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Clarky

⭐Supporting Member⭐
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Everything posted by Clarky

  1. you know Jack and I - a 50 something and a nearly 50-something - down with the kids. Not in the least bit embarrassing. Innit?
  2. [quote name='Happy Jack' timestamp='1343813500' post='1755483'] But is he hench? [/quote] dench, bruv
  3. Maybe Barnes-dwelling R-Patz will be there, drowning his sorrow after being cheated on by perma-misery vampiress Kristen Stewart? Sadly chaps I cannot be there, despite it being my neck of the woods too (keeping up the vampire theme) as i will be out of country. I know its an extreme way to avoid MacDaddy's spandex strides but a man's gotta do ...
  4. Um Bongo
  5. No pressure at all from me mate! Get the right price, not the first price - seriously In between times, here is Mike Rutherford in early 70s Genesis playing a lookalike of your bass and sounding mighty good, nay superb. Loads of close ups from about 3 minutes in http://www.youtube.com/watch?v=NpILkBBve7k&feature=related
  6. [quote name='silddx' timestamp='1343668980' post='1753439'] Umm, not wanting to sound negative, but I tried a double bass a few months ago, and despite Clarky showing me the correct technique, it felt like playing a f***ing sperm whale. [/quote] The joke was on you Nige. It actually was a sperm whale
  7. Haha, if being very well informed, unfailingly helpful and friendly qualifies someone as a geek, then you are indeed a geek! My kids tell me I am a neek, which is altogether less good
  8. Thanks Gareth for your comments. You are always a fantastic source of info
  9. [quote name='TPJ' timestamp='1343663779' post='1753338'] You can do the IEM relatively cheap with small mixers and cheaper ear phones. I've tried this with an acoustic duo playing large venues. It was just too fiddly for our short setup times so we reverted to pickups and monitors and it was more stuff to carry. How big is the group? Have you tried just using one or two central mics and standing in semi-circle around them with out backline? [/quote] OK, thanks. Sounds impractical and too fiddly for us too. Our line-up is drums, guitar, mandolin, DB and two vocals. Think I will just stick with a piezo pickup for simplicity's sake!
  10. [quote name='paul_5' timestamp='1343660976' post='1753273'] I reckon IEMs would help to reduce it, as you're taking the back line out of the equation. [/quote] There's a thought. Unfortunately a thought that - with decent microphone thrown in - becomes a pricey one to test out. Has anyone on BC tried this perchance?
  11. [quote name='bassace' timestamp='1343660901' post='1753271'] Is this question posed in the context of running the mic to backline? If this is the case then feedback will generally follow whatever the quality of the mic and its amplification chain. But if you run the mic to front of house and not have monitors too close it will work very well. Only trouble is the audience will enjoy the great double bass sound but you won't! You will have to run a pickup to backline to hear yourself. [/quote] Unfortunately I was thinking primarily about the former - ie, to backline
  12. Its just such a shame as no pickup ever conveys the true sound of a double bass IMHO
  13. [url="http://www.cliftonbasses.co.uk/doublebass.html"]http://www.cliftonbasses.co.uk/doublebass.html[/url] Here's the link. £58 sounds good value compared with strings if it really sorts out tension issues
  14. Try BassDirect, closer to Buxton than the Gallery and they have shifted several fretless Wals to my knowledge. Thinks its 15% comm
  15. [quote name='PTB' timestamp='1343585180' post='1752384'] Really enjoyed this! Nice work Clarky. Gonna have to try & catch you live. [/quote] Many thanks. We just played our best gig yet, tonight at the Hoxton Bar & Kitchen. We were really on form but, my word, the main act (Phillious Williams, a mix of country/blues and rock) were fantastic. They are bound to be signed soon
  16. Best gig yet with All The Queens Ravens. Played the Hoxton Bar & Kitchen. Great sound on stage, appreciative audience and we just clicked really really well. This is why I do this, still buzzing We were support act to a new Country-esque act called Phillious Williams. My word are they good, they will be signed to a record label very soon I predict
  17. These may now be sold (to chrkelly)
  18. These came on my old German flatback that I bought from BC'er Emlyn several months back. I took them off immediately as they are too high tension for me (I prefer Kolstein Heritage and SIlver Slaps very low tension strings). They are a bit ragged on the silks (not very) but completely useable. I am fairly sure they are Helicore Hybrids as that is what I recall Emlyn telling me (they have green silks at the ball end with golden thread if that helps identify them). New these are £104 a set at String Express, so how about £35 posted to reflect the somewhat used state? You can see pics of the strings in situ in Emlyn's FS ad [url="http://basschat.co.uk/topic/166526-sold-german-flatback-circa-1880s-tim-batchelor-restored-double-bass-for-sale-wfull-circle-pick-up/"]http://basschat.co.u...circle-pick-up/[/url]
  19. Oops, sorry Al I have scoured the house and cannot find it - or for that matter my Ray Brown double bass tutorial book. Guess I must have lent them to some one and forgotten who ... I do have a couple of other DB books I will bring along on Wednesday, one a very basic beginner's DB book and the other a bit more involved (walking DB bass lines). You are welcome to have those for as long as you like!
  20. I love Burt Bacharach's 60s/70s output As well as Look of Love, here are my two other faves http://www.youtube.com/watch?v=mZ63MCd7jPE&feature=related http://www.youtube.com/watch?v=6inwzOooXRU
  21. Clarky

    obbm's feedback

    another happy customer with two excellent cables arrived promptly this week
  22. Me, trying to work out which string is which mid-gig [attachment=114309:250871_458355767509893_1409969074_n.jpg]
  23. Been reading about mic'ing a double bass (eg with DPA 4099B, which seems to be the most popular) and - whiIe I understand that this risks picking the sound from other instruments on stage (and monitors) - I don't understand why various sources talk about trying to avoid feedback. WIth a piezo I can understand that if the bass starts vibrating (eg from a boomy stage or monitor nearby) it gets picked up by the pickup and a feedback cycle can ensue. But an isolated mic (the 4099B is just attached by rubber feet to the strings below the bridge) surely only picks up sound, not vibrations, so why does it feed back?
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