MacDaddy

did you get all your money back, or your money less paypal fees?

[quote name='Clarky' post='1007313' date='Oct 31 2010, 01:32 PM']First gig with new band Rattlin Bone last night at The Miller near London Bridge. Fantastic evening (lots of burlesque, circus showpeople, Halloween dressing up etc) and my first gig on DB. Here's a pic or two. You can't even see the horn section who are left of stage. There were 15 of us in total! [attachment=62680:rattlin_bone_187.JPG][attachment=62681:rattlin_bone_189.JPG][/quote] glad the hand healed in time! I'm guessing it was still a bit sore after?

Blues Brothers. /thread.

[quote name='chris_b' post='1005151' date='Oct 29 2010, 01:33 PM']+1 Is it still a good price? Do you still want it? Start bargaining. If he's that skint he'll probably haggle.[/quote] +1

Interesting how McCartney opted for the Hofner because it was a cheaper imitation of the Gibson which was a lot more expensive. Gibson stopped making their violin-bass and the rest is history. Does the a-list almost-billionaire superstar and popular culture icon give a rats ass about disparaging comments on a bass forum? As he employs teams of people to cultivate and maintain a specific media image, it's possible he might. But I doubt it. Disappointing how any thread on Macca always seems to degenerate in to the same old argument though.

I've never lost out at an audition because I can read, but I have lost out because I can't do backing vocals - sing and play at the same time.

is that the guy who sold out Brixton Academy while unsigned?

in the last 5 piece i was in the bass wasn't really noticeable until it wasn't there. Then it became obvious something vital was missing.

[quote name='Doctor J' post='1002125' date='Oct 27 2010, 10:23 AM']I agree. Dressing like a giant wasp is a great idea.[/quote]

[quote name='J.R.Bass' post='998696' date='Oct 24 2010, 11:07 AM']+1 [/quote] This

[quote name='Tait' post='996975' date='Oct 22 2010, 12:58 PM']Looks like Simon1964 and myself should be coming to this![/quote] good, would like to see the Taitycaster in the flesh.

[quote name='obbm' post='996846' date='Oct 22 2010, 11:13 AM']They are both fine causes. Could I propose we donate 50% to each.[/quote] +1

[quote name='Bilbo' post='996822' date='Oct 22 2010, 10:47 AM']Or shall I start a Bert Weedon 'Play In A Day' tribute band?[/quote] i think that would be worth seeing [quote name='cetera' post='996818' date='Oct 22 2010, 10:44 AM']Lol! But you loved us though didn't you? [/quote] entertainment and a great show - and not just for Kiss fans

[quote name='Pete Academy' post='996796' date='Oct 22 2010, 10:31 AM']I don't know about tribute bands, but I reckon most players will end up playing covers at some point in their musical lives.[/quote] Tuition books are full of 'covers' isn't that how we start to learn? Unless you are Paul Simonon of course

Are there debates about integrity for orchestral players, who play the material as accurately as possible? Maybe period-instrument orchestras are looked down on as being the 'tributes' of the orchestral world? Re. tribute bands, as a punter I want to be entertained and have a good night. Some tribute bands do, some don't. I once saw a Coldplay tribute (not my choice) and the best reaction they got was during the encore when they played 'I believe in a thing called love' AFAIA the tribute band started in Australia, when due to the original acts not touring there, people made their own entertainment.

[quote name='cetera' post='995040' date='Oct 20 2010, 04:37 PM']Paul, don't forget to bring that black Scavenger with you [/quote] is it possible ([i]please, please, please[/i]) you can bring one of your Axe basses? Just so I can pose with it?

I have seen children with communication/learning difficulties and/or physical disabilities who may never be proficient at playing an instrument, but the unbridled joy they get from creating sound and being able to express themselves greatly enhances their well-being and development.

[quote name='neilb' post='993819' date='Oct 19 2010, 05:39 PM']Hope he manages to keep his trademark sound![/quote] to a certain extent it doesn't matter what he plays through, he will always sound like Bruce Foxton. Saw him with SLF in 94 - played and sounded awesome.

[quote name='fender73' post='989772' date='Oct 15 2010, 10:50 PM']with regards to the richest.....It isn't me, that's for sure[/quote] it could be me. In a few days a woman from Nigeria who I gave my bank details to will be transferring me £100million

I'm coming to play! will bring my custom Shuker and possibly my Hamer Blitz or Iceni Zoot. Can I ask for/suggest a set up master class? The idea being someone stands at the front and goes through a set up, and we all work on our own basses following the hints and tips. If as many people as possible try to bring their own tools, then lending to the odd person shouldn't be a problem. Will there be the space to do this (an empty classroom?) and is there anyone who wants to lead the class?

i've played for a few college productions, never in a pit though always somewhere in the rafters. Good fun, but [i]lots [/i]of waiting around during rehearsals.

a couple of decades ago I turned down a place at Leeds College of Music, purely because their qualification was a graduate diploma and I wanted a 'proper' degree. Things have probably changed. The guys I knew from from LCM back in the day knew their stuff and could play.

my custom Shuker. It has all the features I wanted from other basses all on the one bass, and it has pink LED's that flash

All of them. I only sold because I had to, if I could have kept them and had the space I would.

i had a porta bass rig about 5 years ago. Loved it, totally gave the Ampeg sound. Only problem for me was that for rehearsals I had to put the head through a 4 x 10 to compete with loud metal guitars.