ezbass

Played my first big stage and ran across it - I was not wireless. Fortunately, I plugged back in in time to hit the signature riff. It was recorded and you can just hear the crackle as I reconnect.

Hmm 🤔. Ah that’s it, a fire engine driven by Margot Robbie.

I Should Be So Lucky - Kylie

Seconded. I mixed a FoH sound once, in a decent sized venue (not a pub/club). All I did was listen to the stage sound, then brought up the individual instruments so that it just enhanced/reinforced that original sound, no thumping/booming bass drum, etc. There were no complaints about the sound not being loud/visceral enough.

Razorblade Alley - Madness

Fade to Grey - Visage

Haydn - Albert Lee

Sleep That Burns - BeBop Deluxe

Whilst I visited The Bass Centre when it was in Wapping, I preferred it when it moved to the site, a stone’s throw from Liverpool St. I could legitimately pop in there pretty much any day of the week, without making a special trip out to Wapping.

Impressive work, Neep. As for the cable run, see above.

I remember seeing a video of Yes with Chris playing that bass, it sounded just like when he played a Ric.

Following on… The Dookie Brothers 💩

FTFY .

That’s super useful.

Good bass playing genes.

How does it sound?

5-4-3-2-1 - Manfred Mann

Back when I was playing 5 string basses, the 2 basses I gigged with were both Ibanez, one fretted and one fretless. Among the genres I played on them were: rock, pop, reggae, soul (you get the picture). I never had anyone question the tone of my basses, quite the opposite. Ibanez instruments are well made and, because of the reduced dimensions over Fender type basses, very comfortable to play.

Smart move, good outcome. 👍