Cato

I was a bit disappointed in the lack of brightness, I should really be a bit less susceptible to brand names by now. They weren't terrible but I was a lot happier when I restrung with hi beams.

I don't know about the records, but the videos usually had Tom Petty on bass. Not that it makes any difference to your observation.

On a passive jazz everything on full usually gives me the perfect sound. Actives generally require a lot more fiddling about.

Made the classic mistake of not zooming in on the bass player enough but other than that very impressive.

Is it one of those things that's actually really mundane once you understand the context & jargon?

They do limited production runs of p basses with jazz necks every now and then. Hasn't the Nate Mendel signature got a Jazz neck?

Has to be the Jazz bass. Despite decades worth of classic p bass material & thousands of fantastic recordings to the contrary, there's something in my brain which insists two pickups hs to be better than one. Also Jazz basses are prettier and have nicer necks.

Just got myself tickets for Kamasi Washington at the Birmingham Institute on 29th June. I've been to a few jazz clubs over the years but this will be my first 'big name' jazz gig. Really quite excited. No details on the band yet but if he brings Thundercat & Patrice Quinn that'll be a massive bonus, if not then it's still all good.

They're not dull but 'Average Bright' would be a more accurate name. YMMV etc.

I was initially disapointed with the Super Brights, as I just didn't think that they were as bright or zingy as the name would suggest. After I got over that I found myself quite liking them. They also seem very smooth for a round wound, or at least the DR Hi Beams felt very rough after I switched back to them.

[quote name='bubinga5' timestamp='1463701408' post='3053555'] [url="https://www.amazon.co.uk/gp/css/order-history?ie=UTF8&ref_=nav__gno_yam_yrdrs&"]https://www.amazon.c..._gno_yam_yrdrs[/url] this is my Amazon order this evening. [/quote] When I click on that link I only see my own recent Amazon orders. For half a second I thought you'd been ordering exactly the same books as me... I'm 90% certain that Marcus has switched his endorsement to Dunlop Super Brights, his name was on the pack I bought in December last year. With DRs it does seem to pay to shop around, you see pretty significant price differences even between different sellers on the Amazon market place, you may just have got a very good deal.

Yep its the real Henley, not Boris Johnson's old stomping ground.

Jubilee gardens doesn't ring a bell, unless its the garden at the back of one of the churches, but I shall definitely keep an eye out for anyone playing on that date.

[quote name='grandad' timestamp='1463588465' post='3052635'] Next month my jazz band is performing in Henley in Arden at a garden party in celebration of the HM the queen's birthday. I do hope everyone will be on their very best behaviour and attend suitably attired. [/quote] Is it a private party or at a venue? Henley is very local to me indeed.

Unless you're very rich indeed then something like this only has use as an investment or a museum piece. Anything more than the most delicate and very occasional bedroom noodling is going to significantly devalue it. I imagine potential investors would be looking to buy it, stick it somewhere safe for a few years then sell it on for a few thousand pounds profit. Possibly at the moment it's priced too highly for that to be viable, or maybe the right person just hasn't come along yet.

I'm very happy with now. When I look back on my childhood in the 80's it's like some hazy black and white pre internet nightmare. I almost feel privileged to have been born at a time that allowed me to witness the human race move into a new technological era, its like crossing over from the stone age to the steam age, all in a couple of decades. Everythings better now, plus all that classic music from previous eras? It's never been so easy to find and listen to.

My guess is that people have probably been using similar techiques for as long as there have been stringed instruments. As to who was first out of Larry & Louis, I can believe that they both developed it separately, they both have very different styles, I'd say Larry is more melodic whilst Louis really took the rhythmic ghost notes thing to the next level.

I couldn't cope with it, some part of my brain kept screaming at me that it was all out of tune.

When it comes to film composers( who to me are very much the modern Mozarts and Beethovens) there's Morricone & John Williams and nobody else come close to matching their body of work.

Fender have discontinued the Marcus Jazz. It seems to have a bit of a mixed reputation, I loved the one I tried but I've heard a few people who seem not so keen. Apparently the 4 string was made in Japan whilst the 5 string was USA built, the 5 seems to have more fans. I'm hoping to try one of the new Elites myself. It's predecessor, the Deluxe, seems to have had a few problems, particularly that the N3 noiseless pickups weren't that noiseless. It'll be interesting to see if the next generation N4s have solved that problem.

Purely in terms of musicianship I thought 2nd Coming was their best album, I reckon Mani & John Squire listened to a lot of Led Zep before recording that one. The first album is an absolute classic though, I'd never heard anything like it. Waterfall is still one of my all time favourite tunes.

I really wanted to like it. But I couldn't.

There's no law that says that the equipment you own should reflect your personal opinion of your standard of playing. If that were so there'd be an awful lot of us playing Encores through Tandy combos. Especially as I reckon most of us on here would describe ourselves at best as 'Intermediate' even the guys the rest of know from the song and noodle challenges are actually sh!t hot. Don't be too down on yourself, its very hard to be objective about your own standard of playing. I'd wager most people would rate your playing higher than you do yourself.

I use the washers these days. You don't have to be jumping about like a loon for an unsecured strap to come off. It happened to me years ago at a band practice after I shrugged my shoulders in response to a question from the guitarist. Fortunately I had my left hand on the the neck and although the bass swung towards the ground like a massive pendulum, my grip held and there was no impact with the thinly carpeted concrete floor of the rehearsal room.

I've been listening to this whole album whilst sat in the sunshine. http://www.youtube.com/watch?v=NtQRBzSN9Vw Seems like a perfect combination.