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three

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Everything posted by three

  1. For sale, a full flight case, fitted for a Gibson Ripper or Grabber in good condition. I've sold pretty much all my long-scale basses so I'm advertising quite a few bags and cases. The case was a custom build by Bird Brothers in the North of England in the early '80s - at the time, the company was one of the UK's leading suppliers of high-quality, bespoke flight cases. The foam was replaced more recently by BSH cases in Manchester - an excellent job in very high density foam. The case has some marks from use, but is structurally entirely sound and the interior is pretty much perfect. Collection in East Manchester. I can ship at the buyer's risk and cost (about £20), though I'd need to find a box which would take a day or two. It's also worth noting that the case is fairly heavy (it's a full, touring-spec aluminium clad flight case!) - I'd estimate around 11-12kg. No trades or offers thanks and any questions, please just ask.
  2. For sale, a Mono Vertigo bass bag in excellent, almost new condition. The bag has been used only to store a bass. I've sold pretty much all my long-scale basses so no longer have need for the Vertigo (I'm advertising quite a few bags and cases). Collection in East Manchester, though it may be possible to ship (without a box - I don't have one) - at the buyer's risk and cost. These are very impressive bags and seem to retail between around £220 to £250 in the UK. No trades or offers thanks and any questions, please just ask.
  3. Personally, I'd go for TI Jazz Flats (JF324) - gauges are: 43, 56, 70 and 106. Many find the string to have low tension/high compliance - this is something that I find attractive, though others may not.
  4. Longshots in a pub carpark in East Manchester this afternoon. Bass player with a Capri Orange P and a fridge. Respect!
  5. Very serious professional kit - reassurance rather than overkill in my view. Lovely bit of no nonsense industrial design
  6. Best Jazz necks I've played - and that's a lot. Wonderful basses, I just wish the body curves/contours were a little more dramatic and organic. I really like the colour and MHS on this - really quite rare
  7. What an extremely kind gesture! There are some lovely people on BC
  8. Clear CT references but a unique take. Lovely choice of timbers and woodworking. Is the lacquer sprayed or brushed - it looks quite deep (though it could just be the Spanish sunshine reflecting in the finish!)?
  9. That looks like a superb fretless conversion! Do you know who undertook the work?
  10. Thanks Dean, I'll reply in a personal message again
  11. Thanks Dean, I've sent a Personal Message
  12. This looks like a real bargain - difficult times but I’d be surprised if this hangs around. Quality, versatile workhorse amps
  13. Really sorry to hear this but good that you’ve had positive responses from BF and GSS. I hope you’re soon up and running again. An important lesson. I’ve rarely damaged my own gear, though have had it damaged via the carelessness/stupidity/anger of others. I’m very careful re: who gets near what now. I’ve been using a Baby Sumo with a few higher-end pres for a couple of years now. Very impressed. Not like using the power stage of an Agi DB750 (a personal favourite), but solid and responsive
  14. Clear references but uniquely yours. This should balance much better than a standard EB3 (I'd hope). Quite an understated look but some lovely timbers. Very impressive - something genuinely different! 'Really sorry to hear about the arthritis - horrible and I hope you're able to find a solution
  15. Price reduced to £90 collected. Purchased from GAK or PMT (or suchlike) around 18 months ago. Used twice for about an hour and then popped in a cupboard. Something else I thought I needed but didn’t. The presets and effects are surprisingly good, as is the volume. Pretty much entirely as new. The only flaw I can find is a crease or mark in tolex on the top left hand side at the back. The amp was like this when I received it – I think the tolex has just been poorly applied in that spot. Collection in Manchester at present, though I may be able to ship if I can find a box. These seem to go for £199 pretty much everywhere, so I hope the price is fair.
  16. Hahaha, I couldn’t resist another one. That red one is absolutely stunning – almost like new from what I remember. It’s also a very good weight. My current one is reasonable but some are really chunky. Fantastic basses
  17. There aren’t too many of these around so I’d suspect most haven’t had a chance to try one. I’ve had four (and still have one) and for me, they’re amongst the finest Precisions around. Build quality is usually excellent, with real attention to detail – this was the Dan Smith era. Body contouring is often superb – a return to the dramatic curves found on some earlier Ps. The only downside for me is that they tend to be heavy. This looks like a real bargain despite the compromised circuit.
  18. There really were some heavy beasts in this period, I had a ‘76 jazz that I struggled to lift. That said, it sounded amazing. This looks like a fabulous example and an absolute rock bottom price IMO. Good luck – at this price, the bass really shouldn’t hang around!
  19. 16.5kg - excellent! A partially redundant part of my anatomy breathed a sigh of relief. PM incoming
  20. Absolutely beautifully bonkers! If this was closer to the North West, I'd buy it now. No idea why, but I would.
  21. Gorgeous, but as above – really sorry that you need to sell such a classically beautiful instrument
  22. A bit of trivia and possible provenance, if I'm right. I think I know this bass pretty well. The George Radcliffe named in the MECAA card was a serious trombone player but doubled on bass. He was the bass player for a band called Five Penny Piece - a sort of Lancashire folk and comedy act with some big gigs and several albums (national TV etc.). George was also the landlord of the Star pub in Ashton-under-Lyne - the best pint of Boddington's bitter available anywhere in my opinion. The quality of the beer was largely down to George's son, the cellarman and another 'bone player, who I think inherited this bass, along with George's Jazz. As far as I know, the son was recently made redundant so not unreasonable that this bass should appear now. With a mate, I took both of the basses to be set-up by Ted Lee (luthier to the stars and painted Manzanera's Firebird red I believe) in the very early '80s when George was still very active. I shall make further enquiries with the son. Anyway, that passed a few minutes.
  23. Does this come with its original knobs?
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