TrevorR

Earliest would be these ones on me playing in a university rock opera in about 1988 - party scene where we roped in audience members. Still got and play that Aria SB700. Most recent would be this one of me with my new Sandberg at a jam night a couple of months back…

Well, I still love and play my first ever bass - an Aria SB700 - and have and play the basses I bought 33 and 24 years ago and my 20 year old Frankenjazz, I guess not. That said I bought a Sandberg this year, which I love. But that doesn’t mean I’ve abandoned the others.

That’s what I’ve got in my Frankenjazz. Flippin’ amazing preamp!

Had a surprisingly fun gig at Wembley Stadium last Friday watching K-pop sensations Blackpink. Not my preferred musical style (I was taking the teenager) but have to admit that it was a fantastic show. PS since it’s apparently obligatory to have preferences, my favourites are Lisa and Rosé

This is so sad, I’ve just been reading that Audere are shutting up shop citing rising costs and availability of vital components. I’ve got one of their preamps in my Frankenjazz and it is absolutely fantastic. There is more info here on their website: https://www.audereaudio.com The landing page now just reads as follows… Audere Audio is Closing Audere Audio has stopped taking new orders for preamps and accessories. We are struggling with too many electronic and mechanical part availibility and pricing issues which means we can not build the affordable quality preamp we have traditionally offered. Instead of offering a sub par product we are closing the business. If you have already placed an order then you can expect it will be completed and shipped as normal. In some cases we might not be able to build the order due to part availibabiity in which case we will be contacting you as soon as possible to discuss what alternative configurations are available. If a subsitution is not possible then your order will be cancelled and a refund issued through PayPal. The audereaudio.com website will be expanded to contain support information for current owners of Audere products with links for each product type we offered. Thanks for your trust in our products and support of our business over the years David

I’m a firm believer that with a Jazz type the last place you should default to is the traditional both pickups on full / centre detent… since I’ve never liked that scoopy sound and prefer some punch I’ve much preferred the neck pickup with some bridge blended in as required for some bite. Or somewhere around 75% neck for a more biting sound. The both on only ever gets used for some ballads… But that’s just me. A few weeks ago i was chatting to the house bassist at our jam night who was complaining she couldn’t get enough punch for some rockier stuff (she’s a jazzer at heart) and lo and behold, she pretty much always just had both pickups full up and never used the neck pickup much.

Just had a look and, yes, there are some lovely SLs listed there. I was particularly taken with the cherry sunburst VM4… yum yum yum… Not a fan of black ones but there were some nice ones there @Lozz196, hint hint… 😉🤣🤣🤣

Good ish… I was quoted 18-24 months for mine. Which is why I just went back to Wunjos and got the one they had hanging on the wall and which I’d played and loved!!! Not an SL, of course, though.

I’ll be honest… I’ve never played a Sandberg that I didn’t love the feel of. So I completely understand what you’re saying about the neck and it feeling so effortless there is nothing to distract you from your playing. Since I got my VM4 at the start of the year none of my other basses have had a look in!

Rats, he’s gigging oop north with DS:UK all weekend.

Might Dan Veall be free and willing? He’s one of the more sensible and authoritative bass ‘Toobers’…

Paul, a chum of mine runs https://www.elitestringworks.com I could see if he’d be interested in coming along to do set ups and other straightforward tech work at the event. We had a friend of Nicks do that some years ago and it went down well.

I’ll be off to Wemberley in August to see Blackpink on parental chaperone duties.Hmmm… can’t wait. Friday at the O2 Arena watching the Doobie Brothers was much preferable and a fabulous evening. Proper quality country rock, yacht rock and blue eyed soul. Treat to have Michael McDonald back in the fold too. Lad had a great time so there’s hope for him yet 🤞.

Prefer Saturday 8th but can do Sunday 9th.

Maybe avoid half term weekends? 25/26 October and 1/2 November. But that’s not really a deal breaker. Otherwise no preference.

I’m a bit surprised. There’s nothing about either bass that would make them over massively bassy. P-basses are pretty much the standard bass in terms of tone. You might find this review of the hybrid useful to compare to what you were hearing in the shop. Could it have been an amp setting thing or just not being used to hearing bass outside of a mix? Your recording doesn’t sound that different from a proper bass tone - and remember EQ settings will be important both on a bass amp or on a recording. I reckon that either bass would probably work really well and give you a great sound. I do like the Japanese basses - really good quality, especially for the price. I don’t know the other one. The difference that does it might just be which ever one feels right to you - personally I suspect the Hybrid’s neck might be a bit too chunky for me but others might love it.

Yup!

Wasn’t around on Basschat in 2011 so here goes… First Bass Owned: Aria SB700 (still have it) 'Go To' Bass: Currently my new Sandberg VM4 'Your' Bass: My 1985 Mk1 Wal Custom (my main bass since ~1992ish)

Oh no no no… bass first, of course!

I’m in. Sure that we could get Barry along to tell anecdotes about his time at Wapping and Farringdon. He has lots of stories! With Lol and Guy he timed out at the last bash! #1 - Paul @NancyJohnson #2 - Paul #2 @prowla #3 - Martin @Merton #4 - Matt @Wombat #5 - Andy @Wolverinebass #6 - Stevie @stevie #7 - Lozz @Lozz196 #8 - Matt @neepheid #9 - @bassace97 #10 - Robert @bass_dinger #11 - Christopher @chyc #12 - jaco @Geek99 ** #13 - Alan @WalMan #14 - Trevor @TrevorR I also have a couple of non-Basschat “vouch-forable“ bass chums who might also want to come if they are free on whatever date.

Count me in too!

Jeff's health must come first but I really am absolutely gutted that tomorrow's concert has been cancelled. ELO have basically been my favourite band since Telephone Line came out. This was my last and only chance to see the man performing live. A mixture of personal circumstances, long term family illnesses and other things have always precluded us seeing ELO every other time they have toured since the comeback a decade ago. Doubly upsetting that it also means missing two more of my all time favourite artists, The Doobie Brothers and Steve Winwood - neither of whom I have ever seen before (for much the same reasons as ELO). At least I’ve managed to snag three decent enough tickets for the Doobies at their O2 gig next Saturday. Takes the sting off a bit… but only a bit. Get well soon Jeff and enjoy a well earned retirement. 😥

Oooooh, lovely!

Aaaah, so that’s what that is… cool. Beyond the limits of my feeble, aged musical brain, though. Though, TBH, I didn’t really see what that synth bass added to the arrangement that you couldn’t have achieved just as well by switching to a clean bass tone and playing sustained notes. Never seen the attraction of doubling on synth bass. In my old church, when we did EDM type worship songs a bass and some well chosen OD, filter and modulation pedals worked perfectly well for me. I guess that a Sub-Phatty has never been lurking in my future…

Yes, I watched some of her vids where you can hear her talkback feed. A lot of US churches I see bass cams from seem to simply programme the songs into Ableton (or similar) and just follow the robot voice and click track. It’s clear from those vids that she’s actively MDing a live band, calling repeats and transitions, calling dynamics, controlling some sort of tech with those buttons to her left… all very impressive. And so it’s music with the ability to flow as needed rather than just follow the pre-programmed, rigid karaoke track. Watched one where the voice was more audible than on the Revelation Song video above and she was giving instructions along similar lines of, “…repeat that section… …again… …OK, take it to the one chord and hold… …build… …c’mon, build… …chorus, two, three, four…” I love the organic nature of that band leading and the flexibility it gives to work a tight arrangement but allow some spontaneity. And yes, only 24 years old 😮