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three

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Everything posted by three

  1. Ahh…I’d forgotten that one! I should have been more specific. A smaller-bodied short-scale with an extended horn. I love the Darling shape - it’s getting closer but one doesn’t see many in Series configurations. I’m working with a design engineer on solutions for my sbss basses. Incidentally, that Rogue looks lovely!
  2. Wayne Jones also offers bass-specific powered cabs in 1x10 and 2x10 versions. The 1x10 has two 500 watt power amps, one to power the internal drivers and one to power an external cab (either mono or stereo). Superb build quality and very pokey. Very flat too. The boast that these can be used as monitors is not an idle one either (WJ appears to have been focusing more on high-end studio monitoring recently). Around £1k each imported so not nuts for the quality and functionality
  3. Alembic - body shape with horn and strap pin that extend to around the 12th fret
  4. I answered my own question - these extended stem HB1s are available directly from Hipshot in the US at around $44 each. A very prompt and polite response from the company
  5. You have some dream amps there! I’m not sure this is much help but my first (of three!) DB750s was a US import. Aguilar were happy to provide a new power module/switch for a very modest fee - a quick install and easy solution. This was a very long time ago and Agi were extremely responsive back then. I’d try agi customer service as Bassmanpaul suggests. There may be a direct number too somewhere - I remember getting direct communications from Dave and Alex back in the day (not sure that will happen in the Korg era). Good luck - a massively impressive power amp
  6. I absolutely love the look of the HB1s but love lollipops too, especially with dots and bound. I’ve always thought the stems on (US) Lakland’s HB1s might be a little longer and more elegant than standard HB1 (see below). Does anybody know if this is the case? I’ve owned a couple of US Laklands and really liked everything about them other than the rather square-edged body shaping. BassAgent, please drop me a note if you make a change and are thinking of selling the Lakland HB1s
  7. Outstandingly beautiful! Fabulous weight too - I'm really impressed with the spec
  8. Absolutely lovely and the Alembic inspiration is certainly evident. Excellent carving - the tummy contour is particularly pleasing. Do you have a weight and nut width for this? I’ve lifted some fairly substantial Peaveys in the past, though some even more substantial Alembics? I’d be surprised if this didn’t offer more comfortable balance than many of the latter
  9. Thanks, but not really - I’m trying to make space and sell-off gear that I’m not using. I’m also trying to curb a bad habit of buying things I don’t need
  10. I noticed this - only around 2lbs lighter. Seems a little curious
  11. If these are part of the same tonal family, I’d expect smooth, warm bloom. I find the SL112 lovely for fretless
  12. It looks like the Gillett site is no longer maintained. If it helps, there's a useful review here: https://www.youtube.com/watch?v=W2salHCvRN0 and demonstration here:
  13. I've been having a good look at the Gator Icon series - possibly a useful solution for wider-bodied short-scales. The ads indicate a semi-rigid construction and the video shows a fairly substantial car running over the bag. I'm not suggesting that the bag should stand-up to such abuse, though I'd be interested to know (if any owners can comment) whether the Icon cases have a rigid plastic layer in the edges and front/back face under the ballistic nylon outer? The video appears to show (car side view) fairly serious distortion of the case, and if I'm not mistaken, the overhead view of the car has the case face upwards, and the side-view, case face down. Again, I'm not suggesting that the case should stand-up to being left in the road, but good to know just how rigid it is (I've always liked Protec's approach here though Protec cases are a bit narrow).
  14. I had the great pleasure of owning the slimline fretless version of this bass (without the piezo). The quality of craftwork here is sublime - we're definitely in Fodera or Alembic territory in terms of attention to detail and quality of materials. The innovation and smart thinking that has been applied in the design of the instruments is phenomenal and all the plaudits are entirely justified. A bit of a wood-engineering marvel. I can't speak for the fretted instruments but haven't heard any other electro-acoustic fretless that comes as close to an upright. The preamp in the Gillett is also a thing of beauty - again, really well thought- through and beautifully effective. A super-rare, utterly unique and distinctive premium bass from a premium seller.
  15. Thanks, these look really impressive. There's quite a selection in the Icon range too, including a bag for 335 type guitars, so something for wider bodied short-scale basses (always problematic in my experience). The Icon bass-specific case appears to come in at around £150 too - pretty competitive for a premium bag
  16. I've used both TinyTone and Jack's Instrument Services extensively, and both with excellent results (the two companies are closely connected and co-located). Living in Manchester, it's just a short hop over to the workshop, though as far as I know, access is by appointment only now - it used to be a walk-in operation. Strongly recommended, great materials, choice and product from TinyTone, and Jack's work is exemplary. These aren't the cheapest operators in the market, but if you want quality, this is usually a little more expensive.
  17. Thanks Scrumpymike - this is exactly what had inspired me. I remember seeing this a few years ago and thinking what a brilliant idea. I will of course credit you if I can ever get my nascent solution to work, though of course, I'm not considering this as any form of commercial venture! I'm trying to avoid drilling any holes in the bass and working out how I can use the existing Schaller straplock system as a contributory support. I really need to get in touch with some of the design engineers with whom I used to work - the thought of being able to play the SC on a strap (without the ergonomics issues) is very appealing.
  18. Oops, apologies - I see there's a Bantam in there!
  19. Haha, yes - unless one has the height and physiology of SC, the sbss Alembics are a challenge. The first time I played one (a SII), I was staggered at just how far the nut is pushed out to the left (on a RH bass, of course). That said, in terms of playability and tone, they’re stunning. My - as yet unrealised - solution to balance and ergonomics involves a rather radical departure. If anzoid can include a shorty Alembic in his images, the weirdness should be fairly clear. For all my moaning, the sbss Alembic is probably my favourite in terms of aesthetics and tone.
  20. As above, Wilcock and the Spector Shorty and Bantam would be much appreciated. Alembic also build a Darling shortscale but they’re very rare. Again, thanks Anzoid, a brilliant piece of work
  21. Lovely interaction with Darren as he purchased some strings from me. Rapid payment and utter clarity and reliability throughout. An upstanding pillar of our community. Thanks Darren!
  22. Probably a good idea and I've thought of this too - I suspect that it improves both balance and reach. I've often thought of a radically different approach too but need a very good design engineer to help with this. I used to have access to loads of the latter and need to renew my acquaintances. Apologies if this is a bit of a derail and kudos to the original poster - what an excellent idea and some brilliant work!
  23. Ahh, the short scale that feels like a 35”. Utterly beautiful but utterly horrible on a strap (IMO)
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