Newfoundfreedom

I'd rather listen to roadworks.

Marilyn Manson's Holy Wood. A friend of mine used to play it and I thought it was utter dross. Now it's amongst my favourite albums of all time. It pretty much sums up my feelings nicely, on life and religion.

Blacky Lawless from W.A.S P Just because most of the jazz noodlers on here have probably never heard of him. Just as i'd never heard of Jacko until I joined this forum.

Good call sir! I salute you. 👮

....and why do you have to learn them in a woodshed?

I have no idea what this post is about.

I'm afraid I have to agree with most of what's been said above. I think Wilkinson pickups are massively underrated. They sound superb, especially given the price point. What don't you like about them? You would have to spend a lot of money to get what is (in my opinion at least) little difference. Presumably if it came fitted with Wilkinsons then it's a bass at the budget end of the market. I honestly wouldn't spend a fortune on upgrading the pickups when the Wilkinson will get the job done all day long.

I've never heard the song before, just gave it a listen on YouTube. I'm not sure what is considered the definitive version, but the one that came up was Billie Holiday. From a lyrical respect i'd have no problems playing it. The more meaningful the lyrics the better. To suggest that because you're white you can't appreciate or comment on the struggles of another culture is absolute Bull, and pretty much sums up everything that's wrong with society today. On that basis alone, I'd also play it. As a protest song being played as a protest about not being socially allowed to protest. The only reason I wouldn't play it is, it's actually dull as dishwasher and pretty much musical dross. I can't imagine a quicker way to kill a gigs vibe than playing this.

Thanks Si. Must pay more attention at the back. 😂

Thanks. I have now been vaccinated against Brexit so it makes no difference to me. Anyway........ Back to Thomann (hastily retreats and hopes the mods don't notice the "B" word)

I'm very thankful I got out of the UK when I did. Over 4 years ago now, but I was working, saving and planning for the move for 10 years prior to that, so it's been a long road. Luckily I got my residency card here long before the U.K had a mental breakdown. Sadly, as you say, it's unlikely that it will be so easy after the next 12 months is up.

I've never really used effects so I'm at a bit of a loss. I've had a Line 6 M13 knocking around for a few years which I want to use. On paper is the perfect device for me. I don't need or want any kind of amp / cab simulation, and I don't really use any distortion, which is a bit of a weak with these (and most multi effects) and I utterly loathe faffing around with "patches". It's far too complicated and time consuming. For those who don't know, the M13 is basically 12 standalone stomp boxes in one unit (plus tuner, looper etc) of which any 4 can be used at one time, in any combination. (Picture below, but I'm sure most of you know what I'm talking about) So what's the problem? Well basically it's just become an oversized, overpriced tuner and occasional reverb pedal. There's just too much choice and too many combinations, and I basically haven't got a clue what I'm doing when it comes to effects (by which I mean which effects to use for what. I'm fine with the operation of the actual pedal) So I'm looking for a bit of advice of what to use / which effects to combine to get different useable sounds. So for example at the minute, we have a song which i'd like to use a cello type of sound on, but I have absolutely no clue which effects use / combine to create such a sound. So what effects combinations do you guys use, and what kind of sound do you get from them? (the type of effects please rather than the name. I have no idea what a "Big Muff" sounds like) I'm just looking for a few ideas to get me started, then I'll play around and tweak things from there. Thanks muchly.

If I go to unread posts, all I'm getting is pages of mad Chinese? Posts.

Just move your head to the right a bit.

Not a problem for me, as I have a UK passport, and pre-existing EU citizenship. Best of both worlds. 😎 (Of course all UK citizens had the same rights before the lunatics were put in charge of the asylum)

I can see why you'd be annoyed. But in all honesty who wouldn't do the same thing? (assuming that the singer's email it's true) Surely, ability being comparable, anyone would go with a mate given the chance. I personally wouldn't even be interested in being in a band with strangers. Being in a band for me is all about hanging around with my mates making a noise. Although I appreciate it's a very different situation in a professional outfit.

Easily solved. Just leave the UK. Plenty more cheap Thomann goodies for me. 😁 Oh, and did I mention the cheap beer, low cost of living, borderless travel, and the right to live and work anywhere in Europe unhindered. I really miss the UK. 😋

"One of a kind. Rare oportunidade to add a unique piece of instrument to your collection" A rare OPORTUNIDADE indeed. If only I had loads of monooney and very little sensimelia.

Pretty much anything by The Cure. Can't stand their music generally, but a lot of the bass riffs are cracking. Love Cats for example. Utter dross! But I love the bass on it. https://youtu.be/mcUza_wWCfA

No mine was a much earlier and cheaper model. I think probably the aforementioned 506.

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I must admit I quite fancied one for a while, but I went with an actual 6 string bass in the end. I suspect, due to the string spacing, it would feel much more like a guitar than a bass, and playing with fingers would be difficult if not impossible. I'd still like to get my hands on one and try it fist hand though. The Squire VI looks nice too, and it's not overly expensive.

I can't comment on the science, but I just can't get over the looks. It's like one of those optical illusion puzzles. The fretboard always looks warped and bent to me, even though my conscious brain knows it's straight. So looking at them always (genuinely) makes me feel slightly nauseous.

It's not a scratch plate. It's a one piece bridge. That's the whole party piece of Trabens. They have oversized super high mass bridges. They sound superb, and sustain for days!