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jimmyb625

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Everything posted by jimmyb625

  1. The only time we've played in Aberdeen, we had an onsite car park and crew to help with the load in/out. However, no one was there to see us and if we played again, we'd be lucky to fill the cafe at Torry Battery!
  2. Yeah, we've had that one as well. I think it depends what's going on in the theatre.
  3. Yes, it has a belt clip (wire) on it.
  4. This. It's fairly common for the red cable to be the "right" side, which corresponds to the "ring", which (if I'm looking at the right pocket amp) is the return. This means, connect the red jack to the output of your HX. The black cable should be the tip, so connect that to the HX input. The single jack is known as TRS - tip, ring, sleeve.
  5. They also managed to do a very good job of signing Harry Joyce's name on a load of HiWatts...
  6. An evening out in Chester with Fine Lines, playing at Telford's Warehouse. Almost had a major disaster, as I went on stage without my hat, fortunately our eagle-eyed sometime tour manager noticed it. Positioning himself at the side of the stage with said head-gear, I was able to wander over allowing him to return it to its rightful location. It makes using a wireless all the more worthwhile! I was really pleased with how we played and we didn't get bottled off, which is always nice. Had a very pleasant brief chat with @lurksalot of the parish, who kindly turned up to support us. Obligatory photo's below. *edit to add, my jeans aren't too long, my legs are too short!
  7. Lovely to meet you and thanks so much for the kind words.
  8. LD. I had a damaged antenna cable on an IEM belt pack. I wrote to them and asked if there was a replacement part, or if I had to send it to them for a factory repair. "No can do" came the response, with the suggestion that I pay £150 or so for a new pack. Ebay provided a replacement for £5 and it took less than 30 minutes to repair.
  9. Where's the village? I feel this could be the rehearsal venue of choice from now on.
  10. Allen & Heath do have a similar system, albeit more expensive. Do you mean the CQ20? That doesn't have it as far as I can tell. The QU-SB does, although they're more expensive and (imho) will probably end up being phased out fairly soon
  11. It's basically a way of networking audio from the mixer. It allows you to use a unit (Powerplay) which will give you a custom mix, independent of any aux mixes you'd use from the desk.
  12. Your honour, I direct the court's attention to this post on the Internet, where the defendant clearly expresses the manner in which he attempts to circumvent the rules.
  13. I tried to get my lot to sort their own mixes out, turned out to be more trouble than it was worth.
  14. This Friday, we'll be playing at Telford's Warehouse in Chester. First one of the year for us, so I'm looking forward to getting out there again.
  15. Sorry to hear that. We have exactly the same problem. We can get a fairly decent crowd locally, but outside of our "area" we're pretty much unknown. Still, at least those 50 people will have enjoyed it and hopefully will get some interest coming your way in future.
  16. Yep, "I'm the bass player in Fine Lines and I do the tech for Mark Radcliffe" Far better than saying I'm an engineer.
  17. No, a digital stage box would be something like a Behringer XR18, or an Allen & Heath QU-SB. An hour seems like a long time to set up for a 5 piece.
  18. Talk to your teacher and tell them what you're thinking. Theory is a useful tool, but there may be other ways they can get you to learn it, maybe by showing you how it relates to bass lines that have been put into songs? You're probably making more progress than you realise, it's hard to be objective as your skills increase. Perhaps try recording yourself and then going back to the recording after a month or so, so you can monitor how you've changed as a player. I'd say you also need to think of what it is you want to do. Is there a particular style of music you like? Do you want to learn to play that style, or something completely different, just to broaden your abilities?
  19. Excellent, that's changed my perception, thank you. Yes, he was awarded the title Lord Lieutenant of Cheshire I think, whatever that is.
  20. Nice! We've had some reviews where they didn't even get my name right and used the old bass player's name.
  21. Does the fan have to stand there all night? What happens if they need to use the bathroom, or get a drink from the bar?
  22. Yeah, the way they operated was almost an exact lesson in things not to do. I think they expanded too far and certainly took on premises which weren't the best choices. The Manchester store looked great, but I'd imagine the rent was ridiculous. When they sold the Warrington store (which I think they owned outright) you knew they were finished. I used to go into the Altrincham store every week, after the kids had piano lessons and we bought their first keyboard and then digital piano from there, plus a clavinova for the theatre. I think I also bought child no. 2's 3/4 scale Yamaha classical guitar from there as well, as well as a Farida acoustic. It was a real shame when it eventually closed. Didn't the MD get given an O.B.E or something similar? I remember seeing an interview with him at some point that made him out to be a retail expert, in which he stated he had no interest at all in instruments. A great choice...
  23. It's a really useful reference source, thank you. It might be worth highlighting the above paragraph, as the Ofcom website is really confusing when it comes to this bit. Some channel 70 gear has these frequencies available and it's easy for people to fall into the trap of using them without having the licence.
  24. Yeah, Butlins pulled both the Blues/Rock and the Folk festivals, stating they weren't viable anymore.
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