dudewheresmybass

Dreamer - Ozzy Osbourne

For you - my dying bride

The older boss hr2 works ok on an octave up, and the pog (ehx) and derivatives seem to work well, mainly due to their digital tracking. The cheaper ones however don’t do so well. the mooer tender octave is well regarded, and my ps6 sounds great and in tune.

Bad for you baby - Gary Moore

It’s a familiar tale- been trying for a good while myself Which ones have you tried?

There’s some lovely sounds in there, but I’m not liking the sounds on that drum machine

As I recall @tayste_2000 did this a while back forgive me if I’m mistaken 😉

There’s no hurdy gurdy there- I only heard bagpipes 😉 great tune though 🤘🤘

Jack sent me a mike stand adaptor for the cost of postage. total gent, nicely done. thank you sir!! 🤘🤘

Please mate. pm incoming.

Nikki Sixx 😉

Nice one! Some great parts and beautiful instruments. subbed 🤘🤘

Looks like a wooden loo

I disagree. The mix is done in a way that enhances The whole but in no way dominates with bass.

This video is epic. so much better than the “and justice for Jason” version out there- all artificially enhanced low end and rare moments of actual bass

I have a guy in north Kent/ south east London that deals with my stuff - basses and pedals. if that’s of interest, drop me a pm and I’ll forward his number 😉👍

Congrats. how about a baby tuner?

I have a variety of albums that I use Queen a kind of magic iron maiden number of the beast Dark side of the moon mark ronson version

This is fun and not entirely serious. the op however..... 🤮

🤷‍♂️

I cannot abide him as a player. as an educator however, is a totally different thing. His approach to learning is fantastic. I repeatedly read the music lesson- amazing book.

Admittedly I’m a root man through and through, but I’ve tried many many types of strings. the warwicks are ok, but I find they die very quickly. the Dunlop’s are good, and I would place them second after my rotos. they play well and don’t have the significant ‘grab’ that rotos do. That would seem to be a definite plus for you.

It runs to more than a couple of drinks extra. the trial that happened this week held 200 ina venue usually containing 1200 the revenue from this did not even cover the costs of opening the venue up, let alone paying the artiste. Most venues do not make massive profits despite what many think 😉 would you be prepared to pay £50 for a normal £10 show? I think not

Thank you mate. I have a fair few friends and associates on the other side of the curtain as well. the whole industry has been thrown to the wall. are you eligible for anything through any other support networks? Isn’t there a ‘support staff’ thing called crew nation? How does that work?