Musicman20

I've been wearing glasses since I was 11/12, I'm now 32. I wear them all the time. Even if I get my eyes lasered, I'll wear glasses without corrective lenses. They are just part of who I am!

...another option would be the Gallien Neo 212 or the 412.

If you are playing larger venues, and you are used to two 4x10s, I would hesitate to recommend a 2x12. A good high end 2x12 can cover a 4x10 and more, but not much more. It depends which 2x12 we are talking about. If I were in your position, and I wanted better portability, but enough speakers to push the sound, I'd opt for two 8 ohm Aguilar DB212s. I've had two, returned to just one. They are, IMO, stunning. If you want really light weight, what about a Bergantino CN212? High end, and expensive, but they are very highly regarded even though they are only just getting out the orders for them. What about a 6x10?

[quote name='JTUK' timestamp='1366554374' post='2053897'] No..my strap is short and the bass always hangs in the same position...which is the whole point of the strap, IMO. [/quote] Agreed. I think the 'classical' position looks uncomfortable, never mind actually sitting like it.

I can say tang pearl and sky blue are stunning in the flesh!!!

Must admit, this is quite cool. That bass tone GRINDS....love it. Very aggressive...and properly audible, unlike most modern metal.

Great amp! Pre Gibson? I found the tube did very little, just a little warmth. No overdrive. I barely used the comp but I would if I still had my GP12SMX400.

Best bass bag in the business. Worth every penny. Great if you transport your own gear around and can place it securely in a vehicle.

I've just received an order from DV247 and I'm very impressed with how they work. I did have some quotes on Fender gear previously. Maybe they are overhauling, maybe they aren't selling Fender, or another reason...who knows.

In that case, 800. I still think the 800 is a bargain price!

My money would be on the MB800. However, it is very powerful. The MB500 can be bought new for about £400.00 which is a total bargain.

Hi. Have you tried another bass/other cabs/take pedals out of the chain/other cables/other speaker cables? If not, try those first. If that fails, then contact Orange on their UK customer service email. They are very good with warranty issues. it might just be a tube...

Anyone who is using flats, a cab without a horn, or the horn off, or a cab with a hole in the mids, or those who roll off treble on their bass, will clearly notice the high level of bass on this amp, with the bass control at 12. Without a doubt. When I compare it to my Shuttlemax 9.2, there is clearly a huge difference, and the Max is more 'defined' and modern, with less warmth. But, and this is the big but for me, the whole idea of the Streamliner is to get close to the older vintage tones, where the tubes provided warmth and tube 'sag' so to speak. Many of the Fender/GK amps have exactly the same type of tone, (eg, with a dip in the mids). Recent reviews of the latest GK amps show a pretty huge mid scoop, which like the Streamliner, is easily rectified by moving the EQ a little. Then, there is still room to play. Maybe its because I tend to use Musicman basses, and they just respond well to the ying/yang of Streamliner's tone, and the fact I use faily mid forward cabs. For me, it sounds fabulous.

Actually, I've never seen one! I think Orange should make a nice 2x12 (not the current version with speaker behind speaker) or a 1x12. Both should be spec'd with coaxial horns like the TC RS cabs.

Looks similar to one of the Squier bridges...(not that it's a bad thing!)

Basically, I can't hear what the tone is because of the breakup/distortion. Cool, but I'd like to play one before even thinking about owning one. Not sure I'd use it much.

Nig has hit the nail on the head. There will always be fluffs, string noises, etc, so don't worry about it. Especially if you are using new roundwounds and a very clean amp!!!

Hi all I actually like creamy whites on basses, so it isn't really an issue, but I have noticed that two of my basses are turning a more creamy shade of white over time. Both of them are fairly recent, (2010/11) and both are usually cased unless used, and haven't been used outside as yet in direct sun, or on a stand in sunlight. They are both poly finishes. One has gone all creamy, the other seems to be getting there, with just a small area on the contours which seems to be the last area to change. I'm guessing this is normal, and usually people don't notice?

Could always depend on technique and how much you change the EQ. I lower the bass to 10 ish, mids to 1/2 ish. Perfect! Lovely quality to the tone and build. Excellent treble control.

Plus one on the EQ. Small scoop that can easily be dialed out, just like on a lot of amps like GK amps, etc.

RIP

[quote name='gary mac' timestamp='1365680868' post='2042735'] I did read about it but just thought it was generally dealt with in a better fashion than MB. Just to be clear, I'm not knocking Mark Bass gear, I love my Mark Bass cabs. [/quote] TC definitely have the edge with service.

Ay, I've had two post 2008 American Standards. The first was pretty good, but I sold it on as I found the maple to be a little too glossy for me, (although now I might quite like it). Now, I have a 2011 Sunburst/Tort//Rosewood, and this bass sings! It is beautiful. It does not have the new CS pups, but the pups are brilliant. If I found a similar instrument, P or J, I would buy again, however Fender's QC can be dodgy I'm afraid. Just be careful and check them properly.