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Skybone
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Everything posted by Skybone
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Big Muff? Black Russian if you want aggressive fuzzy nonsense, or a "triangle" early 70's version for mellower, Floydian tones.
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Bizarrely enough, I was looking at Fractal Axe-FX the other day, if they have anything Bass-centric, they're certainly doing a good job of not advertising it. To m knowledge, none of the high end processors cater for the bass player. I think Multi FX for bass are very limited, so it really depends on what you want to use the unit for, will it be for amp modelling and some effects, or purely as an effects processor? How about the Line6 M9 / M13 effects modellers for pure effects processors? The Boss GT6B & GT10B are more reknown for their effects rather than amp modelling, where the B3 packs effects and amp models. There's always the Line6 HD500 / Firehawk options, though you may need to add the Bass Expansion pack to them, or you could track down a POD x3 which has both guitar & bass model's already loaded.
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If you're just using it for Modulation effects, then in the Effects Loop. If you're using it for OD/Distortion/Fuzz and EQ, then in front of the amp. Personally, I would put it in front of the amp.
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PASSIVE Twin pickup 3 way Pickup Switch or blend knob Passive Rosewood fretboard Passive Sounds like a Ric Looks like a Ric Passive
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Yes.
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Give it to your lad... -
Likewise, I have a few digital effects, and don't notice any latency at all. All of the recent Line6 Zoom gear I've tried has been great. I've owned digital delay pedals where it was a problem (and they coloured the sound too much as well), but that was quite some time ago. Try before you buy?
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On the other hand, if you buy him an "expensive bass", and it turns out to be a bit of a "flash in the pan", it could be a bit of a waste of money. You could always play the "do well with the cheap one, and we'll look at getting a better one for next birthday/Christmas etc". And let him watch you doing the setup on it, letting him have a shot on it as you go through the process. My first bass was a Kay P style, with an action you could limbo under!
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[quote name='bassman7755' timestamp='1456594696' post='2990623'] Its like telling a joke, you can take liberties with some details without ruining it but the essence must remain intact. "Cheetah walks into a pub and the barman says why the long face ?" - not really funny is it. [/quote] Not really, he only went for a swift half.
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Surely covers are open to interpretation, if it sounds good, what's the problem? There are far too many people who get far too anal about getting the song "right" IMO, and loose something from the band dynamic.
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Wow... GLWTS. -
It really depends on what sort of phaser sound you're after... If you're after a "tight" phase, the MXR or Boss are great, but if you're after a "wider spread" psychedelic type phase, then the EHX is the "go to" pedal. There's always the MoogerFooger 12 Step Phaser, Red Witch Moon Phase and loads of other boutiquey pedals to consider.
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Got a Korg Pitchclip and a TC Electronic Polytune Clip. The Pitchclip is good, the Polytune Clip is superb. The only issue with the clip style tuner is it staying on the headstock (especially with a 2x2 headstock!).
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Having been through a large number of cheap & not-so cheap mass produced pedals, I approached some of the boutique pedals with a bit of trepidation, but was massively and pleasantly surprised. HOWEVER, it really does help if you have invested in your signal path, not only one aspect of it. Good pickups into good pedals into a good amp = a good sound. IMO o'course.
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EHX Small Stone every time.
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And sold.
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Replied.
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Thanks, but I'm not after a trade on it (unless you have a PODx3 kicking about doing nothing).
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I'd like to get my hands on an X3, but they're still a bit too expensive for my pocket second hand.
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bump -
Put some new batteries in it as well when you change the strings, it should make a heck of a difference.
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Because it's ace.
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Zoom B3, needs no introduction here. It's just over a year old, and only ever been used at home or at infrequent rehearsals, still with the original box, manuals, USB cable & CD-Rom. The Patch Editor is downloadable from the Zoom website, as are the full specs. £85.00 Zoom FP02M, expression pedal for the B3 (and other Zoom products). I bought this at the same time as the B3, but this has barely been used, other than being lugged about in the same bag as the B3. Comes in the original box with the cable. £20.00 Zoom SCG-5, carry bag originally designed for the Zoom G5, however, I've been using it to carry & store the B3, FP02, PSU & all my guitar leads. Plenty of space left over for a power extension lead & USB cable (front zipped pocket). Made of sturdy nylon. £15.00 Zoom AD-16F, 9v, 0.5a PSU, suitable for the B3, MS60B & most other 9v Zoom pedals. £5.00 SOLD
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I suppose everything boils down to the criteria you set yourself when you go out looking for a new bass/guitar/whatever. Not only does it have to meet it's performance requirements (plays well, sounds good etc.), but it also has to meet your aesthetic requirements (as well as budgetary requirements).
