Rich

U2 were truly great years ago when they were young and hungry, but now they're just fat old men, metaphorically at least, and they don't need to try any more. And it shows. [quote name='Deep Thought' post='421539' date='Feb 28 2009, 10:06 AM']I've noticed in the past that the sound on Rossy's programme is invariably crap.[/quote] Yup, especially the noise coming out of Ross' gob... [quote name='markytbass' post='421590' date='Feb 28 2009, 11:27 AM']He did explain on the guitar thing that was on BBC4 a while back. I think its a bank of procesors that try and make him sound good. A bit like the singing machine the boy band used on the simpsons. IMO take his delay pedal off him and he'd be f***ed![/quote]

[quote name='Soulfinger' post='421111' date='Feb 27 2009, 04:56 PM']Will Lee had found a way to do this - I can´t remember exactly but he tapped the line with both hands, one on the E string and one on the G, starting with the double-stop (root/VII) and sliding down on the E and up on the G string to the respective target notes. It does take some practice but it´s not too difficult really and sounds very nice. Hope this helps![/quote] This is how I do it. Yes it does take some practice, but it must be reasonably easy if I can do it It's worth working at, as it is so much more effective than just doing one of the lines and more impressive than getting a (spit) [i]guitarist[/i] to do it.

[i][sound of jaw hitting floor][/i] Great. Thanks a bunch. Just when I thought I wasn't GASing for anything, you go posting pictures of this UTTERLY STUNNING bass. Any chance of a big & really sharp pic of the body? I want to use it as PC wallpaper.

[url="http://www.diystompboxes.com/smfforum/index.php"]It's an absolute goldmine[/url]..!

god yes, don't you just [i]hate[/i] it when that happens?

At the moment my sound is based a 50/50 balance of both pickups, with the neck 'tapped'. Slight bass boost on the gtr itself but all other controls flat. Lows and low-mids boosted slightly on the amp, mids cut slightly around the 600Hz mark, slight hi-mid & treble boost. More pronounced boost at 1200Hz. Compression from the Focusrite, but not loads. You only know it's there if you switch it off, if you see what I mean. Result is a fingerstyle tone vaguely similar to Jonas Hellborg's only smoother and less Status-y , it cuts through the mix well and manages to force its way past all them horns the harmonics sing nicely, plus there are good clear slap & bitey snap sounds when I want them, which isn't often. I like it

[quote name='BigBeefChief' post='419879' date='Feb 26 2009, 09:51 AM']I love sizzle.[/quote] Mmmmm... bacon... *drool* [/hsimpson] [quote name='BigBeefChief' post='419889' date='Feb 26 2009, 10:01 AM']Marcus Miller is a Gay-Hole.[/quote] I reckon his wife might disagree with you there

[quote name='Adrenochrome' post='419203' date='Feb 25 2009, 12:59 PM']?? I used one of those Zooms for about 8 years and it was never noticeably noisy. Are you sure you are all using it properly?[/quote] Nope, I'm too thick to use an FX pedal.

I've got one of those Zooms too. They're noisy buggers all right. I said they're [size=3]NOISY[/size]. [size=3]No,[/size] [size=4]NOISY.[/size] Ahem. How about using an A/B loop thing to give you a total hardwired bypass of all the pedals when you're not using them? If you use any of them a lot more than others (limiter?), you could put it outside the loop.

[quote name='Crazykiwi' post='418880' date='Feb 24 2009, 11:19 PM']But a stupid wing, at that. Harrier jump jet? Penguin?[/quote] '81 Ford Capri offside front..? EDIT: actually, a truly stupid wing would be a rear one off a '59 Caddy Coupe de Ville...

Consider this [url="http://cgi.ebay.co.uk/Focusrite-TrackMaster-Platinum_W0QQitemZ180331398009QQcmdZViewItemQQptZUK_Musical_Instruments_Outboards_Effects_MJ?hash=item180331398009&_trksid=p3286.c0.m14&_trkparms=72%3A1688%7C66%3A2%7C65%3A12%7C39%3A1%7C240%3A1318"]Focusrite Trakmaster Platinum[/url]..? It's intended as a vocal preamp/channel strip, but they are also widely used as studio bass preamps. It's got a simply brilliant compressor and a nice usable eq, and the sound is pure & clean. What comes out is what went in, only louder

Another ramp fan here. I fitted a temporary one to my Status to see how I'd get on with it. That was about 4 years ago now and it's still there so I had one built into my Shuker.

I've tried to like Les, really I have. I had Seas of Cheese for ages, and tried hard to enjoy it. But no. Drives me up the wall. Still, vive le difference eh?

[quote name='3V17C' post='418277' date='Feb 24 2009, 12:22 PM']..... thoughts/comments?.... [attachment=21012:attituderetro1.jpg][/quote] Looks kinda cool. A definite retro vibe, well much more so than the original anyway. How about a bridge ashtray too..?

[quote name='spike' post='417346' date='Feb 23 2009, 01:04 PM']If it was me I wouldn't even consider going back there a third time.[/quote] I reckon it's +1 for that unless you [i]really[/i] need the gig. He's rodgered you twice, and is therefore perfectly capable of doing it a third time. Bollox to him. And spread the word.

I always knew this was going to be a stunner. Was I wrong? Nah. Beautiful. The view of the back is worth the admission price on its own. Mate, welcome to the Shuker Owners' Club Maple Neck Chapter [size=4]SOUND SAMPLES.[/size] [size=6]NOW.[/size] [size=1]Please. [/size]

I would say it's pretty much the ones you say you're using... octaver, compressor, chorus and distortion. A good synth pedal is a worthy addition. It'd be my one of the four, as my compression is in the rack.

Thanks for that Nick. After listening to some of the sound samples, I'm going to have a bash at the Maillet vibe mod, and also perhaps the rotary colour control mod on the 'Electronics For Guitarists' page. Will let you know how I get on..!

The first two that spring to mind are Phil Lynott using a phaser on Lizzy's 'Dancing In The Moonlight' and Anthony Jackson's classic flanged bass part on the O'Jays tune '(Working For) The Love Of Money'.

For me it's bass -> pedals -> amp, with the compressor sitting in the amp's FX loop.

Blimey, so that's 3 of us then. If you're GASsing for radios, can I GAS for this?

I have the SFX Monkey too, it's splendid. Not a terribly bright sound though, I agree.

I was relatively GAS-free, until I saw Ieuan's gorrrrrrrrgeous Sandberg California JM5 last weekend... Either that or a Lakky DJ5 in white would do me fine. [quote name='mathewsanchez' post='415278' date='Feb 20 2009, 01:37 PM']Ok, i'm wierd, I like art deco and I like fancy woods. Not sure if they sound any good but after all it's just GAS.[/quote] Oh yes, those I like. I'm a sucker for art deco too. I [i]so[/i] nearly bought a late '20s Italian walnut & birdseye maple bed frame on fleabay last year, hideously expensive but my god it was utterly beautiful. [quote name='Foxx' post='414265' date='Feb 19 2009, 02:03 PM']What is that amp? I've never seen an Ampeg like that before.[/quote] It's a 'flip top' B15 combo. See Motown for details

+1 for the Qverb, marvellous piece of kit. The chorus in particular is one of the most adjustable & versatile I've ever used. I also recommend the Zoom RFX2000, although it's more of a recording tool as you can only use 1 effect at a time. Its reverbs are glorious.