jazzmanb

If that helps you get over his enormous good fortune i'll go with that sir

Played Octaves on Gloria iirc Good thing with not being flash is playing loads of different bass's live and not being too anal about it

Jokes,my grandads dying wish was to be pushed in front of a steam train.When it happened he was chuffed to bits

The Stranglers, Music,looks,attitude,stubborn,creative,Bass sound of course.Just had a massive impact on 15 year old me.Bought a Kay bass and taught myself to play

My Rickenbacker 4001 appeared on Emmerdale

i have a Radial Bassbone,its a high quality twin channel amp and Di in a floor box with lots of useable features,which you can use without anything else.There's no typical answer here,some pub bands are reasonably quiet and get by with a good live backline mix and a bit help from a pa,vocals and a bit drum perhaps.Our set up is full range PA Which everything runs through including drums ,cymbals etc then being a rock band we have the usual heavy helping of backline which really for me is a glorified monitor but some gigs i have no real out front monitoring to help me

Great player,he's a songwriter first and foremost and writes some great lines to suit.If you want some stuff to put on and jam to for 5 minutes plus look out for Bring on the night live cd,Omar hakim on drums and you can improvise to your hearts delight Favourite bass lines .Spirits in the material world,Burn for you,King of pain,Shadows in the rain

Understand their core function and know their own limitations .Pretty much the same as all band members.

Reading his book there's no "i heard this and had to get a bass! moments,he played woodwind stuff and you can hear his Eastern influences from his family so i think he would have always been off the wall and he picked Bass

I thought that's what you meant lol !So my reply was anyone can copy and he was well above the anyone's ,but where is he in that elite pool above them and why the extra star ? ..i wasn't referring to the endless great YouTube copyists when i said great players .

It is an early Prometeus,he's an Italian guy called Armando.The bass in my avatar is one of his .He mainly does multi string stuff now

I've always been in it for the same reason,because i love playing the instrument.I have a bass in the house and i struggle to walk past it without picking it up,even if its for 30 seconds.I enjoyed listening to new people,it widened my outlook and improved my playing. While tipping my cap to the greats i'm happy and content with my level .The feedback i get from bands i've been in is there's lots of great players out there but often they a)Can't keep time b)Have a poor sound/volume issues c) Over play and don't get whats important about the song

Possibly,i couldn't quite get how your reply related to my comment either so we're both doing well

Nothing to do with ability,he's well above the copyists ,what makes him so special given the pool of players he swims in? The mention of being the original fretless player is a valid one.

i play Rosie from the 5TH fret E string then on the guitar solo(one guitar set up) i change to Open A and the octave on the D as a chord whilst continuing the riff for the filling out.I just find the for main part my E 5TH has more bottom than the open A

i use them to my advantage to fill my sound out if need be,that ringing on is handy when a guitar goes onto solo leaving you and drums The Tool stuff is a great example,you get some cool stuff on the G string while ringing the A i never use them in a run at the bottom of the neck,i find it really odd if i do

Yeah,possibly. Regards "new" i think Mick Karn was unique and well under appreciated and i've never heard anything like him before or since. Would he have been without Jaco ? who knows.

Agree with OP ,impressive but there's lots of great players out there so i'm not sure why he gets the extra star or two

There is music i only listen to because of the bass player,the majority of stuff i really love to listen too rarely has the bass as a key part.Strange. Started off liking all the full on stuff.punk,rock etc but not anymore

i learn by ear and have often been given a song i knew to listen to but not play.I tend to find the important stuff like key and verse chorus and kind of adlib the rest and i often think its sound better.As for hard to suss bass i found Baker streets bass line goes missing a bit on the "so easy " bit and i made my own line up