dudewheresmybass

I have a reverse headstock on one of my warlocks and one on my Kramer. I love the look

I’m a full time musician and have been for the last 17 years I teach in schools during the week and gig when ever I can. since lockdown- no gigs and no schools (and very little chance of getting back in this side of Christmas) I have had to teach via zoom to try and cover my outgoings. i received £1700 via seiss last time and will receive something in the next round in August. I am also going to have to look into a mainstream job, if things don’t pick up. 😢

Is this kind of thing you’re after? USB Hub Powered, atolla 4 Ports... https://www.amazon.co.uk/dp/B07B2HJG8P?ref=ppx_pop_mob_ap_share I use mine to power my Scarlett 2i2 interface

Live in the heart of the city - Neil Murray. always inspires me

The Ibanez talman pinches way above its price also the reissue aria pro igb retailing around £250 are good. the Westfield p bass copies on amazon at around £110 were particularly of note, but they seem to have moved their production, so not too certain any more 😉

Swing bass 50-110 on everything. if I ever fancy a change it’s rotobass 50-110

Consistently amusing throughout. 😉👍

Flats looking for highs- perhaps the Seymour Duncan Harris sig pups might fit the bill?

I have a bh250. min using an old laptop sleeve. Does the job perfectly.

I bought a pedal from Nick, Top chap to deal with, great communication throughout. Would happily buy from him again Cheers mate

I used to regularly play one of my bc rich warlocks in church, and in fact I did so on tv 😉 don’t know if there’s any video of it though 🤷‍♂️ does that count?

The originals yes, but the ones I’m seeing now aren’t, neither are they/ were made in Nagoya ( not for quite some time) edit: now I’ve seen a dual p platinum on eBay but it has the terrible ‘testicle rest/ droopy boobs headstock 😢

Trouble is that I’m picky. I only pay passive basses live now. I’m not a fan of actives at all now 😳 bc rich has not produced any passive basses for quite some time leaving me with increasingly few options. 😢😢

I’ve been a proud owner of a couple of double p basses for a little while. I’m told my Kramer has a twin p config and has a multitude of pup configured since it has a varitone switch. I have also been rocking a dual p mockingbird for a couple of years- as well as lusting after another mock and eagle and warlock ( all with the same combination! 😳) as previously noted, the bridge pup adds meat to any j in that position. Huge tones available.

I played one not long after they came out with the #1 design. it was quite simply the best p bass I had played. I would not buy one though down to the logo. I despise most football. I have now got, as one of my go to instruments, a blue sparkle cij sh sig. amazing bass. Easily as good as the #1 mim if not better 🤘🤘

I really like my lh500. simple, no frills amp. it’s my backup for my Marshalls. it’s all about taste really, but crap distribution is, as already noted several times, a highway to brand destruction

Not forgetting bands like napalm death carcass and the early grind core Stuff. didn’t cardiacs do a session as well?

Give it a go 😉 you might just like it 😂

I wore out at least three vhs copies of LAD. this is the reason it’s now my job.

Depends on the band. for one of my bands, I use a comp as a treble boost. the others no (apart from a little drive)

I’d also suggest the mxr micro amp. Clean boost all the way.

Not bad. quite enjoyed the video, but personally would like to hear more fingerstyle and pick playing. for me the slap is of no interest.