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MrDaveTheBass

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Everything posted by MrDaveTheBass

  1. I think that we're all missing the point discussing Gene's views on pick vs fingers. After all, Gene isn't a professional bass player - he's an (extremely successful) merchandise salesman. I'm not sure how many takers he's going to get for the 'Home Experience Package', where he personally delivers a load of old demos and out-takes to you for $50,000. Personally, I'd be be more likely to pay $50 grand just to get him to flip off out of my house!
  2. Hi Clive! If there's a problem when playng the open string, is the nut-slot for the E-string too deep?
  3. Is it better to jam on a Cream song, or cream on a Jam song?
  4. I like the idea of the 'Drag' control. - I'd love to be able to adjust the flamboyance of my stage costume mid song.
  5. "Froggy went a courtin', he did ride mmm hmm"
  6. Nice! Did you pimp your toaster too?
  7. Ed Friedland has written an interesting article on Mustang Sally - a line that he assumes that everyone always plays wrong: https://www.bassplayer.com/lessons/rb-gold-mistake-sally (I appreciate that Mustang Sally could be considered as just plain wrong, however you play it)
  8. Your suspicions are correct! - my fretless Sterling sounds great, especially with EB Cobalt flatwounds.
  9. Always try and be as efficient as possible, so that your fingers do the minimum amount of work for the maximum effect. Try to relax - the more tense that your hand is, the slower you'll go, and the more likely you'll hurt yourself. I used to find that my speed was limited because I 'dug in' too much. Turn up the volume, play lightly and let the amp do the work. I can also play more quickly with a pick, especially when using alternate up/down picking. Try a variety of different gauge picks. I've settled on a medium gauge, but you might find a heavy or lighter pick works best for you. For fingerstyle, try using different numbers of fingers. I've found that using three fingers on my picking hand can be more efficient, especially when playing triplets. Surprisingly, I've also found that using one finger can sometimes be quicker than two, especially if you use an alternate up/down picking action with the very end of your finger. Finally, don't be afraid to vary the amount of fingers you use during the song - one phrase might be easier with three fingers, another with two, and another section with one.
  10. If you ask on this thread, they should be able to give you the bass' exact date of birth: http://forums.ernieball.com/ernie-ball-music-man-basses/1254-music-serial-database.html?s=3a7b8153deb4b477d484c2f285edd81c
  11. I like the Focus 4 x 10: loud and punchy, not too boomy, and fairly lightweight for a 4 x 10. I've find it quite neutral sounding, which makes it versatile - I use it for loud rock gigs as well as quieter fretless acoustic ones. Especially for the price, they're hard to beat.
  12. You might find this site useful: http://www.ovnilab.com/
  13. Bass Culture's one of my favourite albums - it really does exactly what it says on the tin! My originals band have got one ska-influenced number, and I'm trying to get us to lean a bit more in that direction. Ever since my 20s, my ambition's been to play bass in a full-on roots reggae band - unfortunately though, they seem to be very few and far between.
  14. Nothing to be ashamed of - Judith Chalmers gave it a very favourable review!
  15. The catering is usually a big plus! I played two private gigs in December - one we got fed at, the other we didn't. At one gig we had a really lively and receptive audience, while the other one was a bit 'meh'. As you say Blue, private gigs can be hit or miss. The only common downside for both gigs was having to set up early and then hang around for ages before playing.
  16. Ha! I've met many guitarists like this. The best guitarist that I've ever met didn't even rate himself as a guitarist - he always thought of himself as a timbales player!
  17. I feel inclined to blow my mind, get hung up, feed the ducks with a bun.
  18. I've never seen the point in buying signature underpants. I've always bought stock underpants, modified them to fit my needs and then really put the hours in wearing them in - in the bedroom, the rehearsal room and on stage - until the unique stains and wear marks mean that they're MY pants, NOT Adam Clayton's.
  19. I mentioned Charles Manson in a previous post. I'd no idea that he co-wrote a Beach Boys song!!! http://www.bbc.co.uk/news/entertainment-arts-42051100
  20. I always like to entertain diners by using the right bass frequencies to make their cutlery levitate off the table, and create the most impressive standing waves in their soup.
  21. I also use an SVT through an 8 x 10 at my rehearsal space. Have a look at how the amp is hooked up to the cab. Depending on which input's used at the back of the cab, you can use the top four speakers, the bottom four speakers, or all eight. If you're only using the top four, the amp will sound a bit thin (like raising a 4 x10 off the floor). As the live speakers are nearer to your ears, you'll hear more clank. Instead, use the bottom four speakers, which will boost the lower frequencies and mask the clank. (Or use all eight! :-) http://www.ampeg.com/pdf/svt810eav.pdf
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