Marc S

Looks absolutely lovely. Enjoy your new DB - phone in sick, and spend a few days at home with it lol

Wish I'd come across this in a garage! lol Lately, I've got a bit of a hankering for a Squier JV Precision Keep us posted on progress BTW. If you've never tried a fretless, or flatwounds - I'd definitely recommend every bass player has a fretless to dabble with once in a while... Re flats - you may be surprised at just how high the tension in some flats is..... They can be quite "heavy" and hard to play Try looking at LaBella Low Tension flats (I forget the number) or for the lowest tension flats Thomakstik Infeldt (TI Flats) are incredibly low tension - but expensive

PS.Not tried their 300W combo, but would like to at some point I was really impressed with the 100W version - I couldn't believe how light that combo is And loud for a 100W amp too Shame about your combo PaulWarning - still, at least it was still under warranty I never noticed any rattling on the one I used, and the guy has gigged it a lot, and as I say, we both used it outdoors, in a large beer garden at that... I know what you mean about it being "cumbersome" I often find that's the case with combos though....

I've "borrowed" one, as part of the support to a main act. Used it several times, in fact The main bands bass player loves it, and I have to say, I like it too... We've played several medium sized gigs with it, one of them out doors, and I've seen this band play other outdoor gigs Always copes remarkably well, despite them being 6, sometimes 7 piece The owner doesn't seem to do much EQ fiddling - he sets everything pretty much at 12 O'clock. I tweak it a little, or use a Pre-amp pedal EQ controls, and leave his settings alone. It's quite lightweight, considering the punch it packs, and I never felt it struggled any time I've used it, or heard it played through by its' owner. Quite nice tone, definitely not "Boomy" always had plenty of headroom. Would I swap it for my rig? Probably not, because my rig is more flexible (I have 2 different heads, for different situations / bands, and I use 1 or 2 of three different cabs - again for different bands / settings) But if I wanted a 300 - 500W combo, or if a pal asked me what combo I'd recommend in the 500W range - I'd definitely give this amp the heads up

I've had both over the years.... and several of each - like many of us, I suspect I play in several bands, and when I was after a "rockier" sound, I tended to opt for a P over a J However, there were times when I'd happen to take the J along (as a spare, or just cos I fancied trying it on one set of songs for instance) I would find the Jazz sounded better than I'd expected. A quick sound-check, before the 2nd set kicked off was usually enough for me to tell... Nowadays, my preference is for a P/J bass. I just like the tonal options. I can have pure P when I want it, and completely "kill" the J pickup But I usually dial in at least some J - To my ear, this is the best solution. The P tends to cut through with whichever band I'm playing, and I get as much Jazz "burble" as I want for any particular song I have a fretless bass, which is a Jazz. I did own a US fretless P - but I prefer the sound (and flexibility) of the two Jazz pickups when it comes to fretless. The fretless P was great - it was lovely & light, and comfortable to play, and felt and sounded good... but somehow, the 2 Jazz pickups suit fretless more All the above are merely my opinion, of course - but to anyone who hasn't tried the P/J option it's well worth some experimentation, especially in a live situation One or two other thoughts - which have probably been discussed many times on here; I tend to prefer P's for body shape - in general they're lighter in weight than a J. That may not mean much to some - but as my age advances, the lighter the bass, the happier I am after a couple of hours playing. So if I'm going to be playing a couple of long sets, or am likely to be tired (work, rehearsals, or gigging three nights running) I usually prefer the neck dimensions of a J.... but not the very thin, highly tapered versions (I had a 70's RI Jazz, it was lovely, but the neck was very slim at the nut) My fave ever neck being my old RW Jazz, and my (luthier slimmed) RW P. On P basses, i tend to prefer "C" shape / profile necks (more akin to that RW Jazz)

Happy NBD Looks a great bass EDIT: As a matter of interest - I often take a drive and end up near a music shop.... I'm mystified as to how this happens so frequently

Looking at it - I'd definitely try a light sanding, then a coat of some sort of sealant... is Nitro an option for you? I'm not necessarily a fan of natural finish on basses - but I think this one could look great. I just think it's nice with Rosewood board and that tort plate Definitely get it re-fretted though It's a nice project to have in the pipeline

[quote name='skankdelvar' timestamp='1505222789' post='3370336'] Ped Thanks for all you guys do for us ungrateful bastards. Awaiting new site with unconfined curiosity [/quote] Lol - yes indeed - thanks for all the hard (unseen, unappreciated) work you Mods do

[quote name='Jean-Luc Pickguard' timestamp='1508152818' post='3390055'] [/quote] Lol

[quote name='Paul S' timestamp='1508148235' post='3390009'] I mounted mine on a stand very cheaply and don't need the side brackets. [attachment=255673:stagg1.jpg] [attachment=255674:stagg2.jpg] [/quote] Sorry to be late to the show! But Paul S has a great solution. I also did this (on another EUB) I went down to my local Drum Depot with the EUB. They dug out a sturdy, second-hand cymbal stand. They even had a selection of different bolts & wing nuts of different lengths, gauges and threads - and sold me exactly what I needed to make this sort of adaptation My first EUB was a stagg. I rarely played it with those side brackets, as they seemed rather uncomfortable to me....

I had an Ashbory with those white Aguilar Thundergut strings on. They were definitely quite brittle feeling at the nut end (you could snap the end of the strings by bending them) I really disliked the strings anyway - they were very "sticky" - I found my left hand wouldn't move freely enough, as there was far too much "drag". Ashbory basses come with a sort of talcum powder when new. This helped.... a little. But I just didn't get on with it. I sold it and bought myself a Kala Ukebass. With its' black, rubbery strings it's far more comfortable to play - despite the strings feeling very low tension I'd definitely try the black strings from a Kala - though as others have said, they will take a long time to stretch & settle.... EDIT: I have heard other Ukebass owners rave about Aguliar "Thunder Reds" - though I've not tried them myself. They are apparently higher tension than the black strings. They certainly look to be a lighter gauge.... Make sure you get the versions for the Kala though - as they come in different lengths, for other instruments....

[quote name='No. 8 Wire' timestamp='1508140076' post='3389924'] That's a bit outrageous really. Its not a free or charity festival by the looks., In a holiday park, so they'll be making off the accommodation costs too. Best avoided. [/quote] My thoughts exactly. If it had been a charity event, fair enough Imagine the response of the holiday park if you sent them the following letter: "Hello, my friends and I would love to have a holiday in your park" Unfortunately, none of us has been paid for quite some time, as that's what venues seem to think is acceptable these days." "If you would be interested, we can offer to play for you for one night in the bar" We look forward to your response Of course, there are some who would see this as a free night in a holiday park - but it depends on how far you all have to travel, and the logistics (how many cars? how much petrol? Lugging amps etc) Up to you of course, but I'd avoid, unless you were getting free accommodation and any monies raised were going to a worthy cause.... As No.8 Wire says - they've got paying guests, so they're making money. Sounds like a band has pulled out (probably due to the sponsor) If they really want a band, even a small fee plus accommodation and a bit of food / drink would be something. EDIT: If a band does in fact accept this - the holiday park will probably think that's what they deem acceptable practice in future

It does look great, especially in white Glad you had a happy NBD - which I hope is actually a happy NBM (M = Month!)

[quote name='tom1946' timestamp='1507893400' post='3388597'] about 20 mins I think, I buy a bass thinking 'this is the one' and it never is....... [/quote] I think there are a few heads, nodding in agreement among BC members Tom EDIT: BTW, I know quite a few guitarists who are exactly the same too....

[quote name='Steve Browning' timestamp='1507879344' post='3388446'] JV P/J pickups? I am not sure there is such a thing as a JV in P/J configuration. I'd be wary of paying too much for that. [/quote] Yes, good spot Steve. I had read that it was a P/J or going to be a P/J To the OP - if it's a body without the routing / cavity for an extra pickup - I think I'd leave it alone, and not add the pickup If it's already got the extra cavity, that's fine - but I'd be careful what I paid for it. The additional cavity will surely devalue the bass and by even more, if it's not a tidy job...

Looks good to me - but then I'm a bit of a sucker for tort. Black & Tort is indeed a good combination, and it's difficult to tell from photos on a screen, but I'm thinking Tort + Matt black is even better You are allowed a black pickguard - but I'm not a fan of white on a black bass, personally.... pearloid or creamy off white maybe But the only opinion that really matters is yours. It's your bass

My first "proper" (i.e. half decent / playable) bass was a Fender Musicmaster. That bass did lack a bit of bottom end Although it has been said that this was due to the fact that Musicmasters used guitar pickups back then... I once played at an open mic where another bassist had a Squier Jaguar Short scale, with P/J pickups that had been upgraded That sounded great, and definitely didn't seem to lack any thump

I've got flats on my Short Scale, whereas I've got rounds on my long scale basses (apart from flats on my fretless Jazz - though these are low tension LaBellas) So I don't really feel the strings on the SS are floppier - in fact, they're higher tension than any of my full scale bass strings The SS is a P/J - and I have to say, it does the "thump" sound pretty well For me, swapping to & from it does cause a little issue with left hand positioning / fretting - as I can overshoot / over-stretch if I'm not very careful It shouldn't really be a problem - but I am also swapping from bass guitar to DB as well.... so maybe that's part of my problem?