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matejj53

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About matejj53

  • Birthday August 17

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  1. This post cannot be displayed because it is in a forum which requires at least 1 post to view.
  2. I have traded with him my amplifier. He is good to deal with him and very nice guy I d recommend him.
  3. try to brake practice into 50 minutes blocks and rest between at least 10 minutes. I had same problem and teacher told me you can't demand the information to get into your head, it is like relationship you can't go to anyone and start shouting :Hey You ,GGIVE ME THIS Quickly NOW! but treat practice and learning as a friend, aproach a friend hello how are you? Would you mind if I borrow this thing? (im writing as he said it and he s massive musician really succesfull all other teachers are saying that he is genius) he said it be possitive and patient and you wil learn anctually what seems to be slow much quicker. and it is music so it should be enjoiment
  4. Actually I am studying a "jazz bass" and real walking lines use a mix of things rather just a arpeggios, chromatic aproach and scale notes (listen to all the things you are and you will see that sometimes bass plays b3 on actually dom 7 hord just because he is actually thinking ahead going chromtially up towards Eb if you transcribe you have to analise and when I do sometimes Im amazed on why the hell does bass play this notes it does atually not mae sence in time but later I can see that he is thinking on bar next where to release that tension I know you said you cant transcribe but you can just have look once and for 5 minutes and you will hear what I mean) My teacher said at conservatoire said to use rather them if you want to sound more real as using just arpeggios do sound diatonic and you can make a band sound fuller like that. I also have book by Rufus reid and there are some examples of blues and chord progressions and tht really helps. Rufus reid Evolving Upward Bass Book II. Like this you can create real walking bass lines think ehead if you have /A-7/D7/ you can play: /A in a first beat and from this moment(which is going to be second beat of 1st bar) you are not thinking of A minor any more but Eb and how would it be ok to sound good) so this notes: /A-B-Csharp-Dsharp/Eb (and from second beat of this bar you are allready thinking on how to get to first bar of bar 3)etc and this is how this guys that walk really think and longer you think like this easier it is. Some of this people can think whole lots of bars in advance like this you really sound like you know what you are doing. Anothe way is to use chromatic aproach try to have chromatic note on beat 4 before the beat one which would be Ab/A-B-C-Db/D even on b7 It is good to start on just arpeggios just to make sure you know what to play. I learn songs with just arpeggios at the bggining and later with the technique above and like this you create your own lines .
  5. would yu trade for aguilar th500 with aguilar gs 112?
  6. Hi Im avaiable for bass guitar lessons in Birmingham I teach funk, jazz, Reggae, Soul, Latin music. preparation for grades: trinity and rockschool and audition can provide backing tracks for lessons Theory, ear training, reading technique: right hand techniques such as slap, pick playing, finger, palm muting
  7. Jaco Pastorius (Hal Leonard) with CD£8 posted 100 guitar heroes £8 posted Evolving Upword Bass Book II (Rufus Reid)
  8. https://soundcloud.com/matej-jaraba
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