options...
Lozz196 Posted August 12, 2013 Share Posted August 12, 2013 [quote name='sk8' timestamp='1376316921' post='2172012'] LM2/3 is Class A/B not D. Still light though and my favourite sounding micro head [/quote] Didn`t realise that - I suppose I automatically assume any amp I`m capable of lifting has to be Class D. I feel much stronger for knowing I can lift an A/B amp Quote Link to comment Share on other sites More sharing options...
indiegrungesound Posted August 13, 2013 Share Posted August 13, 2013 I have the Ampeg PF 350. I used it for recording a couple of months ago & the results were pretty impressive. The engineer got a really nice tone out of it. He also commented on how good he thought the amp's DI was too! I've also used it live @ Dry Bar in Manchester last year. It did go through the headlining band's 4x10"+1x15" stack with the DI plugged in, but I was still pleasantly surprised with the sound. Out of all the others, I've only tried the TC Electronic BH 250. But that does have a BEAUTIFUL tone! Quote Link to comment Share on other sites More sharing options...
WalMan Posted August 18, 2013 Share Posted August 18, 2013 Picked up a BH250 recently and used it for the first time in anger last night paired with the Super12T. Smallish room but against a loud drummer and two guitarists for some classic rock covers (Lizzy Free Bad Co etc) and it easily held its own and sounded awesome. There's my smaller gig rig sorted. Streamliner where I need a bit more POWER. BH250 for smaller rooms. Marvellous! Quote Link to comment Share on other sites More sharing options...
badboy1984 Posted August 19, 2013 Share Posted August 19, 2013 I use to have a Little Mark 250 and the tone is fantastic and is loud if you use 2 8ohm cabs. Reason i sold it because i want more power but i kinda regret of selling it now ..... Quote Link to comment Share on other sites More sharing options...
Mog Posted August 22, 2013 Share Posted August 22, 2013 How much volume do you need? I've gigged in venues with just an EHX 44 Magnum driving a Hi Watt 4x12 and it was plenty loud on stage but had FOH boosting it out front. It easily would have done for the average pub gig by its self. Its about as light weight as it gets. Quote Link to comment Share on other sites More sharing options...
Ticktock Posted August 22, 2013 Share Posted August 22, 2013 Just bought a GK MB200 last week. Cabinet has yet to arrive though. So far through headphones the amp is rather nice. It sounds like I have a new bass (to my ears anyway). I am aware that my experience with modern amps is "limited", to put it mildly. I ordered the eden 4ohm 12 inch cab. Going for small and light. Hope I like it. Quote Link to comment Share on other sites More sharing options...
lefrash Posted August 22, 2013 Share Posted August 22, 2013 [quote name='WalMan' timestamp='1376829823' post='2179577'] Picked up a BH250 recently and used it for the first time in anger last night paired with the Super12T. Smallish room but against a loud drummer and two guitarists for some classic rock covers (Lizzy Free Bad Co etc) and it easily held its own and sounded awesome. There's my smaller gig rig sorted. Streamliner where I need a bit more POWER. BH250 for smaller rooms. Marvellous! [/quote] Is that a 4 or 8 ohm cab? I'm interested to know as I'm keen on getting one and running at 4 ohms, but I cant seem to get an answer anywhere as to how capable it is at 4 ohms. Quote Link to comment Share on other sites More sharing options...
barkin Posted August 22, 2013 Share Posted August 22, 2013 The Barefaced S12 is a (b****y loud) 4 Ohm cab. Quote Link to comment Share on other sites More sharing options...
cybertect Posted August 22, 2013 Share Posted August 22, 2013 (edited) I recently bought a GK MB500 to replace an old 200W Marshall head. I've been [i]very[/i] happy with it and it's garnered several positive comments from the rest of the band, about both its (diminutive) size and tone. I'm running it through my old 4 ohm GK 210T cab, which I can now easily stand on its side with the amp on top I was sorely tempted by the GK MB200 and the TC BH250 (though while it's quite cool, I wasn't convinced that I'd actually use the Toneprint facility in the real world). In the end, however, I decided that a little more headroom couldn't hurt (not that I really need - it the amp is plenty loud enough for the gigs we play) but, possibly more important, the M500's extra controls and connectivity options swung it. Edited August 22, 2013 by cybertect Quote Link to comment Share on other sites More sharing options...
WalMan Posted August 22, 2013 Share Posted August 22, 2013 [quote name='barkin' timestamp='1377168471' post='2184161'] The Barefaced S12 is a (b****y loud) 4 Ohm cab. [/quote]This Quote Link to comment Share on other sites More sharing options...
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