Skybone

Sweet, want another 4003, just can't afford one.

A big thumbs up for the kick in the arse. Big shame about the circumstances.

Good job you had the passive switch installed.

Get to know the fretboard, learn a few scales, play along to some songs you like, find a band and have fun. Try and listen to drum patterns and play along with them, as they'll help with your timing.

Pro hobbyist wannabe. Spent far too much of my life chasing the dream, was lucky enough to record a couple of albums & numerous demo's, but reality won and I ended up with a proper job and a multitude of constraints on my free time. Just play for fun now.

The best thing I found for singing & playing was to record the bass/guitar separately, then record the vocal. I never could remember the lyrics, and keep playing until we did some recording sessions, separating the two really helped me with both singing and playing. What you could do is to record the band rehearsing with a portable, drop that into a daw, then overdub your vocal at your leisure. It's worth a try

No, but I do know one of Evil Blizzard's 4 bass players (and Mopman).

I have no experience with the Digitech, however, the B3 has a lot of friends on here, and for good reason. Easy to use, sounds good and built to last. Add in the Expression Pedal and it's pretty versatile too whether you use it in front of an amp or as an amp modeller/DI box. It's got a USB port, so you can plug it into your PC as a soundcard for a DAW, or download Zoom's Editor software to play about with your patches. The downside is that it's a bit limited if you want more than 3 effects at once. It deserves a B3x or a B5 version, but this is highly unlikely.

[quote name='Deep Thought' timestamp='1470046238' post='3102834'] Loved the Sisters, saw them 4 times in the mid-eighties, including the ill-advised Leeds festival gig. Was interested to see Craig Adams supporting the Stranglers with The Alarm earlier this year. Hooky is on record as saying he was heavily influenced by JJ Burnel incidentally, although he doesn't use much chorus! [/quote] I you haven't heard I, check out the Coloursound album, Mike Peters, BIlly Duffy & Crag Adams. Superb, and very underrated. IIRC, Craig has been playing with The Alarm for quite some time

IIRC, if your power valves are going microphonic, then it's certainly time to get your amp checked out by a good amp tech. The best EL34 valves I've used are JJ's, though "Winged C" Svetlana's get good reviews. Try looking at HotRox in Nottingham for valves as they used to be a bit cheaper than Watford Valves ([url]www.hotroxuk.com[/url]). The downside to some valve amps is that they need to be maintained regularly, or the quality of sound and volume will drop over time (unless you find something with either fixed or cathode biased, or if it has bias points on the rear panel).

Watched it on iPlayer, although I admit to not being a Bowie fan, there were some good interpretations of his songs, and the orchestration took the songs to another level. Unfortunately, there were some songs where the orchestration & arrangements were frankly "trying too hard" on the "re-imagining" front, an just ended up sounding like art-y fart-y clap trap. IMO o'course.

Craig Adams, to me, is synonymous with a Thunderbird. Don't know when he got it, but all of the early Sisters stuff I've seen with him, The MIssion and beyond, it's been T'bird. Underrated player. Tony Pettitt's playing with The Fields of the Nephilim was rather good too. I think that Raven mostly used a pick, search for KJ video's on YouTube.

Try it out at rehearsal, if it works & sounds good, what's stopping you gigging it? You can always use it as you gig backup anyway. Your band mates don't need to know how much it cost.

My old Thunder 1A was great on the batteries, I think I only ever changed them a couple of times in all the time I had it. I did unplug it when not in use, although, during breaks at rehearsals it was usually just left plugged in. All of the other active basses (including a couple of StingRay's) I've owned were only ever plugged in when they needed to be, and again, I was never that religious about checking or changing the battery. Still want another Thunder 1A, even though they were bloody heavy!

My biggest piece of advice to anyone starting playing is to look after your ears, they're the only ones your ever going to get. Ah, the benefit of hindsight.

But surely, if you send them to yourself, then you shouldn't be liable for tax, as they are your property. How are you getting the rest of your stuff back to the UK, like your instruments etc.? Wouldn't it be better to send a bunch of stuff together in a crate than using a postal/courier service?

I am on the Faker's FB group, you? I was actually looking at a 2 piece stop/tail Warwick-like bridge. I think that would look quite nice on a Faker/Ric-style bass.

There's a company called "Scratch It" ([url="http://www.originalscratchplates.com"]www.originalscratchplates.com[/url]), give them a shout & see what they can do.

For some unknown reason, I have been looking into potential bridge replacements for my Fakers. As my Faker has a 34" scale length, the bridge is a little further forward than a standard Ric, so a pattern Ric style bridge is out. There's the Hipshot Ric replacement bridge, but again, the saddles are further back to suit a Ric. There's the Badass style bridge, which IMO, doesn't look quite right on a Ric / Faker. Anyone tried a replacement bridge on their Faker?

Not having enough time to dedicate to learning the songs, lack of "spark" with the other band members, realising that I hate playing covers (the odd one's OK for a bit of "fun", but not a whole set). Was offered the gig, but after 2 rehearsals, I realised that being in a covers band was not the right thing for me.

I used DGCF for a long time. My trusty old Korg DT10 was excellent, though the Korg Pitchclip & TC Polytune Clip work very well too. Got an old Korg DA30 that handles it very well too.

It sounds like the disorganisation of the situation is getting to you more than "stage fright" by the sound of it. Talk to the guitarist & drummer's Mum (the "Mum-ager"?), try and get more info, especially regarding set length, ask her a bunch of questions to ask the promoters (though be careful or you'll end up "volunteering" your backline). Instead of rehearsing one week, maybe take the time to have a good talk with the guitarist & drummer about the band, and find out from them where & what they want to do. It sounds like you need to pre-arrange a set list a few weeks before a gig, and rehearse the set prior to the gig. Mention that this "play it by ear" attitude is making you uneasy, but also mention that you really enjoy being a part of the band and that you enjoy your musical interaction with them. Remember, like all relationships, good communication is key.

Just remember to give it all the usual checks, condition, neck etc. Have a look at the bridge too, good old tail lift.