Merton

My fault for being arty farty with the black and white picture haha! I prefer the old chrome front panel, the new one looks cheaper (to me).

The RM series really is very good IMO, I’m glad you liked it

This. I have owned four ACGs, three of which I commissioned. I still have two of those commissions and only sold the other to fund some cash flow issues really. I have a list of about 5 ACG specs I’d like Alan to build me at some point 🤣 Currently, though, Mike at Zoot is working on a Funkmeister custom - essentially a Jazz-type bass for me in a more traditional flavour than Alan’s (superb) builds - including solid paint finish and passive electronics for example. I’ve also conceived at least two more Zoot Funkmeisters in my head 😳🙄

It’s been covered many times before, the difference between the output and 8 and 4 ohms is so negligible as to be moot, it is the extra speaker area which is making it produce more volume

Awesome, that makes a lot of sense! Did the original 500s have the metal screening inside like the original 800s? I remember reading somewhere that it wasn’t actually necessary but you did it to “over engineer” the EMC essentially, same for the fan and cooling..?

I think the EVO ii is lighter because they’ve removed the metal screening inside which screened the power module. The original 800 certainly had that and the 500 EVO ii certainly doesn’t. I wonder if the front panel change is lighter as well. Quite how that adds up to 2kg is beyond me still though hehe

I refer you again to my first post in this topic

Cool. I’m not a million miles away but it’s still a fair old trek for either of us. If you’re ever passing through Surrey give me a shout

Whereabouts are you? Sure someone close by has one you can try

Hello BCers! Is one of you perchance Paul from the function band Monotones? Saw you at Gabrielle and Danny’s wedding on Saturday at the Normans near York and thought you were cracking (and said so to you afterwards!). Your playing was ace and your Overwater/Genzler/Vanderkley gear combination sounded ace

Aw man even more gutted I can’t make it - these guys provided the soundtrack to many a teenage evening of drinking!

I owned one for about a year and absolutely loved it. Only sold it as I bought another head with a headphone socket but I would be inclined to say the Hotone was far far better for that particular purpose. Sounded great plugged into a cab too

I should mention your kind involvement in helping me choose this too really, shouldn’t I

It gets written a lot, followed the next week with a NAD or NBD thread. Normally all written by me 🤓

Practice. And wear ear plugs. But mostly practice.

Pretty sure Nikki Sixx and Gene Simmons have also used fire breathing basses onstage. I’d quite like to try one and see if it gives my playing more spark.

Boobs I need a wee Boobs Christ I should have practiced this

I have a confession. I like Jazz basses. My very first bass guitar was (is, I still own it) a Vester Jazz. I had a wonderful Status Retroactive jazz for 10 years but sold it last year after realising I prefer a medium 32” scale. Alan Cringean built me a superb Finn 5 which I modelled on a Jazz but even that went when he built me an even more superb Skelf. So I am Jazzless at the moment, save for my Vester. I’ve spent all year playing around with ideas, considered Maruszczyk, ACG, Shuker, even contemplated trying to find a Fender MIJ medium scale jazz. I was going down the ACG route with another Finn but deep down I wanted a more traditional Fender-esque shape. Then I remembered Mike Walsh and Zoot. He’s been building stunning basses for a few years and his recent Funkmeister builds have been catching my eye. Several months of emails and playing with specs later, last Thursday I went over to see Mike and we thrashed out the final spec (probably). So this is very very early days but hopefully I won’t change my mind at all now “The specs?”, I hear you ask. Yes. My Vester has a very big ballsy Jazz sound thanks to its Schaller pickups; the Status was similar thanks to its humbucking J pickups and active circuit. So I wanted similar and spent a long time considering all the woods and pickups (you’ll see...): Zoot Funkmeister 4 string, 32” with slimmed down body to suit the shorter scale Idigbo body (similar to swamp ash but cheaper as less figured), gloss black finish with matching headstock BWB scratchplate, rear mounted V/V/T controls Maple neck, ebony board with MOP blocks and white binding, 40mm nut and 16” radius Nordstrand Big Split pickups Black hardware - Hipshot Kickass bridge and ultra lite tuners And that’s about it. It’s going to be amazing. Mike is a very infectiously enthusiastic bass builder and I hope he has as much fun seeing this develop as I will Pictures will appear when progress is made but this is such an early point in the process you’ll be waiting a while

As I’ve said already, the CTM100 is perfection (for me). Ashdown will still make the 300 if you ask nicely

Yep. At full tilt I have no doubt there would be far more significant sonic differences. And as you say, full tilt would probably destroy most of my house

I’ve A/Bd the Ashdown ABM500 with their BTA200. Identical preamp, the ABM has a solid state Class A/B power amp, whilst the BTA is a 200W KT88-driven valve power amp. They sound almost the same. Almost. There was “something” different about the valve power section in the room but I’m buggered if I can explain it. I recorded them both on my iPhone (the pinnacle of sound recording technology) and couldn’t tell them apart.

I should add: in a band situation I bet I’d struggle to tell the difference unless it was a class D running out of puff....

Dude! There are Class D heads out there which can sound amazing. The Ashdown RM series, for example, is one which I personally love. It’s a different flavour of awesome to their ABMs but I still like it. My all time favourite amp is their CTM100 though, a beautiful beast.

Dave is a superb chap to deal with and that is a steal of a price. I love these amps!