Many years ago, a bass chatter actually worked out that the dots form a sort of scale.. a weird one mind, but that wasn't the plan. Both my 7 and my 6 string have the same inlay. I guess you could call it a single strand of a DNA helix. We originally planned (or rather I had the crazy idea) of having a complete DNA design across the fretboard. but it just looked daft. I guess we had the same view as Josie is having about LEDs in general. It was just way over the top and from a distance made no sense whatsoever. So one single thread winding down the fretboard ended up being a way more tasteful and stylish addition. Interestingly, the original design that started life on my 7 string was made up of clear blue dots. It looked understated on the massive bird's eye maple fretboard. When I came to commission the 6 string headless, we went with the same colour scheme, electronics, everything so I had a 'little sister' to the big 7er. However, unbeknownst to me, Jon Shuker was hatching a plan. A very thoughtful and kind gesture which he surprised me with when I went to collect my six string. Somehow he'd managed to keep secret that the blue dots were not blue dots.. Imagine my surprise when he flicked up the switch and my new fretboard lit up!
I don't have the LEDs on all the time. Sometimes they go on just for fun and that's what they are for. No big "hey look at me" moments or ego boosts needed